The BreedersLast Splash

Label:

4AD – CAD 3014

Format:

Vinyl , LP, Album, Reissue

Country:

UK, Europe & US

Released:

Genre:

Rock

Style:

Indie Rock

Tracklist

A1 New Year
A2 Cannonball
A3 Invisible Man
A4 No Aloha
A5 Roi
A6 Do You Love Me Now?
A7 Flipside
B1 I Just Wanna Get Along
B2 Mad Lucas
B3 Divine Hammer
B4 S.O.S.
B5 Hag
B6 Saints
B7 Drivin' On 9
B8 Roi (Reprise)

Companies, etc.

  • Phonographic Copyright ℗4AD
  • Copyright ©4AD
  • Published ByPeriod Music
  • Published ByBuck Tempo Music
  • Recorded AtCoast Recorders
  • Recorded AtBrilliant Studios
  • Recorded AtRefraze Recording Studios
  • Mixed AtRecord Plant, Sausalito
  • Pressed ByGZ Media – 166732E

Credits

  • Artwork [Art Direction], DesignVaughan Oliver
  • Bass, Vocals, Cello, Double BassJosephine Wiggs
  • Design [Design Assistance]Paul McMenamin
  • DrumsJosephine Wiggs (tracks: A5)
  • EngineerMark Freegard (tracks: A1-B2, B4-B8)
  • Engineer [Assistant]Sean Leonard
  • Guitar, Vocals, Keyboards [Moog, Casiotone]Kim Deal
  • Guitar, Vocals, Performer [Kenmore 12-stitch]Kelley Deal
  • Lead VocalsKelley Deal (tracks: B1)
  • Photography ByJason Love
  • Photography By [Portraits]Kevin Westenberg
  • ProducerMark Freegard
  • Violin, VocalsCarrie Bradley

Notes

All tracks published by Period Music except track 14 published by Buck Tempo Music.

Recorded at Coast Recorders, San Francisco. Additional recording at Brilliant Studios, San Francisco and Refraze, Dayton, Ohio. Mixed at The Plant, Sausalito.

Includes a full color, glossy card inner sleeve of artwork, lyrics and credits.
Sequentially listed tracks

Includes MP3 card

Made in the EU

Barcode and Other Identifiers

  • Barcode (Rear cover): 6 52637 30141 0
  • Matrix / Runout (Side A runout, etched, variant 1): CAD 3014 166732E1/B
  • Matrix / Runout (Side B runout, etched, variant 1): CAD 3014 166732E2/B
  • Matrix / Runout (Side A runout, etched, variant 2): CAD 3014 166732E1/B
  • Matrix / Runout (Side B runout, etched, variant 2): CAD 3014 166732E2/A
  • Matrix / Runout (Side A runout, etched, variant 3): CAD 3014 166732E1/C
  • Matrix / Runout (Side B runout, etched, variant 3): CAD 3014 166732E2/B
  • Barcode (Scanned): 652637301410

Other Versions (5 of 81)

View All
Title (Format) Label Cat# Country Year
Last Splash (CD, Album) Rough Trade RTD 120.1604.2 1993
Recently Edited
Last Splash (CD, Album) 4AD CAD 3014 CD Europe 1993
Last Splash (CD, Album, SRC) Elektra 9 61508-2, 61508-2 US 1993
Last Splash (LP, Album) 4AD CAD 3014 UK 1993
Last Splash (CD, Album) 4AD 72438 390332 0, CAD 3014 CD 1993

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Reviews

  • NeilAPickering's avatar
    NeilAPickering
    Unfortunately my copy suffers from ticks and pops here and there. Even after a deep clean. Nothing too majorly distracting though.
    • mikeh69's avatar
      mikeh69
      Edited 2 years ago
      So was this recording in analog or digital. If it was done in analog and there's a 2 track analog ... Wait a second multi track recording in analog mixed to digital ? They never made a 2 track analog mix... Hmmmm for 1993 that sounds about right................. FOR COMPACT DISCS ....
      • roxyrich97's avatar
        roxyrich97
        Edited 2 years ago
        Either GZ/4AD got their shit together or I got very lucky because I've had my copy almost two years now and still spin it. The record is nearly dead quiet save for the occasional small tick in one of the few very quiet spots on this record. The music itself sounds fine too, loud and punchy. It's not exactly the kind that would benefit from any sort of audiophile pressing in the first place.

        I'll probably pick an first press at some point to make a comparison but in the mean time I'm perfectly happy with what I have.
        • Snowmantn's avatar
          Snowmantn
          My copy sounds great. I’ve owned this album on many formats since it came out so I know how it’s supposed to sound, and I can honestly say this pressing does it justice. The negative reviews must have gotten one from a bad batch. I bought this new in May 2022 and it sounds as I hoped it would.
          • wsevans's avatar
            wsevans
            Don't agree with the negative comments on this one, was pleased with the sound of this especially compared to the P!ain issue that I had (and sold) - like many new records, will need a good cleaning
            • mmudskipper's avatar
              mmudskipper
              This is one of the most dogshit pressings I have ever heard. Seriously, 4AD, I hope you go under. You ought to be ashamed of putting out a product this terrible. You and companies like you are the only thing that sucks about collecting records. Namely, when you get an entity making them that has no qualms about not only erasing the value of vinyl by pressing shitty mp3s to wax but also failing to do even that properly, so the end product skips and clicks and fails, in every respect.

              Completely unlistenable. The CD sounds way better. Fuck 4AD.
              • Play_Graded_Vinyl's avatar
                If all the credits here are correct, this is not a remaster and the original cut was from a 16/44 source. I emailed Abbey Road (where the credited lacquer cutter now works) inquiring about this and they relayed this reply from Miles Showell: “Although I did cut [Pod and Last Splash]...this was in the early 1990s for the original vinyl releases. I did a lot of work for 4AD at that time. In those days they would almost certainly have supplied me with the American EQ’d Production Masters which would have been on the SONY 1630 (U-Matic cassette based) digital format. This had a resolution of 16 bits and a sampling rate of 44.1 kHz..."

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