Tracklist
| 1-1 | Janie Jones (Demo) | 2:08 | |
| 1-2 | Career Opportunities (Demo) | 1:56 | |
| 1-3 | White Riot | 1:59 | |
| 1-4 | 1977 | 1:40 | |
| 1-5 | I'm So Bored With The U.S.A. | 2:23 | |
| 1-6 | Hate And War | 2:05 | |
| 1-7 | What's My Name | 1:41 | |
| 1-8 | Deny | 3:00 | |
| 1-9 | London's Burning | 2:10 | |
| 1-10 | Protex Blue | 1:44 | |
| 1-11 | Police And Thieves | 5:59 | |
| 1-12 | 48 Hours | 1:35 | |
| 1-13 | Cheat | 2:04 | |
| 1-14 | Garageland | 3:11 | |
| 1-15 | Capital Radio One | 2:09 | |
| 1-16 | Complete Control | 3:13 | |
| 1-17 | Clash City Rockers | 3:56 | |
| 1-18 | City Of The Dead | 2:24 | |
| 1-19 | Jail Guitar Doors | 3:03 | |
| 1-20 | The Prisoner | 3:01 | |
| 1-21 | White Man In Hammersmith Palais | 3:59 | |
| 1-22 | Pressure Drop | 3:25 | |
| 1-23 | 1-2 Crush On You | 2:57 | |
| 1-24 | English Civil War (Live) | 2:42 | |
| 1-25 | I Fought The Law (Live) | 2:25 | |
| 2-1 | Safe European Home | 3:49 | |
| 2-2 | Tommy Gun | 3:16 | |
| 2-3 | Julie's Been Working For The Drug Squad | 3:03 | |
| 2-4 | Stay Free | 3:38 | |
| 2-5 | One Emotion (Previously Unreleased) | 4:11 | |
| 2-6 | Groovy Times | 3:30 | |
| 2-7 | Gates Of The West | 3:27 | |
| 2-8 | Armagideon Time | 3:52 | |
| 2-9 | London Calling | 3:19 | |
| 2-10 | Brand New Cadillac | 2:08 | |
| 2-11 | Rudie Can't Fail | 3:27 | |
| 2-12 | The Guns Of Brixton | 3:09 | |
| 2-13 | Spanish Bombs | 3:19 | |
| 2-14 | Lost In The Supermarket | 3:46 | |
| 2-15 | The Right Profile | 3:53 | |
| 2-16 | The Card Cheat | 3:49 | |
| 2-17 | Death Or Glory | 2:54 | |
| 2-18 | Clampdown | 2:49 | |
| 2-19 | Train In Vain | 3:09 | |
| 2-20 | Bankrobber | 4:33 | |
| 3-1 | Police On My Back | 3:15 | |
| 3-2 | The Magnificent Seven | 5:31 | |
| 3-3 | The Leader | 1:41 | |
| 3-4 | The Call Up | 5:26 | |
| 3-5 | Somebody Got Murdered | 3:33 | |
| 3-6 | Washington Bullets | 3:51 | |
| 3-7 | Broadway | 5:46 | |
| 3-8 | Lightning Strikes (Not Once But Twice) (Live) | 3:36 | |
| 3-9 | Every Little Bit Hurts (Previously Unreleased) | 4:35 | |
| 3-10 | Stop The World | 2:23 | |
| 3-11 | Midnight To Stevens (Previously Unreleased) | 4:37 | |
| 3-12 | This Is Radio Clash | 4:11 | |
| 3-13 | Cool Confusion | 3:15 | |
| 3-14 | Red Angel Dragnet (Edited Version) | 3:22 | |
| 3-15 | Ghetto Defendant (Edited Version) | 4:15 | |
| 3-16 | Rock The Casbah | 3:43 | |
| 3-17 | Should I Stay Or Should I Go | 3:08 | |
| 3-18 | Straight To Hell (Unedited Version) | 6:50 |
Companies, etc.
- Phonographic Copyright ℗ – Sony Music Entertainment Inc.
- Copyright © – Sony Music Entertainment (UK) Ltd.
- Distributed By – Sony Music
- Made By – Sony Music
Credits
- Art Direction – Mark Weinberg
- Artwork [Graphic Arts Production] – Charlie Sarrica
- Compilation Producer – Richard Bauer
- Compiled By [Assembled] – Joseph M. Palmaccio
- Coordinator [Package] – Gina Campanaro
- Coordinator [Project Direction] – Kosmo Vinyl
- Design [Cover] – Josh Cheuse
- Design [Package Redesign] – Ken Fredette
- Liner Notes – Lester Bangs
- Photography By – Virginia Turbett
- Producer – The Clash (tracks: 1-18, 1-20 to 1-23, 2-5 to 2-8, 3-1 to 3-13, 3-18)
- Remastered By – Ray Staff
- Remastered By [Supervision] – Bill Price
- Research [Tape] – Hugh Attwooll
Notes
Track 1-1 is a demo recording.
