Tom PettyWildflowers & All The Rest

Label:

Warner Records – 093624929291

Format:

2 x Vinyl , LP, Album, Reissue, Remastered, Stereo
Vinyl , LP, Stereo

Country:

USA & Europe

Released:

Genre:

Rock

Style:

Pop Rock

Tracklist

Wildflowers
A1 Wildflowers
Acoustic Guitar, Vocals [Vocal]Tom Petty
Bass Guitar, HarpsichordMike Campbell
DrumsSteve Ferrone
Harmonium, PianoBenmont Tench
Orchestrated By, Conductor [Conducted By]Michael Kamen
PercussionLenny Castro
Performer [Must Have Played Something]George Drakoulias
3:12
A2 You Don't Know How It Feels
Acoustic Guitar, Electric Guitar [1st Solo], Soloist [1st Solo], Harmonica, Bass Guitar, VocalsTom Petty
DrumsSteve Ferrone
Electric Guitar [2nd Solo], Soloist [2nd Solo]Mike Campbell
Grand Piano, Electric PianoBenmont Tench
Harmony VocalsTom*
PercussionLenny Castro
4:49
A3 Time To Move On
Bass Guitar, Slide GuitarMike Campbell
DrumsSteve Ferrone
Electric Guitar, VocalsTom Petty
Orchestrated By, Conductor [Conducted By]Michael Kamen
PianoBenmont Tench
3:15
A4 You Wreck Me
Bass Guitar, Harmony Vocals [Harmony Vocal]Howie Epstein
DrumsSteve Ferrone
Electric GuitarMike Campbell
Electric Guitar, Lead Vocals [Lead Vocal]Tom Petty
PercussionPhil Jones (3)
Piano, OrganBenmont Tench
3:23
B1 It's Good To Be King
Bass Guitar, Electric GuitarMike Campbell
DrumsSteve Ferrone
Electric Guitar, VocalsTom Petty
Harmony VocalsTom*
Orchestrated By, Conductor [Conducted By]Michael Kamen
PercussionLenny Castro
PianoBenmont Tench
5:11
B2 Only A Broken Heart
Bass GuitarMike Campbell
DrumsSteve Ferrone
Guitar [Guitars], VocalsTom Petty
Piano, Organ, Mellotron, HarmoniumBenmont Tench
4:31
B3 Honey Bee
Backing Vocals [Backing Vocal]Carl Wilson
Backing Vocals [Backing Vocal], Bass GuitarHowie Epstein
DrumsSteve Ferrone
Electric Guitar [Left Side]Mike Campbell
Electric Guitar [Right Side], Vocals [Vocal]Tom Petty
PercussionLenny Castro
PianoBenmont Tench
4:59
B4 Don't Fade On Me
Acoustic GuitarMike Campbell
Acoustic Guitar, Vocals [Vocal]Tom Petty
3:32
C1 Hard On Me
Acoustic Guitar, VocalsTom Petty
Bass GuitarJohn Pierce
DrumsSteve Ferrone
Electric GuitarMike Campbell
PercussionLenny Castro
Piano, OrganBenmont Tench
3:49
C2 Cabin Down Below
Bass GuitarHowie Epstein
DrumsSteve Ferrone
Electric GuitarMike Campbell
Electric Guitar, Vocals [Vocal]Tom Petty
PercussionPhil Jones (3)
PianoBenmont Tench
2:51
C3 To Find A Friend
Acoustic Guitar [Acoustic Guitars], VocalsTom Petty
DrumsRingo Starr
Electric Guitar, Sitar [Coral Sitar], Bass GuitarMike Campbell
PercussionLenny Castro
Piano [Tack Piano], Performer [Zenon]Benmont Tench
3:24
C4 A Higher Place
Acoustic Guitar [Acoustic Guitars], Harmonica, Vocals, Bass GuitarTom Petty
DrumsSteve Ferrone
Electric GuitarMike Campbell
PercussionLenny Castro
Piano, Organ, Keyboards [Orchestron], HarmoniumBenmont Tench
3:56
D1 House In The Woods
Bass Guitar, Electric Guitar [Electric Guitars]Mike Campbell
DrumsSteve Ferrone
Electric Guitar, VocalsTom Petty
Harmony Vocals [Harmony Vocal]Howie Epstein
Pedal Steel GuitarMarty Rifkin
PianoBenmont Tench
SaxophoneKim Hutchcroft
5:32
D2 Crawling Back To You
Bass Guitar, Electric GuitarMike Campbell
