Porcupine Tree – In Absentia
Label: |
Tonefloat – tf102 |
|---|---|
Format: |
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Country: |
Netherlands |
Released: |
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Genre: |
Rock |
Style: |
Alternative Rock |
Tracklist
| A1 | Blackest Eyes | 4:26 | |
| A2 | Trains | 5:57 | |
| A3 | Lips Of Ashes | 4:40 | |
| A4 | The Sound Of Muzak | 4:59 | |
| B1 | Gravity Eyelids | 7:56 | |
| B2 | Wedding Nails | 6:33 | |
| B3 | Prodigal | 5:33 | |
| C1 | .3 | 5:26 | |
| C2 | The Creator Has A Mastertape | 5:21 | |
| C3 | Chloroform | 7:14 | |
| D1 | Heartattack In A Layby | 4:15 | |
| D2 | Strip The Soul | 7:22 | |
| D3 | Collapse The Light Into Earth | 5:52 |
Companies, etc.
- Licensed To – Tonefloat
- Marketed By – Crazy Diamond (2)
- Phonographic Copyright ℗ – Tonefloat
- Copyright © – Tonefloat
- Pressed By – Record Industry – 86784
- Published By – Warner-Tamerlane
- Published By – Lava Songs
- Published By – Wb Music Corp.
- Recorded At – Avatar Studios
- Recorded At – Air Lyndhurst Hall
- Recorded At – No Man's Land (3)
- Recorded At – New Rising Studios
- Recorded At – Red Room Recorders
- Mixed At – Larrabee Sound Studios
- Mastered At – Masterdisk
Credits
- A&R [Direction] – Andrew Karp
- Design [Cover], Photography By [Cover] – Lasse Hoile
- Design [Original] – Mascot (2)
- Engineer – Paul Northfield
- Engineer [Assistant] – Brian Montgomery
- Engineer [Mix] – Mark O'Donoughue
- Legal [Legal Representation] – Ronald Bienstock
- Management – Andy Leff
- Mastered By – Andy VanDette
- Mixed By – Tim Palmer
- Performer – Steven Wilson
- Photography By [Band] – John Blackford (2)
- Producer, Written-By, Words By – Steven Wilson
- Written-By – Richard Barbieri (tracks: B2)
Notes
A regular edition housed in a re-designed gatefold picture sleeve.
Also available as a special edition of 1,500 copies available on coloured 180g vinyl, and housed in a special spotvarnished gatefold picture sleeve.
Recorded at Avatar Studio, New York, NY, March-April 2002.
Additional recording at Air Lyndhurst (London, UK), No Man's Land (Hemel Hempstead, UK), New Rising (Colchester, UK), and Red Room Recorders (Tampa, FL USA).
Mixed at Larrabee North, N. Hollywood, CA, May 2002.
Mastered at Masterdisk, New York, NY, November 2002.
Bonus track : "Chloroform" recorded at the Absentia Sessions.
The copyright in this recording is owned by Porcupine Tree under exclusive license to Tonefloat.
℗ 2010 Tonefloat, © 2010 Tonefloat.
Also available as a special edition of 1,500 copies available on coloured 180g vinyl, and housed in a special spotvarnished gatefold picture sleeve.
Recorded at Avatar Studio, New York, NY, March-April 2002.
Additional recording at Air Lyndhurst (London, UK), No Man's Land (Hemel Hempstead, UK), New Rising (Colchester, UK), and Red Room Recorders (Tampa, FL USA).
Mixed at Larrabee North, N. Hollywood, CA, May 2002.
Mastered at Masterdisk, New York, NY, November 2002.
Bonus track : "Chloroform" recorded at the Absentia Sessions.
The copyright in this recording is owned by Porcupine Tree under exclusive license to Tonefloat.
℗ 2010 Tonefloat, © 2010 Tonefloat.
Barcode and Other Identifiers
- Barcode: 871605900239-2
- Matrix / Runout (A-side, etched): 86784 1A TF102
- Matrix / Runout (B-side, etched): 86784 1B TF102
- Matrix / Runout (C-side, etched): 86784 1C TF102
- Matrix / Runout (D-side, etched): 86784 1D TF102
Other Versions (5 of 48)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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In Absentia (CD, Enhanced, Album, Gatefold Cardboard Sleeve) | Lava | 83604-2 | US | 2002 | ||
| In Absentia (CD, Album, Enhanced) | Lava | 7567-83604-2 | Europe | 2002 | |||
| In Absentia (CD, Album, Promo, Card Sleeve) | Lava | 83604-2A | US | 2002 | |||
|
Recently Edited
|
In Absentia (2×CD, Album, Promo) | Atlantic | PROP05298 | Europe | 2002 | ||
| In Absentia (CD, Album, Enhanced, Unofficial Release) | Lava (4) | 83604-2 | Russia | 2002 |
Recommendations
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2013 EuropeVinyl —LP, Album, Stereo -
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Reviews
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Só much better than the TRANSM232LP version (https://discogs.librosgratis.biz/release/20882608-Porcupine-Tree-In-Absentia). Thát one had a lot less dynamics than the cd version (the original, haven't heard the remastered cd), thís one doesn't even need to be A-B'd. A clear winner :-) -
A bit late to the party... I just got around doing a proper A/B between this release and 2018's remaster. Like the comment below, I agree this one is a bit better, in of clarity. The sound is more natural and precise, especially in the bass department. YMMV of course. -
Sound is more natural and direct that 2018 Remaster. The 2010 Release is my clear preference.
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Release
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