Linkin Park – Hybrid Theory
Label: |
Machine Shop Recordings – 093624844037 |
|---|---|
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Nu Metal |
Tracklist
| A1 | Papercut | 3:05 | |
| A2 | One Step Closer | 2:37 | |
| A3 | With You | 3:23 | |
| A4 | Points Of Authority | 3:20 | |
| A5 | Crawling | 3:29 | |
| A6 | Runaway | 3:04 | |
| B1 | By Myself | 3:10 | |
| B2 | In The End | 3:36 | |
| B3 | A Place For My Head | 3:05 | |
| B4 | Forgotten | 3:14 | |
| B5 | Cure For The Itch | 2:37 | |
| B6 | Pushing Me Away | 3:11 |
Companies, etc.
- Record Company – Warner Music Group
- Copyright © – Warner Records Inc.
- Phonographic Copyright ℗ – Warner Records Inc.
- Recorded At – NRG Studios
- Mixed At – Soundtrack Studios
- Mastered At – Bernie Grundman Mastering
- Lacquer Cut At – Bernie Grundman Mastering
- Pressed By – GZ Media – 281451E
Credits
- A&R [Coordination] – Natalie Preston
- Art Direction, Design – Flem (2)
- Bass – Ian Hornbeck (tracks: A1, B3, B4)
- Bass [Touring] – Scott Koziol
- Booking [Booking Agent] – Michael Arfin
- Booking [Europe Booking Agent] – Scott Thomas (5)
- DAW [Pro Tools Assistant], MC [Emcee], Vocals, Beats, Sampler, Artwork [Soldier Drawing, Line Art Sketches & Drawings] – Mike Shinoda
- Drums, Backing Vocals – Rob Bourdon
- Engineer – Steve Sisco
- Engineer [Additional], DAW [Pro Tools] – John Ewing Jr.
- Engineer [Assistant] – Matt Griffin
- Executive-Producer, A&R – Jeff Blue
- Guitar, Bass, Backing Vocals – Brad Delson
- Lacquer Cut By – CB*
- Management – Ryan DeMarti
- Management [Business Manager] – Michael Oppenheim
- Management [Worldwide Representation] – The Collective (8)
- Mastered By – Brian "Big Bass" Gardner*
- Mixed By – Andy Wallace
- Photography By – James Minchin III
- Producer, Engineer – Don Gilmore
- Product Manager [Marketing Director] – Peter Standish
- Scratches [Records], Sampler, Backing Vocals, Artwork [Line Art Sketches & Drawings] – Joseph Hahn
- Vocals – Chester Bennington
- Written-By – Mark Wakefield (tracks: A6, B3, B4)
Notes
Hype sticker on front shrink
© 2024 Warner Records, Inc.
℗ 2000 Warner Records, Inc.
Made in Czech Republic
© 2024 Warner Records, Inc.
℗ 2000 Warner Records, Inc.
Made in Czech Republic
Barcode and Other Identifiers
- Barcode (Rear Cover): 0 93624 84403 7
- Label Code (Hype Sticker): 093624843559
- Matrix / Runout (Side A Runout): 093624844037-A CB 281451E1 1934569
- Matrix / Runout (Side B Runout): 093624844037-B CB 281451E2 1944031
- Matrix / Runout (Side A Runout Variant 1 ): 093624844037-A CB 281451E1 1934569
- Matrix / Runout (Side B Runout Variant 1 ): 093624844037-B CB 281451E2 1899065
- Matrix / Runout (Side A Runout Variant 2): 093624844037-A CB 281451E1 1899063
- Matrix / Runout (Side B Runout Variant 2): 093624844037-B CB 281451E2 1944031
Other Versions (5 of 173)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Hybrid Theory (CD, Album, WEA Olyphant Pressing) | Warner Bros. Records | 9 47755-2 | US | 2000 | |||
|
Recently Edited
|
Hybrid Theory (Cassette, Album) | Warner Bros. Records | 9362-47755-4 | Europe | 2000 | ||
| Hybrid Theory (CD, Album) | Warner Bros. Records | 9362-47755-2, 9 4775-2 | Europe | 2000 | |||
|
Recently Edited
|
Hybrid Theory (CD, Advance, Album, Promo, Cardboard Sleeve) | Warner Bros. Records | 2A-47755-B | US | 2000 | ||
| Hybrid Theory (CD, Album) | Warner Bros. Records | 9362477552 | Australia | 2000 |
Recommendations
Reviews
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Edited one month agoThought I would share this here. I do not claim to be an “audiophile” but I do seek out sonically better sounding vinyl releases of my favorite albums (i.e at least needs to sound better than what’s on streaming platforms like Spotify/Qobuz).
https://youtu.be/Dn4b0dihUbI?si=7nQ_E7H3m5hDen_2
I was watching this video where this regular issue was compared to the 2024 audiophile release of this album. I have not heard the audiophile release and as much as I love this band, I am not willing to pay $100+ for this record.
However, in this video, he also compared this regular colored issue to what’s on CD and on streaming. As per his review, this one sounds much more dynamic, defined and punchier. This is what led me to purchase this.
This version is a new cut by Chris Bellman in 2024 and I absolutely agree it sounds the best I have heard so far. I used to own the CD (played it to death), I did a volume matched A/B testing with Qobuz and Spotify and I also heard the 2020 black vinyl reissue that was mastered by Brian Gardner. I am not sure if the 2020 reissue used a different source, but it didn’t sound pleasant to me esp since the drums hihats and crashes sounded quite harsh.
This version is not audiophile version and it definitely has room for improvement but this is a good deal for the price and a very enjoyable listen front to back. There are some records I have/used to have like Soundgarden Superunknown reissue, RATM - Battle of LA/Renegades, Arctic Monkeys - Suck It And See, The Strokes - FIOE just to name a few. These records are actually hard to listen through as they sound harsh which leads to ear fatiguing listening experience. This vinyl mastering is still loud but not as ear fatiguing.
I am happy to have this in my collection. I as a kid enjoying this record so much. Brings back lot of joy. -
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