Fiona Apple – Extraordinary Machine
Label: |
Plain Recordings – plain174 |
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Format: |
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Country: |
US |
Released: |
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Genre: |
Pop |
Style: |
Pop Rock |
Tracklist
| A1 | Extraordinary Machine | 3:44 | |
| A2 | Get Him Back | 5:26 | |
| A3 | O' Sailor | 5:37 | |
| B1 | Better Version Of Me | 3:01 | |
| B2 | Tymps (The Sick In The Head Song) | 4:05 | |
| B3 | Parting Gift | 3:36 | |
| C1 | Window | 5:33 | |
| C2 | Oh Well | 3:42 | |
| C3 | Please Please Please | 3:35 | |
| D1 | Red Red Red | 4:08 | |
| D2 | Not About Love | 4:21 | |
| D3 | Waltz (Better Than Fine) | 3:47 |
Companies, etc.
- Manufactured For – Plain Recordings
- Manufactured By – Sony Music Entertainment
- Copyright © – Sony Music Entertainment
- Phonographic Copyright ℗ – Sony Music Entertainment
Credits
- Art Direction – Aimée Macauley
- Co-producer – Brian Kehew (tracks: A2, A3, B1 to B3, C1 to C3, D1, D2)
- Lyrics By, Music By – Fiona Apple
- Mastered By – Brian Gardner
- Mixed By – Dave Way
- Photography By [Back Cover] – Autumn DeWilde
- Photography By [Booklet] – Lionel Deluy
- Photography By [Cover] – Fiona Apple
- Piano – Fiona Apple (tracks: A2, A3, B1 to B3, C1, C2, D2, D3)
- Producer – Mike Elizondo (tracks: A2, A3, B1 to B3, C1 to C3, D1, D2)
- Recorded By – Mike Elizondo (tracks: A2, A3, B1 to B3, C1 to C3, D1, D2)
Notes
(c) 2011 and (p) 2005 Sony Music Entertainment
Tracks 2 to 11 recorded by Adam Hawkins & Mike Elizondo at Phantom Studios, Los Angeles, CA. Additional recording at Stanley Studios, Venice, CA.
Tracks 1 & 12 recorded by Tom Biller at Abbey Road Studios, London, UK; The Paramour, Ocean Way, & Cello Studios, Los Angeles, CA.
Mixed by Dave Way at Waystation, Los Angeles, CA.
Mastered by Brian Gardner at Bernie Grundman Mastering, Los Angeles, CA.
Tracks 2 to 11 recorded by Adam Hawkins & Mike Elizondo at Phantom Studios, Los Angeles, CA. Additional recording at Stanley Studios, Venice, CA.
Tracks 1 & 12 recorded by Tom Biller at Abbey Road Studios, London, UK; The Paramour, Ocean Way, & Cello Studios, Los Angeles, CA.
Mixed by Dave Way at Waystation, Los Angeles, CA.
Mastered by Brian Gardner at Bernie Grundman Mastering, Los Angeles, CA.
Barcode and Other Identifiers
- Barcode (Scanned): 646315517415
- Matrix / Runout (Runout side A): 88697-86063-1 A PLAIN - 174 A1
- Matrix / Runout (Runout side B): 88697-86063-1 B PALIN - 174 B1
- Matrix / Runout (Runout side C): 88697-86063-1 C PLAIN - 174 C1
- Matrix / Runout (Runout side D): 88697-86063-1 D PLAIN - 174 D1
Other Versions (5 of 29)
View All| Title (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Extraordinary Machine (CD, Album) | Clean Slate | EK 86683 | Canada | 2005 | ||
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Recently Edited
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Extraordinary Machine (Hybrid, DualDisc, Album, NTSC) | Clean Slate | EN 96530 | US | 2005 | ||
| Extraordinary Machine (CD, Album) | Clean Slate | 8287 6736362 | Argentina | 2005 | |||
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Recently Edited
|
Extraordinary Machine (CD, Album, Club Edition, BMG Direct) | Clean Slate | EK 86683 | US | 2005 | ||
| Extraordinary Machine (CD, Album) | Clean Slate | 82876736362 | Europe | 2005 |
Recommendations
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2019 USVinyl —LP, Album, Club Edition, Reissue -
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Reviews
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People who own this, do not sell it. It sounds miles better than the VMP press. Much cleaner and clearer thanks to the poor effort of GZ. With the exception of some added color on the sleeve and label of the vinyl, the packaging is basically the same as well. VMP dropped the ball -
FYI this is being reissued by VMP this year for ~$35 https://www.vinylmeplease.com/products/fiona-apple-extraordinary-machine -
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I got this copy around the time it came out in 2011 for a reasonable price. Mostly just use it to listen to "Waltz (Better Than Fine)" over and over again when the mood strikes. Was shocked at the going rate for it but also surprised by the very negative reviews, so I gave it a spin start to finish this morning, and I have to say I have to agree with the majority here. This is a poor pressing. Noisy, distorted, sibilant, and yes, plenty of surface noise. Bootleg-level sleeve with nothing extra (no lyric sheet, pictures of Fiona, etc.) Good for Crosleys and Instagram posts and that's about it. -
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This repress sounds weak to me. I've not heard the original vinyl, but compared to the CD it is blah - I was hoping for something much richer sounding! -
Release
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Recently Edited
Recently Edited
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