Steven Wilson – The Raven That Refused To Sing (And Other Stories)
Tracklist
A | Luminol | 12:10 | |
B1 | Drive Home | 7:37 | |
B2 | The Holy Drinker | 10:13 | |
C1 | The Pin Drop | 5:03 | |
C2 | The Watchmaker | 11:42 | |
D | The Raven That Refused To Sing | 7:57 |
Companies, etc.
- Licensed To – Kscope
- Phonographic Copyright ℗ – Steven Wilson
- Copyright © – Steven Wilson
- Published By – Hands Off It's Mine Publishing
- Published By – Universal Music Publishing
- Recorded At – Eastwest Studios
- Recorded At – Angel Studios
- Overdubbed At – Discipline Global Mobile
- Overdubbed At – No Man's Land (3)
- Mixed At – No Man's Land (3)
- Pressed By – Optimal Media GmbH – BC95018
- Lacquer Cut At – Optimal Media GmbH
Credits
- Arranged By [Strings] – Dave Stewart
- Bass Guitar, Backing Vocals – Nick Beggs
- Booking [America] – Steve Martin (18)
- Booking [Concert Booking By] – The Agency Group
- Booking [Europe] – Neil Warnock
- Drums, Percussion – Marco Minnemann
- Electric Piano [Fender Rhodes], Organ [Hammond], Piano, Synthesizer [Minimoog] – Adam Holzman
- Engineer [Assistant Engineer] – Brendan Dekora
- Flute [Flutes], Saxophone [Saxophones], Clarinet – Theo Travis
- Illustration [Conceived And Illustrated By] – Hajo Mueller
- Lacquer Cut By – MK*
- Layout [Final Layout] – Carl Glover (4)
- Lead Guitar – Guthrie Govan
- Management – Andy Leff
- Management [Andy Leff For] – Acme Music
- Producer [Associate Producer], Engineer [Recording Engineer] – Alan Parsons
- Producer, Mixed By – Steven Wilson
- Soloist [Strings] – Perry Montague-Mason
- Strings [Performed By] – The London Session Orchestra
- Vocals, Mellotron, Keyboards, Guitar [Guitars] – SW*
- Written-By – Steven Wilson
Notes
This vinyl edition of the album is pressed on black 180 gram vinyl and is packaged in a gatefold sleeve with printed inners. It comes with an mp3 code, exclusive to Burning Shed orders.
"The copyright in this recording is owned by Steven Wilson under exclusive licence to Kscope ℗ 2013 Steven Wilson © 2013 Steven Wilson.
Made in ."
"Recorded at East West Studios, Los Angeles 15th-21st September 2012.
Strings performed and recorded at Angel Studio 17th October 2012.
Mellotron overdubs recorded at DGM using the original King Crimson MKII mellotron.
Elements also retained from the demos which were recorded between Jan-July 2012.
Final overdubs and mix at No Man's Land, October 2012."
"All songs written by Steven Wilson. Published by Hands Off It's Mine Publishing, exclusively istered by Universal Music Publishing."
Hype sticker -
Steven Wilson
The Raven that Refused to Sing
(and Other Stories)
2LP 180gm HEAVYWEIGHT VINYL EDITION
The new album from the Grammy-nominated
writer, producer, & Porcupine Tree founder
member.
Engineered by Alan Parsons.
"Truly a man for all seasons" Mojo
"Steven Wilson is a contemporary
genius" Record Collector
[Kscope logo] 835
kscopemusic.com/stevenwilson
"The copyright in this recording is owned by Steven Wilson under exclusive licence to Kscope ℗ 2013 Steven Wilson © 2013 Steven Wilson.
Made in ."
"Recorded at East West Studios, Los Angeles 15th-21st September 2012.
Strings performed and recorded at Angel Studio 17th October 2012.
Mellotron overdubs recorded at DGM using the original King Crimson MKII mellotron.
Elements also retained from the demos which were recorded between Jan-July 2012.
Final overdubs and mix at No Man's Land, October 2012."
"All songs written by Steven Wilson. Published by Hands Off It's Mine Publishing, exclusively istered by Universal Music Publishing."
Hype sticker -
Steven Wilson
The Raven that Refused to Sing
(and Other Stories)
2LP 180gm HEAVYWEIGHT VINYL EDITION
The new album from the Grammy-nominated
writer, producer, & Porcupine Tree founder
member.
Engineered by Alan Parsons.
