Eric ClaptonUnplugged: Enhanced Edition

Label:

Surfdog Records – 68540-1

Series:

MTV Unplugged

Format:

3 x Vinyl , LP, Album, Reissue, Remastered , Tri-fold

Country:

Worldwide

Released:

Genre:

Rock

Style:

Acoustic

Tracklist

A1 Signe
Written-ByEric Clapton
2:57
A2 Before You Accuse Me
Written-ByE. McDaniel*
4:26
A3 Hey Hey
Written-ByBig Bill Broonzy
3:38
B1 Tears In Heaven
Written-ByWill Jennings
5:50
B2 Lonely Stranger
Written-ByEric Clapton
5:23
B3 Nobody Knows You When You're Down And Out
Written-ByJimmy Cox
4:29
C1 Layla
Written-ByJim Gordon
5:24
C2 Running On Faith
Written-ByJerry Lynn Williams
6:39
C3 Walkin' Blues
Written-ByRobert Johnson
4:10
D1 Alberta
Arranged BySnooks Eaglin
Written-ByTrad*
4:06
D2 San Francisco Bay Blues
Written-ByJesse Fuller
3:50
D3 Malted Milk
Written-ByRobert Johnson
4:18
E1 Old Love
Written-ByRobert Cray
8:23
E2 Worried Life Blues
Written-ByBig Maceo Merriweather*
5:14
F1 Circus
Written-ByEric Clapton
4:37
F2 My Father's Eyes (Take 1)
Written-ByEric Clapton
6:17
F3 Rollin' And Tumblin'
Written-ByM. Morganfield*
3:58

Companies, etc.

  • Copyright ©Paramount Media Networks
  • Licensed ThroughViacom International Inc.
  • Copyright ©Paramount Media Networks
  • Copyright ©EPC Enterprises LLP
  • Phonographic Copyright ℗EPC Enterprises LLP
  • Licensed ToSurfdog Records
  • Mixed AtPower Station
  • Mastered AtSterling Sound
  • Pressed ByGZ Media – 295712E
  • Published ByUnichappell Music, Inc.
  • Published ByLongitude Music Co.
  • Published ByScreen Gems-EMI Music Inc.
  • Published ByBlue Sky Rider Songs
  • Published ByMCA Inc.
  • Published ByCareers-BMG Music Publishing, Inc.
  • Published ByUrge Music
  • Published ByRed Brazos Music, Inc.
  • Published ByKing Of Spades Music
  • Published ByHollis Music, Inc.
  • Published ByRobert Cray Music Inc.
  • Published ByUniversal-Duchess Music Corp.
  • Published ByWatertoons Music

