Depeche Mode – Playing The Angel
Label: |
Mute – 0094634020114 |
|---|---|
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Electronic |
Style: |
Synth-pop |
Tracklist
| A1 | A Pain That I'm Used To | |
| A2 | John The Revelator | |
| A3 | Suffer Well | |
| B1 | The Sinner In Me | |
| B2 | Precious | |
| B3 | Macro | |
| C1 | I Want It All | |
| C2 | Nothing's Impossible | |
| C3 | Introspectre | |
| C4 | Damaged People | |
| D1 | Lilian | |
| D2 | The Darkest Star |
Companies, etc.
- Licensed From – Venusnote Limited
- Licensed To – Mute Records Ltd.
- Recorded At – Santa Barbara Sound Design
- Recorded At – Stratosphere Sound
- Recorded At – Whitfield Street Studios
- Produced For – 140dB
- Mixed At – Whitfield Street Studios
- Phonographic Copyright ℗ – Venusnote Limited
- Copyright © – Venusnote Limited
- Published By – EMI Music Publishing Ltd.
- Published By – JJSR Productions INC.
- Published By – Universal Music Publishing Ltd.
- Mastered At – The Lodge, New York
- Pressed By – MPO
Credits
- Art Direction, Photography By, Design [Cover Design] – Anton Corbijn
- Design – Four5one.com*
- Engineer [Engineered By] – Richard Morris
- Management – Jonathan Kessler
- Management [Depeche Mode Office] – Venusnote Ltd.*
- Management [For] – Baron Inc.
- Mastered By [(The Lodge)] – Emily Lazar
- Mastered By [Assistant (The Lodge)] – Sarah
- Mixed By – Steve Fitzmaurice
- Performer [Depeche Mode Is] – Martin Gore*
- Piano – Dave McCracken (tracks: D2)
- Producer – Ben Hillier
- Programmed By [Original Programming] – Christian Eigner (tracks: A3, C1, C2)
- Programmed By [Programming By] – Richard Morris
- Recorded By [Assistant (Sound Design)] – Nick Sevilla
- Recorded By [Assistant (Stratosphere Sound Studios)] – Rudyard Lee Cullers
- Recorded By [Assistant (Whitfield Street Studios)], Mixed By [Assistant (Whitfield Street Studios)] – Devin Workman
- Recorded By [Assistant (Whitfield Street Studios)], Mixed By [Assistant (Whitfield Street Studios)] – Kt Rangnick
- Written-By – Martin L. Gore (tracks: A1, A2, B1 to B3, C3 to D2)
Notes
[Inner sleeve record 1]
Tracks A1, A2, B1 to B3, C3, C4, D1 & D2 written by Martin L. Gore. Published by EMI Music Publishing, Assigned by Grabbing Hands Music Overseas Ltd.
Tracks A3, C1 & C2 written by Gahan/Eigner/Philpott. Published by JJSR Productions Inc./Universal Music Publishing Ltd.
Special Thanks to: Daniel Miller, Mike Heneghan, Fred de Jong, John McGrath, Donna Vergier, Paul A. Taylor, Shaun Connon, Lucy Boughton, M.J., Anna Schulte, Howard Corner, Sarah Orhan, Tom Whalley, Diarmuid Quinn, Phil Costello, Eric Fritschi, Seymour Stein, Michael Goldstone, Anne Hoffmans, Tina Funk, Morvan Boury, Anton Corbijn, Ronnie "Chopper" Harris, Andrew Thompson, Ted Goetz, Keith Drinkwater, John Gianquitto, Jeannine Mansour, Mitch Schneider, Barbara Charone, Nicki Kefalas, Caroline Paulton, Marek Liberberg, Carole Kinzel, Andrew Sweck, Daniel "The Brat" Barassi, Debb Hanks, Mary Campbell, Karina Berry, Ros Earls.
"John The Revelator" inspired by the traditional work of the same name.
℗ 2005 Venusnote Limited
© 2005 Venusnote Limited
under exclusive licence to Mute Records Limited
- - - - -
Gatefold cover with plain paper die-cut inner sleeves in printed carton inner sleeves.
Labels sides A and C have bel beim instead of the correct bel biem.
Dave McCracken is mistakenly credited for piano on "I Want It All". However, there is no piano on "I Want It All". He really should be credited for the piano on "The Darkest Star".
Some initial copies ordered from Mute had a CD plastic bag with the album cover included,
Tracks A1, A2, B1 to B3, C3, C4, D1 & D2 written by Martin L. Gore. Published by EMI Music Publishing, Assigned by Grabbing Hands Music Overseas Ltd.
Tracks A3, C1 & C2 written by Gahan/Eigner/Philpott. Published by JJSR Productions Inc./Universal Music Publishing Ltd.
Special Thanks to: Daniel Miller, Mike Heneghan, Fred de Jong, John McGrath, Donna Vergier, Paul A. Taylor, Shaun Connon, Lucy Boughton, M.J., Anna Schulte, Howard Corner, Sarah Orhan, Tom Whalley, Diarmuid Quinn, Phil Costello, Eric Fritschi, Seymour Stein, Michael Goldstone, Anne Hoffmans, Tina Funk, Morvan Boury, Anton Corbijn, Ronnie "Chopper" Harris, Andrew Thompson, Ted Goetz, Keith Drinkwater, John Gianquitto, Jeannine Mansour, Mitch Schneider, Barbara Charone, Nicki Kefalas, Caroline Paulton, Marek Liberberg, Carole Kinzel, Andrew Sweck, Daniel "The Brat" Barassi, Debb Hanks, Mary Campbell, Karina Berry, Ros Earls.
