Eric Clapton – Unplugged: Enhanced Edition
Label: |
Surfdog Records – 68540-1 |
---|---|
Series: |
MTV Unplugged |
Format: |
|
Country: |
Worldwide |
Released: |
|
Genre: |
Rock |
Style: |
Acoustic |
Tracklist
A1 | Signe | 2:57 | |
A2 | Before You Accuse Me | 4:26 | |
A3 | Hey Hey | 3:38 | |
B1 | Tears In Heaven | 5:50 | |
B2 | Lonely Stranger | 5:23 | |
B3 | Nobody Knows You When You're Down And Out | 4:29 | |
C1 | Layla | 5:24 | |
C2 | Running On Faith | 6:39 | |
C3 | Walkin' Blues | 4:10 | |
D1 | Alberta | 4:06 | |
D2 | San Francisco Bay Blues | 3:50 | |
D3 | Malted Milk | 4:18 | |
E1 | Old Love | 8:23 | |
E2 | Worried Life Blues | 5:14 | |
F1 | Circus | 4:37 | |
F2 | My Father's Eyes (Take 1) | 6:17 | |
F3 | Rollin' And Tumblin' | 3:58 |
Companies, etc.
- Copyright © – Paramount Media Networks
- Licensed Through – Viacom International Inc.
- Copyright © – Paramount Media Networks
- Copyright © – EPC Enterprises LLP
- Phonographic Copyright ℗ – EPC Enterprises LLP
- Licensed To – Surfdog Records
- Mixed At – Power Station
- Mastered At – Sterling Sound
- Pressed By – GZ Media – 295712E
- Published By – Unichappell Music, Inc.
- Published By – Longitude Music Co.
- Published By – Screen Gems-EMI Music Inc.
- Published By – Blue Sky Rider Songs
- Published By – MCA Inc.
- Published By – Careers-BMG Music Publishing, Inc.
- Published By – Urge Music
- Published By – Red Brazos Music, Inc.
- Published By – King Of Spades Music
- Published By – Hollis Music, Inc.
- Published By – Robert Cray Music Inc.
- Published By – Universal-Duchess Music Corp.
- Published By – Watertoons Music
Credits
- Backing Vocals – Tessa Niles
- Bass Guitar, Backing Vocals – Nathan East
- Design, Sleeve – Bill Smith Studio
- Drums – Steve Ferrone
- Engineer [Additional Audio Engineering By, Enhanced Edition Television Program] – Joel Evenden
- Engineer [Monitor Engineer] – John Roden
- Engineer [Sound Engineer] – Buford Jones
- Executive-Producer [1992 MTV “Unplugged” Television Program, For MTV] – Joel Gallen
- Executive-Producer [Enhanced Edition Television Program, For MTV/Paramount, Sr. Director of Production] – Marni Colón
- Executive-Producer [Enhanced Edition Television Program, For MTV/Paramount] – Vanessa Whitewolf
- Executive-Producer [Enhanced Edition Television Program] – Michael Eaton
- Film Director [1992 MTV “Unplugged” Television Program, Directed By, For MTV] – Milton Lage
- Guitar – Andy Fairweather Low*
- Guitar, Vocals – Eric Clapton
- Illustration [Memorabilia Images] – Martin Adams (7)
- Keyboards – Chuck Leavell
- Lacquer Cut By [Vinyl Cutting By] – Cicely Balston
- Layout [Additional Art Layout], Design – Andy West Design
- Legal – Michael Eaton
- Legal [US Legal] – Peter Paterno
- Lighting [Lighting Operator] – Tom Kenny (3)
- Liner Notes – Kurt Loder
- Management [Eric Clapton’s Office] – Yvonne Osborn
- Management [Surfdog] – Mark Kaplan (2)
- Mastered By – Ted Jensen
- Mastered By [Enhanced Edition Television Program] – Simon Francis
- Mastered By [Surround Mastering, Enhanced Edition Television Program] – Andy Bradfield
- Mixed By [1992 MTV “Unplugged” Television Program] – Steve Boyer
- Mixed By [Assisted By, 1992 MTV “Unplugged” Television Program] – Victor Deyglio
- Percussion – Ray Cooper
- Producer [1992 MTV “Unplugged” Television Program, Produced By, For MTV] – Alex Coletti
- Producer [1992 MTV “Unplugged” Television Program] – Russ Titelman
- Producer [Associate Producer, Enhanced Edition Television Program] – Scott Seine
- Producer [Audio Producer, Enhanced Edition Television Program], Mixed By [Enhanced Edition Television Program] – Simon Climie
- Producer [Enhanced Edition Television Program] – John Logsdon
- Production Manager, Stage Manager – Mick Double
- Public Relations [Press] – Taylor Vaughn
- Recorded By [1992 MTV “Unplugged” Television Program] – Jim Barton*
- Restoration [Enhanced Edition Television Program] – Alan Douglas (2)
- Technician [Drum Technician] – John Collins (10)
- Technician [E.C.'s Guitar Technician] – Lee Dickson
- Technician [Guitar Technician] – Tom Calcaterra
- Technician [Head Electrician] – Wil Roberts
- Technician [Keyboard Technician] – Tim Myer
- Technician [Sound Technician] – Doug Hall (2)
Notes
LPs are housed in poly-lined white paper sleeves.