Credits

  • Backing VocalsTessa Niles
  • Bass Guitar, Backing VocalsNathan East
  • Design, SleeveBill Smith Studio
  • DrumsSteve Ferrone
  • Engineer [Additional Audio Engineering By, Enhanced Edition Television Program]Joel Evenden
  • Engineer [Monitor Engineer]John Roden
  • Engineer [Sound Engineer]Buford Jones
  • Executive-Producer [1992 MTV “Unplugged” Television Program, For MTV]Joel Gallen
  • Executive-Producer [Enhanced Edition Television Program, For MTV/Paramount, Sr. Director of Production]Marni Colón
  • Executive-Producer [Enhanced Edition Television Program, For MTV/Paramount]Vanessa Whitewolf
  • Executive-Producer [Enhanced Edition Television Program]Michael Eaton
  • Film Director [1992 MTV “Unplugged” Television Program, Directed By, For MTV]Milton Lage
  • GuitarAndy Fairweather Low*
  • Guitar, VocalsEric Clapton
  • Illustration [Memorabilia Images]Martin Adams (7)
  • KeyboardsChuck Leavell
  • Lacquer Cut By [Vinyl Cutting By]Cicely Balston
  • Layout [Additional Art Layout], DesignAndy West Design
  • LegalMichael Eaton
  • Legal [US Legal]Peter Paterno
  • Lighting [Lighting Operator]Tom Kenny (3)
  • Liner NotesKurt Loder
  • Management [Eric Clapton’s Office]Yvonne Osborn
  • Management [Surfdog]Mark Kaplan (2)
  • Mastered ByTed Jensen
  • Mastered By [Enhanced Edition Television Program]Simon Francis
  • Mastered By [Surround Mastering, Enhanced Edition Television Program]Andy Bradfield
  • Mixed By [1992 MTV “Unplugged” Television Program]Steve Boyer
  • Mixed By [Assisted By, 1992 MTV “Unplugged” Television Program]Victor Deyglio
  • PercussionRay Cooper
  • Producer [1992 MTV “Unplugged” Television Program, Produced By, For MTV]Alex Coletti
  • Producer [1992 MTV “Unplugged” Television Program]Russ Titelman
  • Producer [Associate Producer, Enhanced Edition Television Program]Scott Seine
  • Producer [Audio Producer, Enhanced Edition Television Program], Mixed By [Enhanced Edition Television Program]Simon Climie
  • Producer [Enhanced Edition Television Program]John Logsdon
  • Production Manager, Stage ManagerMick Double
  • Public Relations [Press]Taylor Vaughn
  • Recorded By [1992 MTV “Unplugged” Television Program]Jim Barton*
  • Restoration [Enhanced Edition Television Program]Alan Douglas (2)
  • Technician [Drum Technician]John Collins (10)
  • Technician [E.C.'s Guitar Technician]Lee Dickson
  • Technician [Guitar Technician]Tom Calcaterra
  • Technician [Head Electrician]Wil Roberts
  • Technician [Keyboard Technician]Tim Myer
  • Technician [Sound Technician]Doug Hall (2)

Notes

LPs are housed in poly-lined white paper sleeves.

On labels:
© 1992 Paramount Media Networks. ©℗ 1992-2025 EPC Enterprises, LLP. Under exclusive license to Surfdog Records.

On jacket back cover:
© 1992 Paramount Media Networks. All Rights Reserved. MTV's "'Unplugged," all related titles, characters and logos are trademarks owned by Paramount Media Networks, a division of Viacom International Inc. ©℗ 1992-2025 EPC Enterprises, LLP. Under exclusive license to Surfdog Records. 1126 South Coast Highway 101, Encinitas, CA 92024. Unauthorized duplication is a violation of applicable laws. All rights reserved. 68540-1.

Track publishers:
A1: Unichappell Music Inc. (BMI)
A2: Longitude Music Co. (BMI)
A3: Screen Gems-EMI Music Inc. (BMI)
B1: Unichappell Music Inc./Blue Sky Rider Songs (BMI)
B2: Unichappell Music Inc. (BMI)
B3: MCA Inc. (ASCAP)
C1: Unichappell Music, Inc. (BMI)
C2: Careers-BMG Music Pub. Inc./Urge Music/Red Brazos Music, Inc. (BMI)
C3: King Of Spades Music (BMI)
D2: Hollis Music Inc. (BMI)
D3: King Of Spades Music (BMI)
E1: Unichappell Music Inc./Robert Cray Music Inc. (BMI)
E2: Universal Duchess Music Corp (BMI)
F1: Unichappell Music, Inc. (BMI)
F2: Unichappell Music, Inc. (BMI)
F3: Watertoons Music (BMI)

All songs are preceded by commentary from Eric Clapton from an interview taped just prior to the January 16, 1992 live performance for "Unplugged" except for Lonely Stranger, Worried Life Blues, and Rollin' and Tumblin'.

Runouts are stamped, except 685401-[...]1, which are etched.

