The Dave Brubeck Quartet – Time Out
Tracklist
| A1 | Blue Rondo A La Turk | 6:54 | |
| A2 | Strange Meadow Lark | 7:37 | |
| B | Take Five | 5:21 | |
| C1 | Three To Get Ready | 5:21 | |
| C2 | Kathy's Waltz | 4:50 | |
| D1 | Everybody's Jumpin' | 4:22 | |
| D2 | Pick Up Sticks |
Companies, etc.
- Manufactured By – Sony Music Entertainment
- Copyright © – Sony Music Entertainment
- Pressed By – Quality Record Pressings
- Mastered At – Bernie Grundman Mastering
- Lacquer Cut At – Bernie Grundman Mastering
- Manufactured For – Analogue Productions
Credits
- Alto Saxophone – Paul Desmond
- Bass – Gene Wright*
- Drums – Joe Morello
- Engineer [Original Recording] – Fred Plaut
- Lacquer Cut By – Bernie Grundman
- Mastered By [Reissue] – Bernie Grundman
- Photography By – Don Hunstein
- Piano – Dave Brubeck
- Producer – Teo Macero
- Reissue Producer, Supervised By – Chad Kassem
Notes
* Originally recorded at Columbia's 30th Street Studios on July 1st, 25th & August 18th, 1959 by Fred Plaut at Columbia Records.
* Original recording produced by Teo Macero.
* First time reissued as a gatefold jacket, with rare black and white photos from the Columbia Studios recording session. Heavy-duty chipboard shell stock by Stoughton Printing
* Original recording produced by Teo Macero.
* First time reissued as a gatefold jacket, with rare black and white photos from the Columbia Studios recording session. Heavy-duty chipboard shell stock by Stoughton Printing
Barcode and Other Identifiers
- Matrix / Runout (Side A Runout Etched): CS 8192-A1-45 APJ-8192-45 A Bernie Grundman
- Matrix / Runout (Side B Runout Etched): CS 8192-A2-45 APJ-8192-45 B Bernie Grundman
- Matrix / Runout (Side C Runout Etched): CS 8192-B1-45 APJ-8192-45 C Bernie Grundman
- Matrix / Runout (Side D Runout Etched): CS 8192-B2-45 APJ-8192-45 D Bernie Grundman
- Barcode (Sticker): 7 53088 81927 8
Other Versions (5 of 507)
View All| Title (Format) | Label | Cat# | Country | Year | |||
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Time Out (LP, Album) | Fontana | 682 065 TL | Netherlands | 1959 | ||
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Time Out (LP, Album, Mono) | Coronet (2) | KLP 835 | New Zealand | 1959 | ||
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Time Out (LP, Album, Promo, Mono) | Columbia | CL 1397 | US | 1959 | ||
| Time Out (LP, Album, Mono) | Columbia | CL 1397 | Canada | 1959 | |||
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Recently Edited
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Time Out (LP, Album, Mono, 6-Eye Label, No CBS Credit) | Columbia | CL 1397 | US | 1959 |
Recommendations
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2019 USVinyl —12", 45 RPM, Album, Numbered, Reissue, Remastered, Special Edition, Stereo -
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2022 USVinyl —LP, Album, Reissue, Remastered, Stereo -
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Reviews
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It is my first 45 PRM audiophile record and I am completely blown away with it:
- the amount of bass (as overall dynamic range) is incredible
- the instruments sound much more realistic than on previous releases I had
- the record is mixed and mastered well (Paul Desmond sounds accented, yet neither harsh nor overly amplified)
The other nice stuff is loudness, signal to noise ratio and low surface noise. The envelops and printing quality is great as well.
I wish to find "Moanin'" and a few jazz-classic albums of such quality. -
Edited 7 months agoPeople seem to love this reissue, but I find it falls well short of my US 1971 Columbia reissue. The latter is truly uncanny and the tone of the instruments makes sense.
This AP reissue has a comically large soundstage, which dilutes the tone of the instruments to the point of being unrecognizable. Grab yourself a cheaper, superior US stereo copy from the 70s and enjoy!
RT-85
AT540ML
Parks Puffin
ELAC Navis -
Absolutely pristine sound. The recording of the drum set is amazing- captures all the grungy sounds you get if you were next to a real set- reverb on toms, vibration of snare wires, overtones of cymbals. Got slaps from bass strings in there. Piano has absolutely no distortion in mine, super sharp, but compared to drum kit the piano sounds under mic’d, not as much harmonic resonance. But just a fun record to snack away on the sounds. -
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Is this still being pressed on 200g? I thought most AP represses were on 180g. Just curious, I bought my copy new from AS in 2020. -
Outstanding record. It’s very demanding to the equipment and certainly this explains why some reviews mention distortion. Although slightly, I could feel the age of my old oc9 mlII in a couple of high piano notes. After installing a brand new oc9-xml, days ago, this record was the reality-check of the new cartridge, and there’s only one word to describe the result: perfection.
I must add that both cartridges were professionally setup and the old OC9-mlII it’s still working great with most of my other records in a second system.
So, I’m not a technical expert but I wanted to share my experience with you. Maybe it can help some of you. -
Yes. This has to be the definitive version of time out. My copy has no noise and every track sounded wonderful. Punchy, quite, and excellent dynamic sound -
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No distortion on my copy, and sounds absolutely fantastic. Most certainly one of the best-sounding records I own.
Equipment: Pro-Ject Debut Pro w/ Pick it Pro Cartridge; MoFi UltraPhono
Release
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