R.E.M. – Up
Label: |
Craft Recordings – CR00547 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Downtempo |
Tracklist
| A1 | Airportman | |
| A2 | Lotus | |
| A3 | Suspicion | |
| B1 | Hope | |
| B2 | At My Most Beautiful | |
| B3 | The Apologist | |
| B4 | Sad Professor | |
| C1 | You're In The Air | |
| C2 | Walk Unafraid | |
| C3 | Why Not Smile | |
| C4 | Daysleeper | |
| D1 | Diminished | |
| D2 | Parakeet | |
| D3 | Falls To Climb |
Companies, etc.
- Phonographic Copyright ℗ – R.E.M./Athens L.L.C.
- Copyright © – R.E.M./Athens L.L.C.
- Licensed To – Craft Recordings
- Manufactured By – Concord
- Distributed By – Concord
- Recorded At – La Casa Del Elefante
- Recorded At – Toast Studios
- Recorded At – John Keane Studios
- Recorded At – Baby Monster Studios
- Recorded At – Tree Sound Studios
- Edited At – Toast Studios
- Mixed At – RPM Studios
- Mixed At – John Keane Studios
- Mixed At – The Hit Factory
- Mixed At – Tree Sound Studios
- Mastered At – Sterling Sound
- Published By – Temporary Music (2)
- Published By – Sony/ATV Songs LLC
- Published By – Sony / ATV Music Publishing
- Published By – Universal Music Publishing Group
- Mastered At – Record Technology Incorporated – 40578
- Lacquer Cut At – Cohearent Audio
- Pressed By – Memphis Record Pressing
Credits
- Advisor – Bertis Downs*
- Arranged By [String Arrangement] – R.E.M. (tracks: A3, C1)
- Band [R.E.M.] – Peter Buck
- Cover [Packaging] – Michael Stipe
- Edited By [Digital Editing] – Paul Falcone (tracks: A1, A3, B4, C1, C3, D1)
- Edited By [Toast, San Francisco Digital Editing] – Steve Holsworth
- Engineer [Additional Recording At Baby Monster Studios, New York Engineers] – John Hopkins (2) (tracks: D3)
- Engineer [Engineer, Mix] – John Keane (tracks: A1, B4, C3)
- Engineer [John Keane Studios, Athens Engineer] – John Keane
- Engineer [John Keane Studios, Athens Second Engineers] – Rob Haddock
- Engineer [La Casa del Elefante, Seattle Engineer] – Peter Buck
- Engineer [Second Engineer, Mix] – Suzanne Dyer (tracks: A2, B1, B3, C2, C4, D2, D3)
- Engineer [Toast, San Francisco Engineer] – Charlie Francis
- Engineer [Toast, San Francisco Second Engineer] – Robert Shimp
- Lacquer Cut By – KPG*
- Management [Office] – Sarah Petit
- Mastered By – Ted Jensen
- Mixed By – R.E.M. (tracks: A1, A3, B4, C1, C3, D1)
- Musician [Additional Musicians] – Scott McCaughey
- Photography By – Nick Wickham
- Producer – R.E.M.
- Songwriter – Buck*
- Strings, Cello – Nan Maddox (tracks: A2, A3, C1)
- Strings, Conductor – Jere Flint (tracks: A2, A3, C1)
- Strings, Double Bass – Douglas Sommer (tracks: A2, A3, C1)
- Strings, Leader – Paul Murphy (5) (tracks: A2, A3, C1)
- Strings, Viola – Reid Harris (tracks: A2, A3, C1)
- Strings, Violin – Willard Shull (tracks: A2, A3, C1)
- Technician [Technical Assistance] – Microwave (9)
Notes
Packaged in a wide-spined sleeve.
Contains an insert with lyrics.
The end of D1 includes the short song "I'm Not Over You" which is only listed on the lyric insert.
Runouts are etched.
Re-cut by Kevin Gray at Cohearent Audio and pressed on 180-gram vinyl at Memphis Records Pressing.
Green vinyl variant exclusively available from REMHQ.com for a limited period.
Barcode on sticker on shrink is 888072525870 but 888072436222 on sleeve.
℗ & © 1998 R.E.M./Athens, L.L.C. Under exclusive license to Craft Recordings.
Manufactured and distributed by Concord, 10 Lea Avenue, Suite 300, Nashville, TN 37210.
Made in USA
Recording:
La Casa del Elefante, Seattle
Toast, San Francisco
John Keane Studios, Athens
Additional recording on Falls To Climb at Baby Monster Studios, New York.
Mixing:
(A2, B1, B3, C2, C4, D2, D3) at RPM Sound Studios, New York
(A1, B4, C3)... at John Keane Studios, Athens
(A3, C1, D1) at Hit Factory, New York
(B2, D1) at Tree Sound Studios, Atlanta
Strings recorded at Tree Sound Studios, Atlanta
Mastered... at Sterling Sound
All Songs ©1998 Temporary Music (SESAC) except Hope ©1998 Sony/ATV Songs LLC/Temporary Music (SESAC). This song contains elements of "Suzanne" by Leonard Cohen ©1967 Sony/ATV Songs LLC (BMI). All rights on behalf of Sony/ATV Songs LLC . by Sony/ATV Music Publishing. Temporary Music istered in this quote-unquote world by Universal Music Publishing Group (SESAC).