DrumsSteve Ferrone
Electric Guitar, Organ, Lead Vocals [Lead Vocal]Tom Petty
Harmony VocalsTom*
PercussionLenny Castro
Piano, Organ, MellotronBenmont Tench
5:06
D3 Wake Up Time
Bass GuitarMike Campbell
DrumsSteve Ferrone
Orchestrated By, Conductor [Conducted By]Michael Kamen
Piano, Vocals [Vocal]Tom Petty
5:19
All The Rest
E1 Something Could Happen
DrumsStan Lynch
EngineerJim Scott
Engineer [Assistant]Steve Holroyd
GuitarMike Campbell
Harmony Vocals [Harmony Vocal], Bass GuitarHowie Epstein
Lead Vocals [Lead Vocal], Guitar, TambourineTom Petty
Mixed ByRyan Ulyate
Piano [Tack Piano], HarmoniumBenmont Tench
Producer [Produced By]Rick Rubin
Producer [Produced With]Tom Petty
4:34
E2 Leave Virginia Alone
DrumsSteve Ferrone
EngineerJim Scott
Engineer [Assistant]Joe Barresi
Guitar, Bass GuitarMike Campbell
Harmony Vocals [Harmony Vocal]Howie Epstein
Lead Vocals [Lead Vocal], GuitarTom Petty
Mixed ByRyan Ulyate
Piano, HarmoniumBenmont Tench
Producer [Produced By]Rick Rubin
Producer [Produced With]Tom Petty
TambourineLenny Castro
4:15
E3 Climb That Hill Blues
Lead Vocals [Lead Vocal], GuitarTom Petty
Producer [Produced By], Recorded By, Mixed ByTom Petty
2:33
E4 Confusion Wheel
DrumsSteve Ferrone
EngineerJim Scott
Engineer [Assistant]Jeff Sheehan
GuitarMike Campbell
HarmoniumBenmont Tench
Harmony Vocals [Harmony Vocal], Bass GuitarHowie Epstein
Lead Vocals [Lead Vocal], GuitarTom Petty
Mixed ByRyan Ulyate
Producer [Produced By]Rick Rubin
Producer [Produced With]Tom Petty
4:20
E5 California
DrumsSteve Ferrone
EngineerJim Scott
Engineer [Assistant]Joe Barresi
Guitar, Piano, 6-String Bass [6-String Bass Guitar]Mike Campbell
Lead Vocals, Harmony Vocals, Guitar, Harmonica, Bass GuitarTom Petty
Mixed ByRyan Ulyate
Producer [Produced By]Rick Rubin
Producer [Produced With]Tom Petty
TambourinePhil Jones (3)
2:37
F1 Harry Green
Lead Vocals, Harmony Vocals, Guitar, HarmonicaTom Petty
Mixed ByRyan Ulyate
Producer [Produced By], Recorded ByTom Petty
3:53
F2 Hope You Never
Bass GuitarHowie Epstein
DrumsSteve Ferrone
EngineerJim Scott
Engineer [Assistant]Joe Barresi
GuitarMike Campbell
Lead Vocals, Harmony Vocals, Guitar, HarpsichordTom Petty
Mixed ByRyan Ulyate
OrganBenmont Tench
PercussionPhil Jones (3)
Producer [Produced By]Rick Rubin
Producer [Produced With]Tom Petty
3:02
F3 Somewhere Under Heaven
EngineerBrian Scheuble
Guitar [Guitars], Organ, Bass Guitar, DrumsMike Campbell
Lead Vocals [Lead Vocal]Tom Petty
Mixed ByRyan Ulyate
Producer [Produced By]Tom Petty
4:38
F4 Climb That Hill
DrumsSteve Ferrone
EngineerRichard Dodd
Guitar, Bass GuitarMike Campbell
Harmony VocalsHowie Epstein
Lead Vocals, Harmony Vocals, Guitar, TambourineTom Petty
Mixed ByRyan Ulyate
Piano, Electric PianoBenmont Tench
Producer [Produced By]Rick Rubin
Producer [Produced With]Tom Petty
3:33
F5 Hung Up And Overdue
Backing VocalsCarl Wilson
Bass GuitarHowie Epstein
DrumsRingo Starr
EngineerJim Scott
Engineer [Assistant]Bob Loftus
GuitarMike Campbell
Lead Vocals [Lead Vocal], GuitarTom Petty
Mixed ByRyan Ulyate
PercussionLenny Castro
Piano, Organ, Harpsichord, MellotronBenmont Tench
Producer [Produced By]Rick Rubin
Producer [Produced With]Tom Petty
6:02

