Tracklist
1-1 | Janie Jones (Demo) | 2:08 | |
1-2 | Career Opportunities (Demo) | 1:56 | |
1-3 | White Riot | 1:59 | |
1-4 | 1977 | 1:40 | |
1-5 | I'm So Bored With The U.S.A. | 2:23 | |
1-6 | Hate And War | 2:05 | |
1-7 | What's My Name | 1:41 | |
1-8 | Deny | 3:00 | |
1-9 | London's Burning | 2:10 | |
1-10 | Protex Blue | 1:44 | |
1-11 | Police And Thieves | 5:59 | |
1-12 | 48 Hours | 1:35 | |
1-13 | Cheat | 2:04 | |
1-14 | Garageland | 3:11 | |
1-15 | Capital Radio One | 2:09 | |
1-16 | Complete Control | 3:13 | |
1-17 | Clash City Rockers | 3:56 | |
1-18 | City Of The Dead | 2:24 | |
1-19 | Jail Guitar Doors | 3:03 | |
1-20 | The Prisoner | 3:01 | |
1-21 | White Man In Hammersmith Palais | 3:59 | |
1-22 | Pressure Drop | 3:25 | |
1-23 | 1-2 Crush On You | 2:57 | |
1-24 | English Civil War (Live) | 2:42 | |
1-25 | I Fought The Law (Live) | 2:25 | |
2-1 | Safe European Home | 3:49 | |
2-2 | Tommy Gun | 3:16 | |
2-3 | Julie's In The Drug Squad | 3:03 | |
2-4 | Stay Free | 3:38 | |
2-5 | One Emotion | 4:11 | |
2-6 | Groovy Times | 3:30 | |
2-7 | Gates Of The West | 3:27 | |
2-8 | Armagideon Time | 3:52 | |
2-9 | London Calling | 3:19 | |
2-10 | Brand New Cadillac | 2:08 | |
2-11 | Rudie Can't Fail | 3:27 | |
2-12 | The Guns Of Brixton | 3:09 | |
2-13 | Spanish Bombs | 3:19 | |
2-14 | Lost In The Supermarket | 3:46 | |
2-15 | The Right Profile | 3:53 | |
2-16 | The Card Cheat | 3:49 | |
2-17 | Death Or Glory | 3:57 | |
2-18 | Clampdown | 3:51 | |
2-19 | Train In Vain | 3:09 | |
2-20 | Bankrobber | 4:33 | |
3-1 | Police On My Back | 3:15 | |
3-2 | The Magnificent Seven | 5:31 | |
3-3 | The Leader | 1:41 | |
3-4 | The Call Up | 5:26 | |
3-5 | Somebody Got Murdered | 3:33 | |
3-6 | Washington Bullets | 3:51 | |
3-7 | Broadway | 4:57 | |
3-8 | Lightning Strikes (Not Once But Twice) (Live) | 3:36 | |
3-9 | Every Little Bit Hurts | 4:35 | |
3-10 | Stop The World | 2:35 | |
3-11 | Midnight To Stevens | 4:37 | |
3-12 | This Is Radio Clash | 4:11 | |
3-13 | Cool Confusion | 3:15 | |
3-14 | Red Angel Dragnet (Edited Version) | 3:22 | |
3-15 | Ghetto Defendant (Edited Version) | 4:15 | |
3-16 | Rock The Casbah | 3:43 | |
3-17 | Should I Stay Or Should I Go | 3:08 | |
3-18 | Straight To Hell (Unedited Version) | 6:50 | |
3-19 | The Street Parade | 3:19 |
Companies, etc.
- Record Company – Sony Music
- Record Company – Sony Music Entertainment Inc.
- Phonographic Copyright ℗ – Sony Music Entertainment Inc.
- Phonographic Copyright ℗ – Sony Music Entertainment (UK) Ltd.
- Copyright © – Sony Music Entertainment Inc.
- Copyright © – Nineden Ltd.
- Published By – Virgin Music, Inc.
