Paramore – This Is Why
Label: |
Atlantic – 075678627590 |
|---|---|
Series: |
Atlantic 75 |
Format: |
CD
, Album
|
Country: |
USA, Canada & Europe |
Released: |
|
Genre: |
Rock |
Style: |
New Wave |
Tracklist
| 1 | This Is Why | 3:27 | |
| 2 | The News | 3:08 | |
| 3 | Running Out Of Time | 3:12 | |
| 4 | C'est Comme Ça | 2:29 | |
| 5 | Big Man, Little Dignity | 4:20 | |
| 6 | You First | 4:06 | |
| 7 | Figure 8 | 3:25 | |
| 8 | Liar | 4:22 | |
| 9 | Crave | 3:55 | |
| 10 | Thick Skull | 3:53 |
Companies, etc.
- Record Company – Atlantic Records
- Phonographic Copyright ℗ – Atlantic Recording Corporation
- Copyright © – Atlantic Recording Corporation
- Record Company – Warner Music Group
- Mixed At – Larrabee Sound Studios
- Recorded At – United Recording Studios
- Recorded At – Glenwood Place Studios
- Recorded At – Music Friends
- Published By – WB Music Corp.
- Published By – But Father, I Just Want To Sing Music
- Published By – FBR Music
- Published By – Hunterboro Music
- Published By – Zatchell Wayne's Music
- Glass Mastered At – Sonopress – 58272761
Credits
- A&R – Steve Robertson (4)
- A&R [istration] – Anne Declemente
- Art Direction – Iamsound
- Bass Guitar – Brian Robert Jones
- Booking [North And South America] – Ken Fermaglich
- Booking [Rest Of World] – Emma Banks
- Clarinet, Bass Clarinet, Flute, Alto Flute – Henry Solomon
- Drums – Zac Farro
- Engineer – Harriet Tam
- Engineer [Assistant Engineer] – Scott Moore (2)
- Graphic Design – FISK (5)
- Guitar [Guitars] – Taylor York (2)
- Keyboards, Programmed By [Programming] – Zac Farro
- Legal – Lauren Kilgore (2)
- Management – Mark Mercado
- Mastered By – Em Mancini*
- Mixed By – Manny Marroquin
- Mixed By [Assisted By] – Zach Pereya*
- Percussion – Zac Farro
- Photography By – Zachary Gray (4)
- Piano – Hayley Williams
- Producer – Carlos De La Garza
- Promotion [Marketing] – Nina Webb
- Recorded By – Paramore
- Technician [Drum Tech] – Joey Mullen
- Technician [Guitar Tech] – Joanne Almeida
- Vibraphone [Vibes], Glockenspiel – Zac Farro
- Vocals – Hayley Williams
- Written-By – Paramore
Notes
Issued in a standard jewel case. Includes an 12-page booklet with lyrics and credits.
Shrinkwrap cover may feature an 'Atlantic Genius' circular hype sticker attached to its top right front. It is has a predominantly silver holographic background and bears the text 'ATLANTIC GENIUS', 'www.atlantic75.com', and the 'ALT75' logo, all of which are in black.
ATLANTIC RECORDS 1633 Broadway, New York, NY10019 ℗ & © 2023 Atlantic Recording Corporation. A Warner Music Group Company. Made in .
Mixed at Larrabee Studios (North Hollywood, CA).
Recorded at United Recording, Glenwood Place, and Music Friends.
Management at Fly South Music Group Business and at Curo Financial Management.
Legal of Shackelford Bowen McKinley & Norton LLP.
Booking North and South America at United Talent Agency.
Booking Rest of World at CAA.
Published by WB Music Corp. (ASCAP), But Father, I Just Want To Sing Music (ASCAP), FBR Music, and Hunterboro Music (ASCAP). All Rights on behalf of itself, But Father, I Just Want To Sing Music, FBR Music and Hunterboro Music istered by WB Music Corp./Zatchell Wayne's Music (ASCAP). All Rights on behalf of Zatchell Wayne's Music istered by WB Music Corp.
