Doors* – L.A. Woman
Label: |
Elektra – EKS-75011 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Psychedelic Rock |
Tracklist
| A1 | The Changeling | 4:20 | |
| A2 | Love Her Madly | 3:18 | |
| A3 | Been Down So Long | 4:40 | |
| B1 | Cars Hiss By My Window | 4:10 | |
| B2 | L.A. Woman | 7:49 | |
| C1 | L'America | 4:35 | |
| C2 | Hyacinth House | 3:10 | |
| C3 | Crawling King Snake | 4:57 | |
| D1 | The WASP (Texas Radio And The Big Beat) | 4:12 | |
| D2 | Riders On The Storm | 7:14 |
Companies, etc.
- Record Company – Warner Music Group
- Phonographic Copyright ℗ – Elektra Entertainment Group
- Copyright © – Elektra Entertainment Group
- Copyright © – Doors Music Company LLC
- Licensed From – Elektra Entertainment Group
- Published By – Doors Music Company
- Published By – Modern Music Publishing Co., Inc.
- Recorded At – The Doors Workshop
- Mastered At – The Mastering Lab
- Pressed By – Quality Record Pressings
Credits
- [Publishing istered Worldwide By] – Randall Wixen
- Bass – Jerry Scheff
- Design Concept [Album Concept], Design – Carl Cossick
- Drums – John Densmore
- Executive-Producer [Analogue Productions Reissue] – Chad Kassem
- Guitar – Robby Krieger
- Management [Associate Manager] – Kenny Nemes
- Management [Personal Management] – Bill Siddons
- Management [Worldwide Management] – Jeff Jampol*
- Mastered By [Analogue Productions Reissue, Mastering] – Sangwook "Sunny" Nam*
- Photography By, Artwork [Visual Effects] – Wendell Hamick
- Piano, Organ – Ray Manzarek
- Producer [Produced By] – The Doors
- Rhythm Guitar – Marc Benno
- Songwriter – The Doors
- Supervised By [Analogue Productions Reissue, Production Supervisor] – Jeff Jampol*
- Vocals – Jim Morrison
Notes
Issued in a gatefold sleeve with an image and lyrics on the interior. Each record is housed in a 'Quality Record Pressings' branded rice paper inner sleeve. May have up to 3 stickers on the front: 'Quality Guarantee', 'Quality Record Pressings' and '100% Analog Masters'.
[From back]
Recorded at The Doors Workshop in Los Angeles...
Worldwide Management: Jeff Jampol for JAM, Inc • Associate Manager: Kenny Nemes at JAM, Inc
All songs by The Doors, published by Doors Music Co. (ASCAP),
istered Worldwide by Randall Wixen and Kelly Gonzales at Wixen Music Publishing,
except "Crawling King Snake" by John Lee Hooker, Modern Music Publishing Co, Inc. (BMI)
℗ & © 1971 & 2012 Elektra Entertainment Group. Produced under license from Elektra Entertainment Group.
Manufactured by Rhino Entertainment Company, a Warner Music Group Company
Made in the U.S.A.
[From gatefold interior]
Copyright © 1971 Doors Music Co LLC/ASCAP
[From labels]
All songs © 1971 Doors Music Co LLC/ASCAP
istered Worldwide by Randall Wixen and Kelly Gonzales at Wixen Music Publishing
℗ & © 1971 & 2012 Elektra Entertainment Group. Produced under license from Elektra Entertainment Group. Manufactured by Rhino Entertainment Company, a Warner Music Group Company
Made in the U.S.A.
[Runouts]
Etched except 'TML-M QRP' is stamped on all sides
[From back]
Recorded at The Doors Workshop in Los Angeles...
Worldwide Management: Jeff Jampol for JAM, Inc • Associate Manager: Kenny Nemes at JAM, Inc
All songs by The Doors, published by Doors Music Co. (ASCAP),
istered Worldwide by Randall Wixen and Kelly Gonzales at Wixen Music Publishing,
except "Crawling King Snake" by John Lee Hooker, Modern Music Publishing Co, Inc. (BMI)
℗ & © 1971 & 2012 Elektra Entertainment Group. Produced under license from Elektra Entertainment Group.
Manufactured by Rhino Entertainment Company, a Warner Music Group Company
Made in the U.S.A.
