Pearl JamYield

Label:

Legacy – 88985303661

Format:

Vinyl , LP, Album, Reissue, Remastered

Country:

US

Released:

Genre:

Rock

Style:

Grunge

Tracklist

A1 Brain Of J.
A2 Faithfull
A3 No Way
A4 Given To Fly
A5 Wishlist
A6 Pilate
B1 Do The Evolution
B2
B3 MFC
B4 Low Light
B5 In Hiding
B6 Push Me, Pull Me
B7 All Those Yesterdays

Companies, etc.

  • Phonographic Copyright ℗Epic Records
  • Copyright ©Epic Records
  • Published ByWrite Treatage Music
  • Published ByInnocent Bystander
  • Published ByJumpin' Cat Music
  • Published ByScribing C-ment Songs
  • Published ByMr. Brootz Music
  • Distributed BySony Music Entertainment
  • Recorded AtStudio Litho
  • Recorded AtSouthern Tracks
  • Recorded AtDoppler Studios
  • Mixed AtStudio Litho
  • Mixed AtSouthern Tracks
  • Mixed AtDoppler Studios
  • Lacquer Cut AtSST Brüggemann GmbH
  • Pressed ByMPO
  • Manufactured ByNoiseland Industries – 16-0157

Credits

  • BassJeff Ament
  • Concept ByCarpenter Newton
  • DrumsJack Irons
  • Engineer [2nd Engineers]Sam Hofstedt
  • Engineer [Additional Engineering]Matt Bayles
  • GuitarStone Gossard
  • Lacquer Cut ByKr*
  • LayoutBarry Ament
  • Mastered ByBob Ludwig
  • Mixed ByNick Didia (tracks: B6)
  • Photography ByJ. Ament*
  • ProducerPearl Jam
  • Recorded ByNick Didia
  • Vocals, GuitarEd Vedder*

Notes

2016 Reissue

Recorded and mixed at Studio Litho, Studio X (Seattle), Southern Tracks Recording and Doppler (Atlanta).
Mastered at Rodney Mills' Masterhouse.

The title of track B2 is a red dot.

Die cut sleeve, 'Yield' traffic sign is on the coloured inner sleeve.

Comes with Yield sticker.

Barcode and Other Identifiers

  • Barcode (Printed): 8 89853 03661 5
  • Barcode (Scanned): 889853036615
  • Matrix / Runout (Etched, Runout Side A): 16-0157 NL A 88985303661 Kr SST MPO
  • Matrix / Runout (Etched, Runout Side B): 16-0157 NL B 88985303661 Kr SST MPO
  • Matrix / Runout (Label, Side A): 88985303661A
  • Matrix / Runout (Label, Side B): 88985303661B
  • Other (Sticker): 88985303661S1
  • Other (Inner Sleeve): 88985303661SV1

Other Versions (5 of 90)

View All
Title (Format) Label Cat# Country Year
New Submission
Yield (Cassette, Album, Promo) Epic EPC 489365 1997
New Submission
Yield (CD, Album, Promo) Epic ESK 3936 US 1997
Yield (CD, Album, Tri-Fold Digipak) Epic 489365 2, EPC 489365 2 Europe 1998
Yield (CD, Album, Digipak Tri-Fold) Epic EK 68164 US 1998
Recently Edited
Yield (LP, Album) Epic EPC 489365 1 Europe 1998

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Reviews

  • Kirky70's avatar
    Kirky70
    Edited 19 days ago
    Certainly a step up sonically from the Ten reissue which is thin and compressed. Quality sleeve and inner. Vinyl comes with the standard muck and static associated with paper inners. So once cleaned plays quiet and click free. Easy recommended.
    • jloper's avatar
      jloper
      great reissue sounds good on my system no complaints here
      • Gold.Soundz's avatar
        Gold.Soundz
        Tons of paper scuffs from that stupid package. Returned 2 copies.
        • tristant19's avatar
          tristant19
          Hot take apparently, but I prefer the CD. The mid range has a strange veil that throws off the timbre and shrinks the soundstage. My copy also had quite a few paper scuffs.
          • Orlan7's avatar
            Orlan7
            Is there any difference between this and the European reissue from that same year?
            • mhrobbins25's avatar
              mhrobbins25
              I can't believe I've only just listened to this album front to back. It's fantastic. Definitely one of my favorite PJ releases. The die cut sleeve is of nice quality (albeit a bit thin), and the cutout into the inner sleeve looks pretty neat. As some other people have said, the tracks go all the way to the label on both sides, with only about a third of an inch of runout groove (still wishing for 2LP reissues of so many of these!), the sound quality is quite good! The record is lively, dynamic, punchy, and clear. However, there is a bit of surface noise throughout I noticed even after wet cleaning, and even after a second clean it is still present, but reduced. I'll give it another of cleaning but I'm not upset, as the surface noise was ever only noticeable on quiet portions of tracks and barely distracted from the music during loud portions.
              • sevn7plms's avatar
                sevn7plms
                Vinyl is not as quiet as I’d like it to be even with a VPI cleaning but not terrible,that being said I do think overall it’s a good sounding reissue overall.
                • thedaynos's avatar
                  thedaynos
                  Audio quality is fantastic. I was disappointed to find it was only one record. Looking at the tracks on the record, and they go pretty much all the way to the middle of the disc, I was figuring the quality wouldn't be good, but it's pretty awesome. The last song on each side there's a tad sibilance but not much. Got my version from Amazon this morning. I have no "no-fill zipper sounds" like another reviewer had. Both sides are pretty much perfect.

                  listened twice already. Going for a third!
                  • beatamazon's avatar
                    beatamazon
                    Side Two on my copy has no-fill (zipper sounds) which start on Untitled (Red Dot) and continue though the rest of the side once and a while. I wonder if Rainbo or United pressed this? They are usually the worst offenders of no-fill.
                    • Dislecksier's avatar
                      Dislecksier
                      With the exception of the audio quality, everything about this release was disappointing to me. When you compare this to every other Pearl Jam vinyl release, it's seriously lacking in quality. The card is flimsy like a bootleg, there's no booklet, no gatefold and even the spine is off centre. Compared to the No Code and Vitalogy represses, it's a serious missed opportunity for a record that has been OOP for so long.

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