Creedence Clearwater Revival – At The Royal Albert Hall (April 14, 1970)
Tracklist
| A1 | Born On The Bayou | 5:12 | |
| A2 | Green River | 2:58 | |
| A3 | Tombstone Shadow | 3:41 | |
| A4 | Travelin' Band | 2:11 | |
| A5 | Fortunate Son | 2:16 | |
| A6 | Commotion | 2:45 | |
| A7 | Midnight Special | 3:42 | |
| B1 | Bad Moon Rising | 2:25 | |
| B2 | Proud Mary | 3:01 | |
| B3 | The Night Time Is The Right Time | 3:15 | |
| B4 | Good Golly Miss Molly | 2:58 | |
| B5 | Keep On Chooglin' | 8:30 |
Companies, etc.
- Phonographic Copyright ℗ – Craft Recordings
- Copyright © – Craft Recordings
- Record Company – Concord
- Recorded At – Royal Albert Hall
- Engineered At – Welcome To 1979
- Mastered At – Abbey Road Studios
- Lacquer Cut At – Abbey Road Studios
- Pressed By – GZ Media – 238654E
- Made By – Universal International Music B.V.
- Published By – Jondora Music
Credits
- Band [Creedence Clearwater Revival], Bass, Backing Vocals – Stu Cook
- Band [Creedence Clearwater Revival], Drums – Doug Clifford
- Band [Creedence Clearwater Revival], Lead Guitar, Lead Vocals, Harmonica – John Fogerty
- Band [Creedence Clearwater Revival], Rhythm Guitar, Backing Vocals – Tom Fogerty
- Crew [1970 European Tour Crew] – Ray Francois
- Crew [1970 European Tour Crew], Engineer [Sound Engineer] – Bruce Burns (3)
- Crew [1970 European Tour Crew], Lighting Director – John Flore*
- Crew [1970 European Tour Crew], Public Relations – Jake Rohrer
- Crew [1970 European Tour Crew], Tour Manager – Jay Vickers
- Crew [1970 European Tour Crew], Tour Manager [Road Manager] – Bruce Young (3)
- Design – Tommy Steele (2)
- Directed By [Original Concert Program] – Peter Selby
- Editor – Ryan Jebavy
- Executive-Producer – Jack Lynn
- Liner Notes – John Harris (16)
- Management [Royal Albert Hall] – Rick Burin
- Mastered By [Half Speed Mastering], Lacquer Cut By – Miles Showell
- Mixed By [Concert Sound Mixed By], Restoration [Concert Sound Restored By] – Sam OKell
- Producer – Sig Sigworth
- Product Manager [Product Management] – Kay Anderson (3)
- Research [Audio Research] – Chris Clough
- Transferred By [Audio Transfers] – Seth Presant
Notes
Recorded on April 14, 1970 at London's Royal Albert Hall. Previously unreleased. Restored and mixed from the original multitrack tapes, and the LP was mastered using half-speed technology.
Barcode and Other Identifiers
- Barcode: 00888072406612
- Barcode (Text): 8 88072 40661 2
- Label Code: LC15025
- Matrix / Runout (Side A runout, variant 1): 238654E1 1152064 MRP3668/CCR-4-A MILES.ABBEY ROAD 1/2 SPEED. ROOM 30
- Matrix / Runout (Side B runout, variant 1): 238654E2 1243974 MRP3668/CCR-4-B MILES.ABBEY ROAD 1/2 SPEED. ROOM 30
- Matrix / Runout (Side A runout, variant 2): 238654E1 1152064 MRP3668/CCR-4-A MILES.ABBEY ROAD 1/2 SPEED. ROOM 30
- Matrix / Runout (Side B runout, variant 2): 238654E2 124.2339 MRP3668/CCR-4-B MILES.ABBEY ROAD 1/2 SPEED. ROOM 30.
Other Versions (5 of 18)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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New Submission
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At The Royal Albert Hall (April 14, 1970) (LP, Album, Limited Edition, Stereo, Red, 180 g) | Fantasy | CR04347, 00888072414679 | Worldwide | 2022 | ||
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New Submission
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At The Royal Albert Hall (April 14, 1970) (LP, Album, Limited Edition, Translucent Green With Black Marble, 180 g) | Fantasy | CR04753, 888072437265 | US | 2022 | ||
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New Submission
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At The Royal Albert Hall (April 14, 1970) (LP, Album, Limited Edition, Gold) | Fantasy | CR04771, 00888072439030 | Worldwide | 2022 | ||
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New Submission
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At The Royal Albert Hall (April 14, 1970) (CD, Album, Stereo) | Fantasy | CR00508 | USA & Canada | 2022 | ||
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New Submission
|
At The Royal Albert Hall (April 14, 1970) (LP, Album, Stereo, Grey Marble [Tombstone Shadow]) | Fantasy | CCR-4 | US | 2022 |
Recommendations
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2020 USA & EuropeVinyl —LP, Album, Reissue, Remastered, Stereo -
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Reviews
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Poor recording quality. Distorted vocal and compressed soundstage. Glad they found but not a pleasant listen. Great pressing and quiet vinyl. But GIGO -
Glad the tapes were restored as this is a historic concert, but unfortunately it has a bootleg sound to it.
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I'm enjoying it but the sound is not exactly stellar. I guess it's the best with what they may have had. It says that the tapes were restored and then mastered so I'm glad we have it.
I have had various DVDs of this concert, all in bootle form, through the years but the audio was always a problem on those. This sounds leaps and bounds better than those do.
I had to turn my base down a little and turn up the mid-range and highs a little. I wish I knew the story of what this tape might have gone through. It's not bad sounding, it's just real mono sounding. And maybe it is mono? The mix sounds like it could have been a little bit better to me. But then again, I just got finished listening to the Pink Floyd Animals 2018 remix LP that also got released today in America. So maybe I should have gone the other way with the audio/LPs I chose to listen to first when listening?
I've had some really good Craft Recordings LPs in the past. I've had one or two that weren't that great also. I'm not getting any noise or artifacts I don't want so that is real good. But I'm only on Side A right now.
Once again, I don't see anything mentioning the half speed mastered on the LP or LP sleeve. It is on the hype sticker of course stating that Giles Martin and Sam Okell were responsible for the restoring and mastering at Abbey Road Studio. The wording on how it was half speed mastered is a little strange to me. The hype sticker calls it "...an exacting half speed technique for superior sound..."
Overall, I'm happy I got it and I will enjoy it.
I'm glad I decided to go ahead and finish the whole LP because I do have some light snap, crackle, and pop on Side B. I had a white speck that was on the second side. It wouldn't brush off and I was thinking it was in the vinyl at first. But with a little extra brushing it did come off. I'm not sure where it came from or if that's where the noise artifact came in? But they did clear up within about a minute or two of having them occur. So I am wondering what that white spend it may have been?
Once again, and of course after finishing the whole album which I do anyway before writing reviews, I'm still glad I got it. It's got a clean sound but it's not a real hi-fi type of sound. But overall it does sound good. And it's good to have a good recording of this show finally. Now I just need to rip it and do a video project with those terrible audio DVD videos :-)
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