Better Oblivion Community CenterBetter Oblivion Community Center

Label:

Dead Oceans – DOC188

Format:

Vinyl , LP, Album

Country:

US

Released:

Genre:

Folk, World, & Country

Style:

Folk Rock

Tracklist

A1 Didn't Know What I Was In For
Bass, SynthesizerAndy Lemaster
Drums, PercussionCarla Azar
Vocals, GuitarPhoebe Bridgers
4:03
A2 Sleepwalkin'
BassWylie Gelber
Drums, PercussionGriffin Goldsmith
KeyboardsNick White
Vocals, GuitarConor Oberst
Vocals, Guitar, Electric PianoPhoebe Bridgers
3:13
A3 Dylan Thomas
BassAnna Butterss
DrumsCarla Azar
GuitarNick Zinner
SynthesizerJohn Congleton
TambourineChristian Lee Hutson
Vocals, Baritone GuitarConor Oberst
Vocals, GuitarPhoebe Bridgers
3:37
A4 Service Road
BassWylie Gelber
Drums, PercussionGriffin Goldsmith
Vocals, GuitarPhoebe Bridgers
Vocals, Guitar, PianoConor Oberst
3:44
A5 Exception To The Rule
BassAnna Butterss
DrumsCarla Azar
Programmed By, Synthesizer, Piano [Pocket], MellotronAndy Lemaster
VocalsPhoebe Bridgers
Vocals, KeyboardsConor Oberst
2:52
B6 Chesapeake
Guitar, Piano [Pocket]Christian Lee Hutson
SynthesizerNathaniel Walcott*
VocalsConor Oberst
Vocals, GuitarPhoebe Bridgers
4:04
B7 My City
BassWylie Gelber
Drums, PercussionGriffin Goldsmith
Vocals, GuitarPhoebe Bridgers
4:04
B8 Forest Lawn
BassWylie Gelber
Drums, PercussionGriffin Goldsmith
Vocals, GuitarPhoebe Bridgers
3:46
B9 Big Black Heart
BassWylie Gelber
Drums, PercussionGriffin Goldsmith
PercussionMarshall Vore
Vocals, Baritone GuitarPhoebe Bridgers
Vocals, GuitarConor Oberst
3:27
B10 Dominos
Bass [Upright]Anna Butterss
Drums, PercussionCarla Azar
GuitarNick Zinner
SamplerAndy Lemaster
Vocals, Baritone GuitarPhoebe Bridgers
Vocals, PianoConor Oberst
Voice [Sampled]Taylor Hollingsworth
4:32

Companies, etc.

  • Copyright ©Dead Oceans, Inc.
  • Phonographic Copyright ℗Dead Oceans, Inc.
  • Engineered AtFivestarstudios
  • Mastered AtGateway Mastering
  • Lacquer Cut AtSalt Mastering

Credits

  • Design, LayoutNathaniel David Utesch
  • EngineerAndy Lemaster
  • Mastered ByBob Ludwig
  • Mixed ByJohn Congleton
  • Photography ByPhoebe Bridgers
  • ProducerPhoebe Bridgers
  • Written-ByTaylor Hollingsworth (tracks: B10)

Notes

Includes printed inner sleeve with lyrics, credits and photos.
Includes code card.

Tracks are listed sequentially on back cover and labels.

Barcode and Other Identifiers

  • Barcode (Scanned): 656605148816
  • Barcode (Text): 6 56605 14881 6
  • Label Code: LC 29265
  • Matrix / Runout (Side A, etched): DOC-188LP A
  • Matrix / Runout (Side B, etched): DOC-188LP B Salt

Other Versions (5 of 10)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Better Oblivion Community Center (10×File, AAC, Album, Stereo) Dead Oceans DOC188 US 2019
New Submission
Better Oblivion Community Center (10×File, WAV, Album, Stereo) Dead Oceans DOC188 2019
Recently Edited
Better Oblivion Community Center (LP, Album, Limited Edition, Orange) Dead Oceans DOC188, DOC188LPC1 US 2019
New Submission
Better Oblivion Community Center (CD, Album) Dead Oceans DOC188 US 2019
New Submission
Better Oblivion Community Center (LP, Album, Club Edition, Limited Edition, Yellow Opaque) Dead Oceans DOC188, DOC188LPC1 US 2019

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Reviews

  • DylanHanson97's avatar
    DylanHanson97
    Adequate pressing, although it does sound a little compressed. The center hole was small on my copy.
    • Felixfn's avatar
      Felixfn
      My copy also sounds really good. Not surprisingly good, but unexpectedly dynamic and deep. Very clear and clean. Flat record, one skip but that could be due to first play. Very happy with it!
      • moneycannon's avatar
        moneycannon
        This is a decent pressing, but to echo other reviews it does sound more compressed on vinyl than Spotify.
        • Schmeido's avatar
          Schmeido
          Sounds better via Apple Music on my Homepod Mini…sadly :(
          • arievandam's avatar
            arievandam
            Fantastic quality with my copy. Rich sound and although a little dirty at first, after a quick clean I did not encounter any of the noise that others speak of.
            • Ameliauhhh's avatar
              Ameliauhhh
              Overall, the pressing sounds good. However, there's a weird continuous popping noise on my copy in between Didn't Know What I Was in For and Sleepwalkin'. Don't know if that's just my copy--would love to know if anyone else has this issue.
              • Geee.'s avatar
                Geee.
                The pressing is definitely adequate, but not perfect: some surface noise & slightly off-center wooshing.
                The SQ though is pretty good. Nice dynamics. Percussion is if-fy but I reckon it to be baked into the recording & mix.
                Worthy purchase.
                (Rig: Rega RP6 with Ortofon black cart through McIntosh MA5200 amp & Axiom M60 v2 speakers.)
                • zeldoweldo's avatar
                  zeldoweldo
                  wonderful pressing!! so clean and crisp and the bass is amazing. would definitely buy again in other color if i could! love phoebe and conor <33
                  • akboognish's avatar
                    akboognish
                    Agree with Cardiff_Giant below; great pressing of a fantastic recording. Could benefit from a deeper cleaning than what I've been able to do so far.
                    • Cardiff_Giant's avatar
                      Cardiff_Giant
                      Edited 4 years ago
                      Someone asked recently if any modern pressings sound as good as classic records from the 70s/80s. I said yes, and mentioned this one as an example. It sounds stupendous. Unsurprisingly, it was mastered by Bob Ludwig.

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                      • Median:$19.98
                      • High:$29.00

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