- Recorded At – The Lyceum, London
- Recorded At – Bonds International Casino
- Recorded At – Ear Studios, London
- Remastered At – Sony Music Studios, New York City
- Mixed At – Sony Music Studios, New York City
- Manufactured By – Epic
- Glass Mastered At – DADC – DIDP-076675
- Glass Mastered At – DADC – DIDP-076676
- Glass Mastered At – DADC – DIDP-076677
- Pressed By – DADC
Credits
- Art Direction – Mark Weinberg
- Artwork [Graphic Arts Production] – Charlie Sarrica
- Compilation Producer – Richard Bauer
- Coordinator [Package Coordination] – Gina Campanaro
- Design [Cover] – Joshua Cheuse*
- Liner Notes [Americlash, Fall 1991] – Lenny Kaye
- Liner Notes [Excerpts From Psychotic Reactions And Carburetor Dung ] – Lester Bangs
- Liner Notes [Inside Stories 1976-1982, New York City 1991] – Kosmo Vinyl
- Photography By [Booklet] – Virginia Turbett
- Photography By [Broadway] – Bob Gruen
- Photography By [Cover Group] – Pennie Smith
- Producer – The Clash (tracks: 1-18, 1-20 to 1-23, 2-5 to 2.8, 3.1 to 3-7, 3-9 to 3-13, 3-18)
- Project Manager [Project Direction] – Kosmo Vinyl
- Remastered By [Digital], Mixed By – Vic Anesini
- Written-By – The Clash (tracks: 3-2 to 3-8, 3-10, 3-13 to 3-18)
Notes
Issued as a cardboard long box containing:
- 3 CD in individual standard jewel case
- a 68-page box-sized book, "Clash On Broadway" with liner notes, pics and credits
- a 36-page CD booklet "The Clash Lyrics" with publishing credits
Several track times are listed incorrectly on the release:
∙2-17 Death Or Glory (2:54 on release, actually 3:57)
∙2-18 Clampdown (2:49 on release, actually 3:51)
∙3-7 Broadway (5:46 on release, actually 4:57)
∙3-10 Stop The World (2:23 on release, actually 2:35)
Back cover of the box and of the cases:
© 1991 Sony Music Entertainment Inc./ ℗ 1991 Sony Music Entertainment Inc.
Manufactured by Epic, a division of Sony Music
Discs:
© 1991 Sony Music Entertainment Inc.
℗ 1977, 1978, 1979, 1980, 1981, 1982, 1991 Sony Music Entertainment (UK) Ltd.
68-page book:
1-1, 1-2: Demo recordings
1-3: A-side single version (U.K.)/ Originally released on The Clash (U.S.)
1-4: B-side of "White Riot" single (U.K.)
1-5 to 1-7, 1-9, 1-11, 1-14: The Clash
1-8, 1-10, 1-12: The Clash (U.K.)
1-13: Black Market Clash (U.S.)
1-15: Black Market Clash (U.S.)
1-16: A-side single (U.K.)/ The Clash (U.S.)
1-17: A-side single (U.K.)/ The Clash (U.S.)
1-18: B-side of "Black Market Clash (U.S.)
1-19: B-side of "The Clash (U.S.)
1-20: B-side of "Black Market Clash (U.S.)
1-21: A-side single (U.K.)/ The Clash (U.S.)
1-22: B-side of "Black Market Clash (U.S.)
1-23: B-side of "Tommy Gun" single (U.K.)
1-24: Previously unreleased live recording from the Lyceum Ballroom, The Strand, London ([January 3] 1979)
1-25: Recorded for the motion picture 'Rude Boy'
2-1 to 2-4: Give 'Em Enough Rope
2-5: Previously unreleased from 'Give 'Em Enough Rope' sessions
2-6, 2-7: The Clash (U.S.)
2-8: B-side of "Black Market Clash (U.S.)
2-9 to 2-19: London Calling
2-20: B-side of "Black Market Clash (U.S.)
3-1 to 3-7: Sandinista!
3-8: Previously unreleased live recording from Bond's International Casino, Times Square, New York ([May 28 to June 13] 1981)
3-9: Previously unreleased from 'Sandinista!' sessions
3-10: B-side of "The Call Up" single
3-11: Previously unreleased mobile recording from Ear Studios, Peoples Hall, Prestonia, London (1981)
3-12: A-side EP (U.S.)
3-13: B-side of second release of "Should I Stay Or Should I Go?" single (U.S.)
3-14, 3-15: Combat Rock; Edited version
3-16, 3-17: Combat Rock; U.S. single versions
3-18: Combat Rock; Unedited version
3-19 is not listed
Front cover photo is of backstage at Bond's International Casino, June 1981
[Barnacle/Lanier credits according to the book "ion Is A Fashion" by Pat Gilbert, pages 183/210]
36-page booklet:
© 1977 Nineden Ltd. (PRS): 1-1 to 1-10, 1-12 to 1-16, 1-18
© 1978 Nineden Ltd. (PRS): 1-17, 1-19 to 1-21, 1-23, 1-24 to 2-5
© 1979 Nineden Ltd. (PRS): 2-6, 2-7, 2-9, 2-11 to 2-19
© 1980 Nineden Ltd. (PRS): 2-20, 3-2 to 3-6, 3-10
© 1981 Nineden Ltd. (PRS): 3-7, 3-8, 3-11, 3-12
© 1982 Nineden Ltd. (PRS): 3-13 to 3-18
1-11, 1-22, 2-8, 2-10, 3-1, 3-9, 3-19: no publishing credit
All rights in the U.S. and Canada controlled and istered by Virgin Music, Inc. (ASCAP)
Runouts:
Variant 3 has the same qty. and pattern of symbols for Disc 1 and 2 as Variants 1 and 2. Disc 3 pattern is same as Disc 2 from the same variants.