Companies, etc.

  • Record CompanyWarner Records Inc.
  • Record CompanyWarner Music Group
  • Copyright ©Tom Petty Legacy
  • Phonographic Copyright ℗Tom Petty Legacy
  • Licensed ToWarner Records Inc.
  • Copyright ©Warner Records Inc.
  • Phonographic Copyright ℗Warner Records Inc.
  • Copyright ©Gone Gator Music
  • Copyright ©Wixen Music Publishing, Inc.
  • Copyright ©Wild Gator Music
  • Recorded AtSound City Studios
  • Recorded AtOcean Way Recording
  • Overdubbed AtShoreline Recorders, Malibu
  • Recorded AtRumbo Recorders
  • Mixed AtAndora Studios
  • Mastered AtBernie Grundman Mastering
  • Pressed ByRecord Industry – 29901

Credits

  • Art Direction [For], Design [Package Design For]SMOG Design, Inc.
  • Art Direction, Design [Package Design By]Nick Steinhardt
  • Compilation Producer [Compilation Produced By]Ryan Ulyate
  • Consultant [Consultant On Anything Really Important]George Drakoulias (tracks: A1 to D3)
  • Coordinator [Logistical Coordination], Crew [Equipment Manager]Alan "Bugs" Weidel* (tracks: A1 to D3)
  • Cover [Original Cover Beadwork Created By]Maria Sarno
  • Creative Director [Creative Direction For Wildflowers Project By]Adria Petty
  • Curated By [Compilation Curated By]Mike Campbell
  • EngineerRichard Dodd (tracks: A1 to D3)
  • Engineer [Assistant]Steve Holroyd (tracks: A1 to D3)
  • Engineer [The Yard Dog Orchestra Engineered By]Stephen McLaughlin
  • Illustration [Original Illustrations Created By]Blaze Ben Brooks
  • Lacquer Cut ByCB*
  • Management [Digital Platforms And Merchandizing Formats Managed By]Jay Barnings
  • Management [Digital Platforms And Merchandizing Formats Managed For]Red Light Management
  • Management [Management For Tom Petty Legacy LLC, For]Red Light Management
  • Management [Management For Tom Petty Legacy LLC]Will Botwin
  • Management [Tom Petty Personal Archive And Tom Petty Radio Managed By]Adam Hohlt
  • Management [Tom Petty Personal Archive And Tom Petty Radio Managed For]Red Light Management
  • Management [Video Commissioner For Warner Records]Lydia Sarno
  • Marketing [Project Marketing For Warner Records By]Jesse Ervin (2)
  • Mastered By [Compilation Mastered By]Chris Bellman
  • Mixed ByRichard Dodd (tracks: A1 to D3)
  • Mixed By [Assistant]Kenji Nasai (tracks: A1 to D3)
  • OrchestraThe Yard Dog Orchestra
  • Photography By [Wildflowers In-Studio Film Assets Created By]Martyn Atkins
  • Photography By [Wildflowers-era Photography Supplied By]Robert Sebree
  • Producer [Produced By]Rick Rubin (tracks: A1 to D3)
  • Producer [Produced With]Tom Petty (tracks: A1 to D3)
  • Project Manager [Project Management For Warner Records By]Robin Hurley
  • Research [Photo, Video And Spoken Audio Archivist]Alison Tavel
  • Research [Physical Tom Petty Archive And Historical Accuracy Maintained By]Mary Klauzer
  • Songwriter [Songs Written By]Tom Petty

Notes

3 LPs in triple gatefold sleeve with 3 printed innersleeves with lyrics and art.
Hype sticker on shrink: "25 Songs originally recorded during the Wildflowers sessions..."