[From gatefold interior]
Copyright © 1971 Doors Music Co LLC/ASCAP
[From labels]
All songs © 1971 Doors Music Co LLC/ASCAP
istered Worldwide by Randall Wixen and Kelly Gonzales at Wixen Music Publishing
℗ & © 1971 & 2012 Elektra Entertainment Group. Produced under license from Elektra Entertainment Group. Manufactured by Rhino Entertainment Company, a Warner Music Group Company
Made in the U.S.A.
[Runouts]
Etched except 'TML-M QRP' is stamped on all sides
Barcode and Other Identifiers
- Barcode (Text, on outer bag only): 7 53088 50117 3
- Barcode (Scanned): 753088501173
- Rights Society (A1 to C2, D1, D2): ASCAP
- Rights Society (C3): BMI
- Matrix / Runout (Side A label): APP-75011-45-A
- Matrix / Runout (Side B label): APP-75011-45-B
- Matrix / Runout (Side C label): APP-75011-45-C
- Matrix / Runout (Side D label): APP-75011-45-D
- Matrix / Runout (Side A runout): AAPP 75011-45 A TML-M QRP
- Matrix / Runout (Side B runout): AAPP 75011-45 B TML-M QRP
- Matrix / Runout (Side C runout): AAPP 75011-45 C TML-M QRP
- Matrix / Runout (Side D runout): AAPP 75011-45 D TML-M QRP
Other Versions (5 of 543)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
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L.A. Woman (LP, Album, Reissue, Stereo) | Elektra | EKS-42090, EKS 42090, 42090 | Netherlands | 1971 | ||
|
Recently Edited
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L.A. Woman (LP, Album, Terre Haute Pressing) | Elektra | EKS-75011 | US | 1971 | ||
|
Recently Edited
|
L.A. Woman (LP, Album, Stereo) | Elektra | EKS 75011, EKS-75011 | Canada | 1971 | ||
|
Recently Edited
|
L.A. Woman (LP, Album, Rounded Corners, Embossed) | Elektra | 42090, K 42090, EKS 75011 | 1971 | |||
|
Recently Edited
|
L.A. Woman (LP, Album) | Elektra | HKS 541-08 | Spain | 1971 |
Recommendations
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2019 USVinyl —12", 45 RPM, Album, Numbered, Reissue, Remastered, Special Edition, Stereo -
2022 USVinyl —LP, Album, Reissue, Remastered, Stereo -
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2016 USVinyl —LP, Compilation, Limited Edition, Numbered, Reissue, Remastered, Special Edition -
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2012 USVinyl —12", 45 RPM, Album, Limited Edition, Reissue, Remastered, Stereo
Reviews
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I ran an A/B between this AP-45, the UHQR, and the Rhino. I'm afraid my audiophile sensitivity is lacking because these three pressing are just incredible. There are nuanced differences between them, sure, but to me, Sax hasn't been bested by Grundman or Gray. That Sax cut is remarkable. The Grundman is warm, smooth and tasty - like an expensive small batch hickory bourbon. The Gray is energetic and fun. But probably all of these adjectives can be used interchangeably. If I had to choose one, I'd choose the UHQR because it's a little rarer at 4,500 pressings on 200g Clarity and whatever; a little more a package, I guess. But that's an arbitrary set of selection criteria and I would be thrilled to have any one of the three as my primary copy of LA WOMAN. -
Absolutely brilliant pressing. Not only is this a perfect pressing but the songs are as well. I have only ever heard doors songs on the radio so I didn’t know this entire album. Sonic’s completely blew me away. One of the top records in my collection without a doubt.
Kinda confused as the 2020 listing that someone put up for this release. Made it confusing to log until I called Analog and they were confused by that also. -
ittedly, I’m not the biggest Doors fan. I listened to them growing up as my Dad was a big fan and them being played often in the house. I guess you could say I am a fan by proxy.
That said, this is an excellent sounding album and I can appreciate the effort that went into this. The end result is fantastic. Great separation with each instrument that cohesively brings a very dynamic listening experience. The vocals are very clear and loaded just up front enough to not pull away from the instruments.
Pressing is of the highest quality also - from sleeve to turntable there is zero surface noise on my copy.
Happy to add this one to my collection. -
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Mind blowing soundstage overall quality is outstanding without having experienced this pressing you simply are missing out on what is considered by many Audiophiles as the best pressing in existence.
So glad I bought that I decided to buy this copy before it goes out of print forever! -
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You will not regret purchasing this while it's still available. It's absolutely amazing. Same as the prior 200g pressing, but they changed to 180g in... 2020? Anyway, I didn't know this album could sound THIS good. Impressive.
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