Track 1-2 is a demo recording.
Track 1-3 is the A-side single version from The Clash (US).
Track 1-4 is the B-side from White Riot (UK).
Tracks 1-5, 1-6, 1-7, 1-9, 1-11 and 1-14 are taken from The Clash.
Tracks 1-8, 1-10 and 1-12 are taken from The Clash (UK).
Track 1-13 taken from Black Market Clash (US).
Track 1-15 taken from New Musical Express Flexidisc (UK) / Black Market Clash (US).
Track 1-16 is the A-side of The Clash (US).
Track 1-17 is the A-side of The Clash (US).
Track 1-18 is the B-side of Black Market Clash (US).
Track 1-19 is the B-side of The Clash (US).
Track 1-20 is the B-side of Black Market Clash (US).
Track 1-21 is the A-side of The Clash (US).
Track 1-22 is the B-side of Black Market Clash (US).
Track 1-23 is the B-side of Tommy Gun (UK).
Track 1-24 is a previously unreleased live recording from The Lyceum Ballroom, The Strand, London (1979).
Track 1-25 was recorded for the motion picture "Rude Boy".
Track 2-1 to 2-4 taken from Give 'Em Enough Rope.
Track 2-5 is previously unreleased from Give 'Em Enough Rope sessions.
Tracks 2-6 and 2-7 taken from The Clash (US).
Track 2-8 is the B-side from Black Market Clash (US).
Tracks 2-9 to 2-19 taken from London Calling.
Track 2-20 is the B-side from Black Market Clash (US).
Tracks 3-1 to 3-7 taken from Sandinista!.
Track 3-8 a is previously unreleased live recording from Bonds International Casino, Times Square, New York (1981).
Track 3-9 is previously unreleased from Sandinista! sessions.
Track 3-10 is the B-side from The Call Up.
Track 3-11 is a previously unreleased mobile recording from Ear Studios, Peoples Hall, Frestonia, London (1981).
Track 3-12 is the A-side of This Is Radio Clash (US).
Track 3-13 is the B-Side of the second release of Should I Stay Or Should I Go? / Cool Confusion (US).
Tracks 3-14 and 3-15 are the edited versions from Combat Rock.
Track 3-16 and 3-17 are the US Single versions from Rock The Casbah / Should I Stay Or Should I Go.
Track 3-17 is the unedited version from Combat Rock.
Multipack case reissue in cardboard slipcase, incl. 72 page booklet and "The Clash Lyrics" booklet (contains only the songs written by The Clash).
Re-mastered at Whitfield Street Studios. Assembled at Sony Music Studios, N.Y.
© 2000 Sony Music Entertainment Inc. / ℗ 1999 Buzzy Enterprises Limited. From the Motion Picture "Rude Boy", ℗ 1977, 1978, 1979, 1980, 1981, 1982, 1991, 2000 Sony Music Entertainment (UK) Ltd.
(CD) Made in Austria
[Barnacle/Lanier credits according to the book "ion Is A Fashion" by Pat Gilbert, pages 183/210]
Track 1-2 is a demo recording.
Track 1-3 is the A-side single version from The Clash (US).
Track 1-4 is the B-side from White Riot (UK).
Tracks 1-5, 1-6, 1-7, 1-9, 1-11 and 1-14 are taken from The Clash.
Tracks 1-8, 1-10 and 1-12 are taken from The Clash (UK).
Track 1-13 taken from Black Market Clash (US).
Track 1-15 taken from New Musical Express Flexidisc (UK) / Black Market Clash (US).
Track 1-16 is the A-side of The Clash (US).
Track 1-17 is the A-side of The Clash (US).
Track 1-18 is the B-side of Black Market Clash (US).
Track 1-19 is the B-side of The Clash (US).
Track 1-20 is the B-side of Black Market Clash (US).
Track 1-21 is the A-side of The Clash (US).
Track 1-22 is the B-side of Black Market Clash (US).
Track 1-23 is the B-side of Tommy Gun (UK).
Track 1-24 is a previously unreleased live recording from The Lyceum Ballroom, The Strand, London (1979).
Track 1-25 was recorded for the motion picture "Rude Boy".
Track 2-1 to 2-4 taken from Give 'Em Enough Rope.
Track 2-5 is previously unreleased from Give 'Em Enough Rope sessions.
Tracks 2-6 and 2-7 taken from The Clash (US).
Track 2-8 is the B-side from Black Market Clash (US).
Tracks 2-9 to 2-19 taken from London Calling.
Track 2-20 is the B-side from Black Market Clash (US).