Matrix# is mirrored on the data side but can be read correctly on the text side
The DADC "D" logo is embossed on the text side
- 3 CD in individual standard jewel case
- a 68-page box-sized book, "Clash On Broadway" with liner notes, pics and credits
- a 36-page CD booklet "The Clash Lyrics" with publishing credits
Several track times are listed incorrectly on the release:
∙2-17 Death Or Glory (2:54 on release, actually 3:57)
∙2-18 Clampdown (2:49 on release, actually 3:51)
∙3-7 Broadway (5:46 on release, actually 4:57)
∙3-10 Stop The World (2:23 on release, actually 2:35)
Back cover of the box and of the cases:
© 1991 Sony Music Entertainment Inc./ ℗ 1991 Sony Music Entertainment Inc.
Manufactured by Epic, a division of Sony Music
Discs:
© 1991 Sony Music Entertainment Inc.
℗ 1977, 1978, 1979, 1980, 1981, 1982, 1991 Sony Music Entertainment (UK) Ltd.
68-page book:
1-1, 1-2: Demo recordings
1-3: A-side single version (U.K.)/ Originally released on The Clash (U.S.)
1-4: B-side of "White Riot" single (U.K.)
1-5 to 1-7, 1-9, 1-11, 1-14: The Clash
1-8, 1-10, 1-12: The Clash (U.K.)
1-13: Black Market Clash (U.S.)
1-15: Black Market Clash (U.S.)
1-16: A-side single (U.K.)/ The Clash (U.S.)
1-17: A-side single (U.K.)/ The Clash (U.S.)
1-18: B-side of "Black Market Clash (U.S.)
1-19: B-side of "The Clash (U.S.)
1-20: B-side of "Black Market Clash (U.S.)
1-21: A-side single (U.K.)/ The Clash (U.S.)
1-22: B-side of "Black Market Clash (U.S.)
1-23: B-side of "Tommy Gun" single (U.K.)
1-24: Previously unreleased live recording from the Lyceum Ballroom, The Strand, London ([January 3] 1979)
1-25: Recorded for the motion picture 'Rude Boy'
2-1 to 2-4: Give 'Em Enough Rope
2-5: Previously unreleased from 'Give 'Em Enough Rope' sessions
2-6, 2-7: The Clash (U.S.)
2-8: B-side of "Black Market Clash (U.S.)
2-9 to 2-19: London Calling
2-20: B-side of "Black Market Clash (U.S.)
3-1 to 3-7: Sandinista!
3-8: Previously unreleased live recording from Bond's International Casino, Times Square, New York ([May 28 to June 13] 1981)
3-9: Previously unreleased from 'Sandinista!' sessions
3-10: B-side of "The Call Up" single
3-11: Previously unreleased mobile recording from Ear Studios, Peoples Hall, Prestonia, London (1981)
3-12: A-side EP (U.S.)
3-13: B-side of second release of "Should I Stay Or Should I Go?" single (U.S.)
3-14, 3-15: Combat Rock; Edited version
3-16, 3-17: Combat Rock; U.S. single versions
3-18: Combat Rock; Unedited version
3-19 is not listed
Front cover photo is of backstage at Bond's International Casino, June 1981
[Barnacle/Lanier credits according to the book "ion Is A Fashion" by Pat Gilbert, pages 183/210]
36-page booklet:
© 1977 Nineden Ltd. (PRS): 1-1 to 1-10, 1-12 to 1-16, 1-18
© 1978 Nineden Ltd. (PRS): 1-17, 1-19 to 1-21, 1-23, 1-24 to 2-5
© 1979 Nineden Ltd. (PRS): 2-6, 2-7, 2-9, 2-11 to 2-19
© 1980 Nineden Ltd. (PRS): 2-20, 3-2 to 3-6, 3-10
© 1981 Nineden Ltd. (PRS): 3-7, 3-8, 3-11, 3-12
© 1982 Nineden Ltd. (PRS): 3-13 to 3-18
1-11, 1-22, 2-8, 2-10, 3-1, 3-9, 3-19: no publishing credit
All rights in the U.S. and Canada controlled and istered by Virgin Music, Inc. (ASCAP)
Runouts:
Variant 3 has the same qty. and pattern of symbols for Disc 1 and 2 as Variants 1 and 2. Disc 3 pattern is same as Disc 2 from the same variants.