Barcode and Other Identifiers

  • Barcode (Text): 1 98846 85409 0
  • Barcode (Scanned): 198846854090
  • Rights Society: BMI
  • Rights Society: ASCAP
  • Matrix / Runout (Side A runout): 02170508 295712E1 2136752 685401-A1
  • Matrix / Runout (Side B runout): 02170962 295712E2 2143700 685401-B1
  • Matrix / Runout (Side C runout): 02170570 295712E3 2167635 685401-C1
  • Matrix / Runout (Side D runout): 295712E4 2136760 685401-D1
  • Matrix / Runout (Side E runout): 02168805 295712E5 2166460 685401-E1
  • Matrix / Runout (Side F runout): 02170960 295712E6 2136758 685401-F1

Other Versions (5 of 237)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Unplugged (LP, Album, Stereo, Gatefold) Reprise Records 9362-45024-1, WX 480, WX480 Europe 1992
Recently Edited
Unplugged (VHS, ) Warner Vision Australia 7599-38311-3 Australia 1992
Recently Edited
Unplugged (CD, Album, Stereo, SRC) Duck Records (2) 9 45024-2 US 1992
Unplugged (Cassette, Album, SR, Dolby HX Pro, B NR) Duck Records (2) 9 45024-4, 4-45024 US 1992
Recently Edited
Unplugged (LP, Album) Warner Music Korea 9362-45024-1, WL-149 South Korea 1992

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Reviews

  • TC1102's avatar
    TC1102
    I don’t mind the interview, I actually quite enjoyed it. The music is crystal clear and excellent quality vinyl to own. LPs are housed in poly-lined sleeves. Love the extra songs as well.
    • RaphaelCantin1's avatar
      RaphaelCantin1
      The interview before each song is really annoying I don’t care about that
      • kondakov's avatar
        kondakov
        I got TWO COPIES of disc 1 in my pack instead of disc 2 that was missing :-(((
        • Miami-Vice's avatar
          Miami-Vice
          The Chris Bellman cut from 2011 is still the gold standard. I don't think that will change for a long time.
          • wideisland2016's avatar
            wideisland2016
            Edited 12 days ago
            The interview before the performance is ridiculous. It's a record, so you can't skip it.
            The sound is remixed and lacks dynamics and live feel.
            The triangle in "Tears in Heaven" is too conspicuous and noisy
            • Tiffspot's avatar
              Tiffspot
              Edited 15 days ago
              I have the 2011 Chris Bellman and the MoFi UD1S.
              Sound quality wise, it's very clear, records are dead flat, very low surface noise. This was a digital recording, so whatever they've done in the remix / remaster process I do think they've managed to polish up the detail a bit, it's a little more accurate,
              I think Claptons voice is more forward perhaps than the previous mix, at some stages like on Alberta I'd say it's too aggressive.
              The Piano is generally lost in the mix, I don't know what's going on there. You can most noticeably hear the lack of it in the intro to San Francisco Bay Blues, and the solo in Old Love where it should be center stage taking focus.
              And is it just me or does it feel like they've stripped out some of the audience noise in places? Again, I don't think that's a benefit, I think it loses the personality of it being a live performance, on the original I felt front and center in the crowd.
              The additional 3 tracks is welcomed.
              This is a different version of Running On Faith, I much prefer the other version.
              It's almost like they've taken a different mic source for a lot of the tracks on this version, unless they are entirely different versions recorded at a different time?
              BUT these DAMN interview snippets ruin the whole thing! WHY OH WHY DID THEY PUT EACH ONE BEFORE THE TRACK! It's completely messed up the flow of the show, I just can't get into it at all. Wish they'd just put them on the last side or whatever.
              If you're a die hard fan, you'll likely appreciate it, anyone looking for musicality and value mixed with good SQ, the 2011 Chris Bellman is still the version to get IMHO, the MoFi doesn't improve on the 2011 and this copy just breaks the musical flow.
              • mMarksmm's avatar
                mMarksmm
                I feel like some tracks are way too loud compared to others.
                I have mixed feelings about the commentary before each songs as well because
                I can’t quite immerse myself into the live concert.
                Can someone explain what mastering work has been done with this? Is it extended just because of Clapton’s commentary?
                • Woodbeat's avatar
                  Woodbeat
                  GZ press, no thank you. Always with the cheap production these days. Optimal in all the way guys.

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