Tracks A1 to D3: Recorded in Los Angeles, CA, at Sound City Studios & Ocean Way Recording
Track E1: Previously unreleased song and recording - July 26, 1993 / Recorded at Ocean Way Recording
Track E2: Previously unreleased recording - January 26, 1993 / Recorded at Sound City Studios
Track E3: Previously unreleased song and recording - 1993 / Produced, recorded & mixed by Tom Petty at his home studio
Track E4: Previously unreleased song and recording - April 11, 1994 / Recorded at Sound City Studios
Track E5: Alternate version - original on "She's the One" - April 14, 1994 / Recorded at Sound City Studios
Track F1: Previously unreleased song and recording - 1994 / Recorded at home studio with overdubs (2014) at Shoreline Recorders
Track F2: Alternate version - original on "She's the One" - April 11, 1994 / Recorded at Sound City Studios
Track F3: September 30, 1992 - Released in 2015 in "Entourage" film / Recorded at Rumbo Recorders
Track F4: Alternate take - different than one on "She's the One" - November 30, 1993 / Recorded at Sound City Studios
Track F5: Alternate version - original on "She's the One" - June 3, 1993 / Recorded at Ocean Way Recording

Compilation mastered at Bernie Grundman Mastering.

Tracks A1, to A3, B1 to B3, C1 to E2, E4 to F2, F5: © 1994 Gone Gator Music (ASCAP), istered by Wixen Music Publishing, Inc.
Track F3: © 1992 Gone Gator Music (ASCAP), istered by Wixen Music Publishing Inc./Wild Gator Music (GMR)
Tracks A4, B4, E3, F4: © 1994 Gone Gator Music (ASCAP), istered by Wixen Music Publishing, Inc./Wild Gator Music (GMR)

On rear artwork:
Warner Records Inc., A Warner Music Group Company
©℗ 2020 Tom Petty Legacy under exclusive license to Warner Records Inc. ℗2020 Warner Records Inc.
Made in the Netherlands

On labels:
©℗ 2020 Warner Records Inc., A Warner Music Group Company.
Made in the Netherlands

Although "Made In Netherlands" is printed on back, some copies also include a "Made In " sticker.

Barcode and Other Identifiers

  • Barcode (Scanned): 093624929291
  • Barcode (Text): 0 93624 92929 1
  • Matrix / Runout (Side A runout): 29901 1A 093624899105 093624892991-A Re-1 CB
  • Matrix / Runout (Side B runout): 29901 1B 093624899105 093624892991-B Re-1 CB
  • Matrix / Runout (Side C runout): 29901 1C 093624899105 093624892991-C Re-1 CB
  • Matrix / Runout (Side D runout): 29901 1D 093624899105 093624892991-D Re1 CB
  • Matrix / Runout (Side E runout): 29901 1E 093624899105 093624892991-E CB
  • Matrix / Runout (Side F runout): 29901 1F 093624899105 093624892991-F CB
  • Matrix / Runout (Side A to D labels): 093624978312
  • Matrix / Runout (Side E, F labels): 093624892991
  • Rights Society: ASCAP
  • Rights Society: GMR

Other Versions (5 of 91)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Wildflowers (CD, Album) Warner Bros. Records 9362-45759-2 Europe 1994
Wildflowers (CD, Album, Stereo, Specialty Pressing) Warner Bros. Records 9 45759-2 US 1994
Wildflowers (2×LP, Album, Stereo) Warner Bros. Records 9362 45759-1 Europe 1994
Recently Edited
Wildflowers (2×LP, Album) Warner Bros. Records 9 45759-1 US 1994
Recently Edited
Wildflowers (Cassette, Album) Warner Bros. Records 9362-45759-4 Europe 1994