Shrinkwrap cover may feature an 'Atlantic Genius' circular hype sticker attached to its top right front. It is has a predominantly silver holographic background and bears the text 'ATLANTIC GENIUS', 'www.atlantic75.com', and the 'ALT75' logo, all of which are in black.
ATLANTIC RECORDS 1633 Broadway, New York, NY10019 ℗ & © 2023 Atlantic Recording Corporation. A Warner Music Group Company. Made in .
Mixed at Larrabee Studios (North Hollywood, CA).
Recorded at United Recording, Glenwood Place, and Music Friends.
Management at Fly South Music Group Business and at Curo Financial Management.
Legal of Shackelford Bowen McKinley & Norton LLP.
Booking North and South America at United Talent Agency.
Booking Rest of World at CAA.
Published by WB Music Corp. (ASCAP), But Father, I Just Want To Sing Music (ASCAP), FBR Music, and Hunterboro Music (ASCAP). All Rights on behalf of itself, But Father, I Just Want To Sing Music, FBR Music and Hunterboro Music istered by WB Music Corp./Zatchell Wayne's Music (ASCAP). All Rights on behalf of Zatchell Wayne's Music istered by WB Music Corp.
Barcode and Other Identifiers
- Barcode (Text): 0 75678 62759 0
- Barcode (Scanned): 075678627590
- Matrix / Runout (Variants 1 to 6): [Warner 'Big W' logo] 58272761/0075678627590 21
- Mastering SID Code (Variants 1 to 6): IFPI LB 46
- Mould SID Code (Variant 1): IFPI 0732
- Mould SID Code (Variant 2): IFPI 076Y
- Mould SID Code (Variant 3): IFPI 0718
- Mould SID Code (Variant 4): IFPI 0729
- Mould SID Code (Variant 5): IFPI 0767
- Mould SID Code (Variant 6): IFPI 0734
Other Versions (5 of 16)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| This Is Why (LP, Album, Limited Edition, Clear) | Atlantic | 075678635526 | Worldwide | 2023 | |||
| This Is Why (LP, Album, Limited Edition, Green) | Atlantic | 075678635564 | Worldwide | 2023 | |||
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Recently Edited
|
This Is Why (LP, Album, Stereo) | Atlantic | 075678635526 | Worldwide | 2023 | ||
|
New Submission
|
This Is Why (Cassette, Album) | Atlantic | 075678627583 | Worldwide | 2023 | ||
|
New Submission
|
This Is Why (LP, Album, Limited Edition, Gold Metallic) | Atlantic | 075678635526 | US | 2023 |
Recommendations
Reviews
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Edited 2 years agoOk, kinda baffled how everyone thinks the review section on Discogs is just for audio fidelity rather than actual musical content. It makes me a bit nervous for the future of art. The average viewer/listener in 2023 seems far more interested in clarity of aesthetic and cleanness of the medium itself (*cough* "Midsommar" fans *cough*) rather than the actual substance of the art. Just noting this for anyone who actually cares. Posterity, perhaps.
...Moving on:
"This Is Why" is an amazing album. I wasn't a particularly big Paramore fan until now. Like, right now. This album, lyrically, feels like it's monitoring your pulse THE ENTIRE TIME you listen. The songs are thematically so effortlessly "2023" in their angsty, paranoid, turmoil-heavy mood, and the articulation of what we, as individuals, are all feeling (it's maybe a bit akin to how the sketch comedy show "I Think You Should Leave" does similar work in absolutely nailing the zeitgeist). Yet the lyrics here would still mean just as much if transposed to 1983 or (one would assume?) 2063. The music is like a perfect mix of slick and raw, polished and aggressively abrasive. It somehow manages to out-Killer Duran Duran works almost as well). Danceable, angular, attacking, but sensuously persuading persuading persuading you. I keep hearing new things in it—and I'm fairly sure I'm missing the correct referents Hayley and the boys are drawing from, but my limited attempt still serves to describe, if nothing else, the level of artistry at work here. This is the sound of someone absolutely at their top altitude, top speed, of confident self-expression in the best form it can find. Amazing album.
QUICK EDIT: Apparently the number one musical reference they were using as guidance on this album is Bloc Party. This makes SO MUCH SENSE. -
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