Contains an insert with lyrics.
The end of D1 includes the short song "I'm Not Over You" which is only listed on the lyric insert.
Runouts are etched.
Re-cut by Kevin Gray at Cohearent Audio and pressed on 180-gram vinyl at Memphis Records Pressing.
Green vinyl variant exclusively available from REMHQ.com for a limited period.
Barcode on sticker on shrink is 888072525870 but 888072436222 on sleeve.
℗ & © 1998 R.E.M./Athens, L.L.C. Under exclusive license to Craft Recordings.
Manufactured and distributed by Concord, 10 Lea Avenue, Suite 300, Nashville, TN 37210.
Made in USA
Recording:
La Casa del Elefante, Seattle
Toast, San Francisco
John Keane Studios, Athens
Additional recording on Falls To Climb at Baby Monster Studios, New York.
Mixing:
(A2, B1, B3, C2, C4, D2, D3) at RPM Sound Studios, New York
(A1, B4, C3)... at John Keane Studios, Athens
(A3, C1, D1) at Hit Factory, New York
(B2, D1) at Tree Sound Studios, Atlanta
Strings recorded at Tree Sound Studios, Atlanta
Mastered... at Sterling Sound
All Songs ©1998 Temporary Music (SESAC) except Hope ©1998 Sony/ATV Songs LLC/Temporary Music (SESAC). This song contains elements of "Suzanne" by Leonard Cohen ©1967 Sony/ATV Songs LLC (BMI). All rights on behalf of Sony/ATV Songs LLC . by Sony/ATV Music Publishing. Temporary Music istered in this quote-unquote world by Universal Music Publishing Group (SESAC).
Barcode and Other Identifiers
- Barcode (Sticker): 8 88072 52587 0
- Barcode (Sleeve): 8 88072 42622 1
- Other (Catalogue number on the barcode sticker): CR06211
- Rights Society: SESAC
- Rights Society: BMI
- Matrix / Runout (Side 1 runout): #4 CR00547-A KPG@CA 40578.1(3)...
- Matrix / Runout (Side 2 runout): #15 CR00547-B KPG@CA 40578.2(3)...
- Matrix / Runout (Side 3 runout): #10 CR00547-C KPG@CA 40578.3(3)...
- Matrix / Runout (Side 4 runout): #15 CR00547-D KPG@CA 40578.4(3)...
Other Versions (5 of 68)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Up (CD, Album) | Warner Bros. Records | 9362-47112-2 | Europe | 1998 | |||
| Up (CD, Album) | Warner Bros. Records | CDW 47112 | Canada | 1998 | |||
|
Recently Edited
|
Up (2×LP, Album) | Warner Bros. Records | 9 47112-1, 1-477112 | US | 1998 | ||
| Up (CD, Album, WEA Olyphant Pressing) | Warner Bros. Records | 9 47112-2 | US | 1998 | |||
|
Recently Edited
|
Up (CD, Album, Box Set, Limited Edition) | Warner Bros. Records | 9 47151-2 | US | 1998 |
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2020 USA & EuropeVinyl —LP, Album, Reissue, Remastered, Stereo
Reviews
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Edited 7 months ago"Limited edition " my a...! Another pre-order that now costs a third less of what I paid because it was supposed to be "limited".....but then there are records that if you don't pre-order they end up being very difficult to find and very expensive! I love vinyl but it's getting frustrating these days..... -
My first disc is terribly dished. In addition to the “Suspicion” issues, the whole disc sounds off-speed or warbly. I guess because of it being dished? The second disc sounds great. Overall - disappointed with this one.
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At first play, my green marble version was ok, but closer inspection reveals a bit of a noisy floor, some ticks and pops, especially on side A, and some nasty non-fill at the end of Suspicion. The package itself is just ok - I’d have preferred a nicer sleeve, but happy enough to have this on vinyl. I’d stick to the black one in the future though - I need to learn my lesson about limited variants!
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So happy to finally have this on vinyl, finally completing my REM on vinyl collection. Beautiful pressing and sounds fantastic. I miss this band especially in this day and age.
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After reading the US version is cut by Kevin Grey and the EU version is not, im glad i ordered a US copy.
Also no issues on Daysleeper in my copy. -
Sounds great, very happy with this release.
I cleaned mine twice before spinning it after seeing a few comments. No issues here after those two cleans, so for anyone having issues try cleaning before spinning it. -
Playing it now. Quite a lot of background noise and crackles during Suspicion right now. Disappointing.
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Some sort of pressing fault on Daysleeper, sounds absolutely horrible. The rest of the record(s) sounds really good though.
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Anyone else get a copy with some sort of defect on the first record? Right about the middle of the record, there's a consistent skipping sound and I've tried cleaning the album with no luck.
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