On labels:
© 1992 Paramount Media Networks. ©℗ 1992-2025 EPC Enterprises, LLP. Under exclusive license to Surfdog Records.
On jacket back cover:
© 1992 Paramount Media Networks. All Rights Reserved. MTV's "'Unplugged," all related titles, characters and logos are trademarks owned by Paramount Media Networks, a division of Viacom International Inc. ©℗ 1992-2025 EPC Enterprises, LLP. Under exclusive license to Surfdog Records. 1126 South Coast Highway 101, Encinitas, CA 92024. Unauthorized duplication is a violation of applicable laws. All rights reserved. 68540-1.
Track publishers:
A1: Unichappell Music Inc. (BMI)
A2: Longitude Music Co. (BMI)
A3: Screen Gems-EMI Music Inc. (BMI)
B1: Unichappell Music Inc./Blue Sky Rider Songs (BMI)
B2: Unichappell Music Inc. (BMI)
B3: MCA Inc. (ASCAP)
C1: Unichappell Music, Inc. (BMI)
C2: Careers-BMG Music Pub. Inc./Urge Music/Red Brazos Music, Inc. (BMI)
C3: King Of Spades Music (BMI)
D2: Hollis Music Inc. (BMI)
D3: King Of Spades Music (BMI)
E1: Unichappell Music Inc./Robert Cray Music Inc. (BMI)
E2: Universal Duchess Music Corp (BMI)
F1: Unichappell Music, Inc. (BMI)
F2: Unichappell Music, Inc. (BMI)
F3: Watertoons Music (BMI)
All songs are preceded by commentary from Eric Clapton from an interview taped just prior to the January 16, 1992 live performance for "Unplugged" except for Lonely Stranger, Worried Life Blues, and Rollin' and Tumblin'.
Runouts are stamped, except 685401-[...]1, which are etched.
On labels:
© 1992 Paramount Media Networks. ©℗ 1992-2025 EPC Enterprises, LLP. Under exclusive license to Surfdog Records.
On jacket back cover:
© 1992 Paramount Media Networks. All Rights Reserved. MTV's "'Unplugged," all related titles, characters and logos are trademarks owned by Paramount Media Networks, a division of Viacom International Inc. ©℗ 1992-2025 EPC Enterprises, LLP. Under exclusive license to Surfdog Records. 1126 South Coast Highway 101, Encinitas, CA 92024. Unauthorized duplication is a violation of applicable laws. All rights reserved. 68540-1.
Track publishers:
A1: Unichappell Music Inc. (BMI)
A2: Longitude Music Co. (BMI)
A3: Screen Gems-EMI Music Inc. (BMI)
B1: Unichappell Music Inc./Blue Sky Rider Songs (BMI)
B2: Unichappell Music Inc. (BMI)
B3: MCA Inc. (ASCAP)
C1: Unichappell Music, Inc. (BMI)
C2: Careers-BMG Music Pub. Inc./Urge Music/Red Brazos Music, Inc. (BMI)
C3: King Of Spades Music (BMI)
D2: Hollis Music Inc. (BMI)
D3: King Of Spades Music (BMI)
E1: Unichappell Music Inc./Robert Cray Music Inc. (BMI)
E2: Universal Duchess Music Corp (BMI)
F1: Unichappell Music, Inc. (BMI)
F2: Unichappell Music, Inc. (BMI)
F3: Watertoons Music (BMI)
All songs are preceded by commentary from Eric Clapton from an interview taped just prior to the January 16, 1992 live performance for "Unplugged" except for Lonely Stranger, Worried Life Blues, and Rollin' and Tumblin'.