"John The Revelator" inspired by the traditional work of the same name.
℗ 2005 Venusnote Limited
© 2005 Venusnote Limited
under exclusive licence to Mute Records Limited
- - - - -
Gatefold cover with plain paper die-cut inner sleeves in printed carton inner sleeves.
Labels sides A and C have bel beim instead of the correct bel biem.
Dave McCracken is mistakenly credited for piano on "I Want It All". However, there is no piano on "I Want It All". He really should be credited for the piano on "The Darkest Star".
Some initial copies ordered from Mute had a CD plastic bag with the album cover included,
Barcode and Other Identifiers
- Barcode (Scanned): 094634020114
- Label Code: LC5834
- Rights Society: bel biem
- Matrix / Runout (Runout side A var 1): STUMM260 A 5 MPO
- Matrix / Runout (Runout side B var 1): STUMM260 B 5 MPO
- Matrix / Runout (Runout side C var 1): STUMM260 C 4 MPO
- Matrix / Runout (Runout side D var 1): STUMM260 D 4 MPO
- Matrix / Runout (Runout side A var 2): STUMM260 A MPO
- Matrix / Runout (Runout side B var 2): STUMM260 B MPO
- Matrix / Runout (Runout side C var 2): STUMM260 C MPO
- Matrix / Runout (Runout side D var 2): STUMM260 D MPO
- Matrix / Runout (Runout side A var 3): STUMM260 A [signature] 1 MPO
- Matrix / Runout (Runout side B var 3): STUMM260 B [signature] 1 MPO
- Matrix / Runout (Runout side C var 3): STUMM260 C [signature] MPO 1
- Matrix / Runout (Runout side D var 3): STUMM260 D [signature] MPO 1
- Matrix / Runout (Runout side A var 4): STUMM260 A [signature] MPO
- Matrix / Runout (Runout side B var 4): STUMM260 B [signature] MPO
- Matrix / Runout (Runout side C var 4): STUMM260 C-2 X MPO [signature]
- Matrix / Runout (Runout side D var 4): STUMM260 D-1 X MPO [signature]
- Matrix / Runout (Runout side A variant 5): STUMM260 A [signature] MPO 7
- Matrix / Runout (Runout side B variant 5): STUMM260 B [signature] MPO
- Matrix / Runout (Runout side C variant 5): STUMM260 C-2X MPO [signature]
- Matrix / Runout (Runout side D variant 5): STUMM260 D-2X MPO [signature]
- Matrix / Runout (Runout side A variant 6): STUMM260 A [signature] MPO 8
- Matrix / Runout (Runout side B variant 6): STUMM260 B [signature] MPO 12
- Matrix / Runout (Runout side C variant 6): STUMM260 C-2 MPO [signature]
- Matrix / Runout (Runout side D variant 6): STUMM260 D-2 MPO [signature]
Other Versions (5 of 118)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Playing The Angel (CD, Album, Copy Protected) | Mute | int.cdstumm260, 0094634057523 | Europe | 2005 | |||
|
Recently Edited
|
Playing The Angel (SACD, Hybrid, Multichannel, Stereo, Album, DVD, DVD-Video, Multichannel, PAL, Album, Stereo, All Media, Deluxe Edition, Super Jewel Box) | Mute | lcdstumm260, 0094634243025 | Europe | 2005 | ||
|
Recently Edited
|
Playing The Angel (CD, Album) | Mute | 49348-2 | US | 2005 | ||
|
Recently Edited
|
Playing The Angel (CD, Album) | Mute | cdstumm260, 0094634057707 | UK | 2005 | ||
| Playing The Angel (CD, Album, DVD, DVD-Video, Multichannel, NTSC, All Media, Deluxe Edition, Limited Edition, Super Jewel Box) | Mute | 49456-2 | US | 2005 |
Recommendations
Reviews
-
Unbelievably terrible mastering on this vinyl version - the guitar and vocals practically gurgle they are so compressed. The singer sounds like he is gargling underwater. Dreadful. -
-
The DVD with the 5.1 and PC Stereo Mix really makes the difference and gives you an idea how it could or should have sounded. If you can manage to transfer it to MP3 or Flac, you'll hear it within the first 20 seconds. -
Edited 10 years agoThe worst mastered Depeche Mode record. Vinyl has a bit better sound, but the outrageous LP prices don't reflect the exact "improvement" over the CD version. To me, this record needs a total new stereo mix. The songs don't help either: they're the most industrial DM tracks to date. Nothing wrong with that but why the need for the first 4 tracks to sound like pure Nine Inch Nails? And there is no excuse to leave out "potential A-Sides" that were eventually set as B-Sides, "Free" and "Newborn" out of the record in favour of stuff like "I Want It All" and "John The Revelator".
Still waiting for a proper remastered version with the B-Sides as bonus tracks. -
LP1 A side,for me is a little bit greasy, i don know, but i guess, its a recording issue.Other 3 sides is correct, better than cd versions.
Release
See all versions
Recently Edited
Recently Edited
For sale on Discogs
Sell a copy
31 copies from $79.43