FFWD ▸▸* – FFWD ▸▸
Label: |
Discipline Records (3) – inta 001 cd |
|---|---|
Format: |
CD
, Album, Stereo
|
Country: |
UK |
Released: |
|
Genre: |
Electronic |
Style: |
Ambient |
Tracklist
| 1 | Hidden | 7:16 | |
| 2 | Lucky Saddle | 6:40 | |
| 3 | Drone | 1:01 | |
| 4 | Hempire | 3:12 | |
| 5 | Collossus | 5:38 | |
| 6 | What Time Is Clock | 1:15 | |
| 7 | Can Of Bliss | 3:15 | |
| 8 | Elevenses | 0:49 | |
| 9 | Meteor Storm | 4:25 | |
| 10 | Buckwheat & Grits | 10:51 | |
| 11 | Klangtest | 5:01 | |
| 12 | Suess Wie Eine Nuss | 8:20 |
Companies, etc.
- Phonographic Copyright ℗ – Inter-Modo
- Phonographic Copyright ℗ – Discipline Records (3)
- Copyright © – Inter-Modo
- Distributed By – RTM (2)
- Glass Mastered At – Disctronics S
- Published By – Orb Music
- Published By – Big Life Music
- Published By – Crimson Music
- Mastered At – CTS Studios
- Mixed At – BJG Studios
Credits
- Design – The Designers Republic By Appointment To The Future, Sheffield*
- Design [FFWD▸▸ Logo] – Mad Ark, London*
- Effects [Ambient Treatments] – D.A.R. Paterson*
- Electronics – Thomas Fehlmann
- Engineer – Andrew Hughes*
- Engineer [Original Session] – David Singleton
- Guitar, Effects [Treatments] – Robert Fripp
- Illustration [Cover Illustration] – Nick Burton
- Mastered By – Martin Giles
- Performer [Agnabled] – Fil Char Gonidred*
- Producer [Produced By] – Thomas Fehlmann
- Written-By – T. Fehlmann*
Notes
Issued in a standard jewel case with trasparent tray and four page booklet.
Track 12 translated means 'Sweet As A Nut'.
— On back inlay:
℗1994 inter-modo & discipline. ©1994 inter-modo
manufactured in the u.k. distributed in the uk by rtm
— On booklet back:
(orb music, Big Life Music, Crimson Music)
mixed at bj.g summer 1993
mastered at cts by martin giles
thank you to paul & helima
no thanks to tony arnold
robert fripp appears courtesy of discipline (gm)
d.a.r. paterson and kris weston appear courtesy of island records ltd
thomas fehlmann appears courtesy of r & s records
Track 12 translated means 'Sweet As A Nut'.
— On back inlay:
℗1994 inter-modo & discipline. ©1994 inter-modo
manufactured in the u.k. distributed in the uk by rtm
— On booklet back:
(orb music, Big Life Music, Crimson Music)
mixed at bj.g summer 1993
mastered at cts by martin giles
thank you to paul & helima
no thanks to tony arnold
robert fripp appears courtesy of discipline (gm)
d.a.r. paterson and kris weston appear courtesy of island records ltd
thomas fehlmann appears courtesy of r & s records
Barcode and Other Identifiers
- Barcode (Scanned, EAN-13): 5018775600122
- Barcode (Text): 5 018775 600122
- Matrix / Runout (Mirrored): DISCTRONICS S INTA 001 CD 01
Other Versions (4)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
FFWD▸▸ (2×LP, Album) | Inter-Modo | inta 001 lp | UK | 1994 | ||
|
Recently Edited
|
FFWD▸▸ (Cassette, Album) | Discipline Records (3) | inta 001 tc, INTA 001 TC | UK | 1994 | ||
|
New Submission
|
FFWD▸▸ (Cassette, Album, Unofficial Release) | Expromt | 2842 | Russia | 1997 | ||
|
Recently Edited
|
FFWD▸▸ (CD, Album, Reissue, Unofficial Release) | Discipline Records (5) | inta 001 cd | Russia | 1999 |
Recommendations
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1996 UKCD —Compilation, Mono, Stereo, Mixed -
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Reviews
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The soundtrack of floating islands in a hazy, half-ed fantasy world of hobbits, crystals, verdant fields and hempire portals. Kris has gone on record (hoho) as being particularly proud of this album and I do feel it's his most emotional work. I don't know if I can do it justice but... FFWD is a truly resonant, melodic, other-wordly experience that is totally unmatched by anything else I've heard at least. Not even trying to engage in hyperbole: there is something absolutely peak about this album, like all heads involved gave absofuckinglutely everything and produced the sound of the other side of the looking glass. Dig around and there is a bootleg out there known as Orbert which is apparently more from the FFWD sessions. -
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Edited 2 years agos up the dots between KLF ‘Chill out’ and ‘Space’ albums and tearly Orb like ‘Huge ever growing…’ ‘Little Fluffy Clouds’ with its improvised collage/patchwork approach with Fripp’s guitar added. Just got one off the bay for £35 so no need to pay daft prices as they do turn up cheap.
Fantastic!
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i've been playing this endlessly i don't know how many times by now since it landed on my collection. and still remainds one of the greatest records i have lestined to how they control Hempire 4tH track in the album 03:09 the sound is hypnotic and puts you right to the edge it's amaizing sound that you can hear so it connects to your spirit in a way that you want it to control what's destened for you to listene to music and deeply try and demand to understand what you hear as you feel. Incredibly the best of all time.
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Iridescent soundscaping, clicks and expert dubology make this one of the most under-rated ambient albums of the mid-nineties.
Check out Robert Fripp's 'The Gates of Paradise' (1997 , Discipline Mobile Global) or Fehlmann (feat. Fripp) EP 'U-god embryo battle. overflow minus-one'(1999 apolloapollo 040) 12", for more good stuff.
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Diffuse psychedelic ambience from the Orb with Robert Fripp, FFWD's generally beatless soundscape is more likely to please fans of the Orb's trippy ambience than fans of Fripp, whose presence is hardly detectable save for a tinkly guitar loop.
Release
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