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Reviews

  • FranksAndBeenz's avatar
    FranksAndBeenz
    Easily one of the best pressings in my collection. Excellent noise floor. The music explodes at you and has zero surface noise. This record makes the cd (which is excellent) sound sub-par. Listening to this pressing is like listening to it for the first time. I am using a Technics SL-D1, Audio Technica VM95EN, Sansui 9090 and technics sb speakers and fisher ST 830's. What a banger of an album. The extra songs are icing on the cake. 3 discs of amazing Tom Petty for a good price. Pressed at Record Industry 🤣 it is sooo perfect.
    • muppetcollective's avatar
      This sounds pristine. I’m so impressed with this! If you love this album you’ll love this pressing.
      • NikTurner's avatar
        NikTurner
        Believe the hype on this edition. Great pressing of a great Lacquer of a great master of a great album. $13 per disc?! Thank you Tom Petty.
        • matthew.walker's avatar
          matthew.walker
          This 'Made in Netherlands' pressing is perfect. Flat and quiet.
          Sound is fantastic.
          This is the first new pressing I've had in a long time that is completely flat and without noise!
          Thank you!
          • Rossnagel's avatar
            Rossnagel
            Edited 5 months ago
            Nothing extraordinary here—except that it’s absolutely extraordinary. This presentation of Wildflowers & All the Rest is everything you want it to be: simple, intimate, and utterly perfect for the music it delivers.

            It’s slightly less dynamic than some vinyl pressings, but that’s not a knock—it’s exactly what this music calls for. The beauty of Wildflowers is in its simplicity: Tom’s voice, Tom’s strumming, and yes, Tom’s harmonicanizing (pretty sure that’s not a word but it should be). The soundstage doesn’t need to be massive; it just needs to feel honest, and Chris Bellman nails it here. And the vinyl itself? Dead. Ass. Quiet. From the very first needle drop, there’s not a whisper of hiss or noise.

            Highlight for me: Don’t Fade on Me, Tom’s vocals here are just so friggin intimate. In a two channel system, Tom is front and center and in your room.

            The packaging is as thoughtful as the sound. Posters, photos—it’s all here, and it’s stunning. But I’ll it, dealing with a triple gatefold is a bit challenging. Do triple gatefold sleeves exist?

            Listening to this record is a bittersweet experience. It’s a flawless representation of Petty’s artistry, but it’s also a reminder of how much we miss him. This is more than a reissue; it’s a love letter to one of the most heartfelt and timeless records of his career.
            • PKilla80's avatar
              PKilla80
              The listing says 2 lps. Is it 3 lps or two? I ask bc I found a new copy for $20 but the listing says 3 lps
              • andrewheitert's avatar
                andrewheitert
                Amazing package. Really beautiful design of the sleeve and inserts and everything- a pretty thick gatefold but easily cool enough to justify it.

                This is the best sounding record in my collection. It’s got a holographic sound quality. Smoother than silk but retains crispness, absolutely minimal noise, beautiful definition and separation. Big warm soundstage with Petty & Friends mostly positioned close to the listener. The intimacy is used to great effect. A remarkable argument for vinyl as a medium.
                • enquerencia's avatar
                  enquerencia
                  Edited 8 months ago
                  Initially I didn't want to get this because I didn't really care about the extra tracks, but I'm glad I did. One, the quality is exceptional. I had this on CD when it came out and played it over and over, and even though it's been years, I can tell you it didn't sound any better than this. And two, the extra tracks are totally worth your time. I had no idea that Tom wrote Leave Virginia Alone, but it explains why I found myself liking it despite not giving Rod Stewart a chance on anything else (maybe he's good, no idea frankly). But Tom's version is better and now I can't hear that song in my head the way Stewart did it. Oh, and the packaging is really nice too. Quality material, well designed. Highly recommend this release.
                  • jwright2k276's avatar
                    jwright2k276
                    Edited one year ago
                    Wouldn't you know it....I finally find a copy. Buy it, open it, go to clean it.....and something is embedded in the record that makes it pop as the stylus es over it. It looks like a flake of paper or something but totally ruined it for me. Not to mention Side 2 of record 1 the label is grossly off centre making the record look warped as it spins. Now I have to return it and go on the hunt for ANOTHER copy. FML!
                    • fatgordy's avatar
                      fatgordy
                      This pressing is absolutely spectacular. It's also a really beautiful cover and the material feels velvety smooth just holding it in your hands. Love the 3- gatefold and just staring at the photos. Sounds crisp, clean, and quiet. Do not this up. If you are on the fence, just do it. No regerts.

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                      • Median:$36.27
                      • High:$85.00

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