Runouts are stamped, except 685401-[...]1, which are etched.
Barcode and Other Identifiers
- Barcode (Text): 1 98846 85409 0
- Barcode (Scanned): 198846854090
- Rights Society: BMI
- Rights Society: ASCAP
- Matrix / Runout (Side A runout): 02170508 295712E1 2136752 685401-A1
- Matrix / Runout (Side B runout): 02170962 295712E2 2143700 685401-B1
- Matrix / Runout (Side C runout): 02170570 295712E3 2167635 685401-C1
- Matrix / Runout (Side D runout): 295712E4 2136760 685401-D1
- Matrix / Runout (Side E runout): 02168805 295712E5 2166460 685401-E1
- Matrix / Runout (Side F runout): 02170960 295712E6 2136758 685401-F1
Other Versions (5 of 237)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Unplugged (LP, Album, Stereo, Gatefold) | Reprise Records | 9362-45024-1, WX 480, WX480 | Europe | 1992 | ||
Recently Edited
|
Unplugged (VHS, ) | Warner Vision Australia | 7599-38311-3 | Australia | 1992 | ||
Recently Edited
|
Unplugged (CD, Album, Stereo, SRC) | Duck Records (2) | 9 45024-2 | US | 1992 | ||
Unplugged (Cassette, Album, SR, Dolby HX Pro, B NR) | Duck Records (2) | 9 45024-4, 4-45024 | US | 1992 | |||
Recently Edited
|
Unplugged (LP, Album) | Warner Music Korea | 9362-45024-1, WL-149 | South Korea | 1992 |
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2020 USA & EuropeLP, Album, Reissue, Remastered, Stereo
Reviews
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I don’t mind the interview, I actually quite enjoyed it. The music is crystal clear and excellent quality vinyl to own. LPs are housed in poly-lined sleeves. Love the extra songs as well.
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The Chris Bellman cut from 2011 is still the gold standard. I don't think that will change for a long time.
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Edited 12 days agoThe interview before the performance is ridiculous. It's a record, so you can't skip it.
The sound is remixed and lacks dynamics and live feel.
The triangle in "Tears in Heaven" is too conspicuous and noisy -
Edited 15 days agoI have the 2011 Chris Bellman and the MoFi UD1S.
Sound quality wise, it's very clear, records are dead flat, very low surface noise. This was a digital recording, so whatever they've done in the remix / remaster process I do think they've managed to polish up the detail a bit, it's a little more accurate,
I think Claptons voice is more forward perhaps than the previous mix, at some stages like on Alberta I'd say it's too aggressive.
The Piano is generally lost in the mix, I don't know what's going on there. You can most noticeably hear the lack of it in the intro to San Francisco Bay Blues, and the solo in Old Love where it should be center stage taking focus.
And is it just me or does it feel like they've stripped out some of the audience noise in places? Again, I don't think that's a benefit, I think it loses the personality of it being a live performance, on the original I felt front and center in the crowd.
The additional 3 tracks is welcomed.
This is a different version of Running On Faith, I much prefer the other version.
It's almost like they've taken a different mic source for a lot of the tracks on this version, unless they are entirely different versions recorded at a different time?
BUT these DAMN interview snippets ruin the whole thing! WHY OH WHY DID THEY PUT EACH ONE BEFORE THE TRACK! It's completely messed up the flow of the show, I just can't get into it at all. Wish they'd just put them on the last side or whatever.
If you're a die hard fan, you'll likely appreciate it, anyone looking for musicality and value mixed with good SQ, the 2011 Chris Bellman is still the version to get IMHO, the MoFi doesn't improve on the 2011 and this copy just breaks the musical flow. -
I feel like some tracks are way too loud compared to others.
I have mixed feelings about the commentary before each songs as well because
I can’t quite immerse myself into the live concert.
Can someone explain what mastering work has been done with this? Is it extended just because of Clapton’s commentary? -
Release
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