Matrix# is mirrored on the data side but can be read correctly on the text side
The DADC "D" logo is embossed on the text side
Barcode and Other Identifiers
- Barcode (Text): 0 7464-46991-2
- Barcode (Scanned): 074644699128
- SPARS Code: AAD/ADD
- Rights Society: PRS
- Rights Society: ASCAP
- Other (Catalog number disc 1): EK 48708
- Other (Catalog number disc 2): EK 48709
- Other (Catalog number disc 3): EK 48725
- Other (On sticker): 46991-S1
- Matrix / Runout (Disc 1): DIDP 076675
- Matrix / Runout (Disc 2): DIDP 076676
- Matrix / Runout (Disc 3): DIDP 076677
- Matrix / Runout (Variant 1: disc 1): DIDP-076675 1 ¤¤¤ ¤¤¤¤¤
- Matrix / Runout (Variant 1: disc 2): DIDP-076676 3 ¤ ¤¤ ¤¤¤¤¤
- Matrix / Runout (Variant 1: disc 3): DIDP-076677 6 ¤¤¤ ¤¤¤¤¤
- Matrix / Runout (Variant 2: disc 1, mirrored): DIDP-076675 1 🝊🝊🝊 🝊🝊🝊🝊🝊
- Matrix / Runout (Variant 2: disc 1, mould inner ring): ✩ [DADC "D" logo] ✩
- Matrix / Runout (Variant 2: disc 2, mirrored): DIDP-076676 3 🝊 🝊🝊 🝊🝊🝊🝊🝊
- Matrix / Runout (Variant 2: disc 2, mould inner ring): [DADC "D" logo]
- Matrix / Runout (Variant 2: disc 3, mirrored): DIDP-076677 2 🝊 🝊🝊 🝊🝊🝊🝊🝊
- Matrix / Runout (Variant 2: disc 3, mould inner ring): ✩ [DADC "D" logo] ✩
- Matrix / Runout (Variant 3: disc 1): DIDP-076675 1 🝊 🝊🝊 🝊🝊🝊🝊🝊
- Matrix / Runout (Variant 3: disc 1, mould inner ring): ✩ [DADC "D" logo] ✩
- Matrix / Runout (Variant 3: disc 2): DIDP-076676 3 🝊 🝊🝊 🝊🝊🝊🝊🝊
- Matrix / Runout (Variant 3: disc 2, mould inner ring): ✩ [DADC "D" logo] ✩
- Matrix / Runout (Variant 3: disc 3): DIDP-076677 4 🝊 🝊🝊 🝊🝊🝊🝊🝊
- Matrix / Runout (Variant 3: disc 3, mould inner ring): none
- Matrix / Runout (Variant 4: disc 1): DIDP-076675 1 🝊 🝊🝊 🝊🝊🝊🝊🝊
- Matrix / Runout (Variant 4: disc 1, mould inner ring): none
- Matrix / Runout (Variant 4: disc 2): DIDP-076676 3 🝊 🝊🝊 🝊🝊🝊🝊🝊
- Matrix / Runout (Variant 4: disc 2, mould inner ring): none
- Matrix / Runout (Variant 4: disc 3): DIDP-076677 4 🝊 🝊🝊 🝊🝊🝊🝊🝊
- Matrix / Runout (Variant 4: disc 3, mould inner ring): none
Other Versions (5 of 15)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Clash On Broadway (3×Cassette, Compilation, Box Set, ) | Legacy | E3T 46991 | US | 1991 | ||
Recently Edited
|
Clash On Broadway (3×CD, Compilation, Box Set, Club Edition) | Legacy | E3K 46991 | US | 1991 | ||
New Submission
|
Clash On Broadway (3×CD, Compilation, Promo, Remastered, Box Set, ) | Epic | 3SK 4284 | US | 1991 | ||
New Submission
|
Clash On Broadway (3×CD, Compilation, Box Set, Limited Edition) | Epic | ESCA 5544~6 | Japan | 1992 | ||
Recently Edited
|
Clash On Broadway (3×CD, Compilation, Reissue, Remastered) | Legacy | EPC 497453 2 | Europe | 2000 |
Recommendations
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1998 USCompilation, Remastered
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Reviews
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Recently Edited
Recently Edited
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