Tracks 3-1 to 3-7 taken from Sandinista!.
Track 3-8 a is previously unreleased live recording from Bonds International Casino, Times Square, New York (1981).
Track 3-9 is previously unreleased from Sandinista! sessions.
Track 3-10 is the B-side from The Call Up.
Track 3-11 is a previously unreleased mobile recording from Ear Studios, Peoples Hall, Frestonia, London (1981).
Track 3-12 is the A-side of This Is Radio Clash (US).
Track 3-13 is the B-Side of the second release of Should I Stay Or Should I Go? / Cool Confusion (US).
Tracks 3-14 and 3-15 are the edited versions from Combat Rock.
Track 3-16 and 3-17 are the US Single versions from Rock The Casbah / Should I Stay Or Should I Go.
Track 3-17 is the unedited version from Combat Rock.
Multipack case reissue in cardboard slipcase, incl. 72 page booklet and "The Clash Lyrics" booklet (contains only the songs written by The Clash).
Re-mastered at Whitfield Street Studios. Assembled at Sony Music Studios, N.Y.
© 2000 Sony Music Entertainment Inc. / ℗ 1999 Buzzy Enterprises Limited. From the Motion Picture "Rude Boy", ℗ 1977, 1978, 1979, 1980, 1981, 1982, 1991, 2000 Sony Music Entertainment (UK) Ltd.
(CD) Made in Austria
[Barnacle/Lanier credits according to the book "ion Is A Fashion" by Pat Gilbert, pages 183/210]
Barcode and Other Identifiers
- Barcode (Printed): 5 099749 745322
- Barcode (String): 5099749745322
- Label Code: LC 00199
- Rights Society: SACEM / SACD / SCDL / BIEM
- Price Code: CDX
- Matrix / Runout (CD1, Variant 1): S4974532010-0103 24 A2
- Matrix / Runout (CD2, Variant 1): S4974532010-0203 41 A1
- Matrix / Runout (CD3, Variant 1): S4974532010-0303 24 A2
- Mastering SID Code (CD1, variant 1): IFPI L554
- Mastering SID Code (CD2, Variant 1): IFPI L553
- Mastering SID Code (CD3, variant 1): IFPI L554
- Mould SID Code (CD1, Variant 1): IFPI 944A
- Mould SID Code (CD2, Variant 1): IFPI 947A
- Mould SID Code (CD3, Variant 1): IFPI 944A
- Matrix / Runout (CD1, Variant 2): S4974532010-0103 24 A2
- Matrix / Runout (CD2, Variant 2): S4974532010-0203 23 A1
- Matrix / Runout (CD3, Variant 2): S4974532010-0303 24 A1
- Mastering SID Code (CD1, variant 2): IFPI L554
- Mastering SID Code (CD2, Variant 2): IFPI L553
- Mastering SID Code (CD3, variant 2): IFPI L554
- Mould SID Code (CD1, Variant 2): IFPI 945B
- Mould SID Code (CD2, Variant 2): IFPI 943B
- Mould SID Code (CD3, Variant 2): IFPI 943B
- Matrix / Runout (CD1, Variant 3): S4974532010-0103 24 A6
- Matrix / Runout (CD2, Variant 3): S4974532010-0203 41 A0
- Matrix / Runout (CD3, Variant 3): S4974532010-0303 24 A1
- Mastering SID Code (CD1, Variant 3): IFPI L554
- Mastering SID Code (CD2, Variant 3): IFPI L551
- Mastering SID Code (CD3, variant 3): IFPI L554
- Mould SID Code (CD1, Variant 3): IFPI 94Z1
- Mould SID Code (CD2, Variant 3): IFPI 94W1
- Mould SID Code (CD3, Variant 3): IFPI 94V2
Other Versions (5 of 15)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Clash On Broadway (3×CD, Compilation, Remastered, Box Set, ) | Legacy | 46991, E3K 46991 | US | 1991 | ||
|
Recently Edited
|
Clash On Broadway (3×Cassette, Compilation, Box Set, ) | Legacy | E3T 46991 | US | 1991 | ||
|
Recently Edited
|
Clash On Broadway (3×CD, Compilation, Box Set, Club Edition) | Legacy | E3K 46991 | US | 1991 | ||
|
New Submission
|
Clash On Broadway (3×CD, Compilation, Promo, Remastered, Box Set, ) | Epic | 3SK 4284 | US | 1991 | ||
|
New Submission
|
Clash On Broadway (3×CD, Compilation, Box Set, Limited Edition) | Epic | ESCA 5544~6 | Japan | 1992 |
Recommendations
Reviews
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Is there a mastering issue on the 2000 reissue, City Of The Dead on Disc 1 repeats a lyric line at around 2 minutes?
Release
See all versions
Recently Edited
Recently Edited
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