"Truly a man for all seasons" Mojo
"Steven Wilson is a contemporary
genius" Record Collector
[Kscope logo] 835
kscopemusic.com/stevenwilson
Barcode and Other Identifiers
- Barcode (Text): 802644583518
- Barcode (Scanned): 802644583518
- Label Code: LC 01757
- Matrix / Runout (Runout A Side (etched)): BC 950 18-01 A1 MK
- Matrix / Runout (Runout B Side (etched)): BC 950 18-01 B1 MK
- Matrix / Runout (Runout C Side (etched)): BC 950 18-02 C2 MK
- Matrix / Runout (Runout D Side (etched)): BC 950 18-02 D1 MK
Other Versions (5 of 28)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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New Submission
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The Raven That Refused To Sing (And Other Stories) (CDr, Promo, Album, Numbered) | Peaceville | kscope240wd | UK | 2012 | ||
Recently Edited
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The Raven That Refused To Sing (And Other Stories) (CD, Album, CD, , DVD, DVD-Video, Album, Stereo, Multichannel, 5.1, Blu-ray, Album, Stereo, Multichannel, 5.1, All Media, Deluxe Edition, Limited Edition, Earbook) | Kscope | KSCOPE240 | UK | 2013 | ||
The Raven That Refused To Sing (And Other Stories) (CD, Album, DVD, DVD-Video, Multichannel, Album, Stereo, 5.1, All Media, Limited Edition, Digibook) | Kscope | KSCOPE241 | UK | 2013 | |||
The Raven That Refused To Sing (And Other Stories) (CD, Album, Stereo) | Kscope | KSCOPE242 | Europe | 2013 | |||
Recently Edited
|
The Raven That Refused To Sing (And Other Stories) (Blu-ray, Blu-ray Audio, Album, Stereo, Multichannel, A/B/C Zone) | Kscope | KSCOPE516 | Europe | 2013 |
Recommendations
Reviews
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Here is my story with this album. I have been looking for it for a few years, never ever finding it used locally and not wanting to get one online. Until this weekend, when there was a near mint copy in town for $38 because the record store clearly didn't research whether it was the first or second kscope pressing. But both discs weigh 180g, so lucky me.
And I couldn't be happier. The discs, jacket and paper sleeves are all pristine like I just opened it. It plays beautifully true and the music is a wonderful homage to 70s prog without being too overly produced in the modern sense.
Skip the recent Transmission releases. While they are in colors, they are notoriously warped. The record store has one for $45, making this purchase a no-brainer.
It is beyond me why kscope reissued this album with the same matrix numbers, labels, jackets and sleeves while relying on the different weights and the often-discarded shrink wrap hype stickers and a dated insert to identify between their two versions. That makes buying an unseen copy even more of a risk. But that confusion led to a great buy for me. -
Beautiful record in every way. My OG pressing is quiet, smooth, and pressed perfectly. Def needed poly sleeves but that’s easily remedied by adding your own. Done. As for the “jazz” genre, who gives a shit? Also love the presence of the KC mellotron. That’s just like SW.
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One of the best sounding vinyl i have. I was impressed with the sound quality on this album. There is a lot of things going on in the music and still to me it manages to sounds clear and separated, punchy and crisp. My copy have some crackling going on but it is not that loud so its okey. Im a bit unsure about one thing: It says 2013 kscope on mine, but discogs says this version is on kscope180g, but im pretty sure mine is 140g, so not sure whats going on there.
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Edited 11 months agoMy copy is a bit warped but still plays fine. Extremely dirty too, especially on disc 2. Obviously the music is great, just a little dissapointed in the quality control.
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I purchased this in June 2023, went through three copies and I had severe pressing defects with all of them. I'm going to give the Transmission re-issue a try.
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Como todo lo que hace S.Wilson...!! UN HORROR!!. No me gustan ni Porcupine Tree ( no entiendo como R.Barbieri d JAPAN, trabaja ahi..)
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This is a " PROG ROCK" album ffs !!! What's with the totally ridiculous genre heading of " jazz, rock" well I accept there is always an element of both jazz and rock within progressive rock but why does this heading not just say " Progressive Rock" ????
Please, anyone who knows how to edit Discogs entries, could you please alter this genre heading or whatever you do,vote on such things? I dunno.
But, this first pressing is awesome, why can't audiophile artists like Wilson (who has a massive record collection, like I do) not insist on poly lined inner sleeves at the very least ? Sure I understand the need to be " artistic" but come on, you could just simply pop some after market third party poly liners into those arty cardboard sleeves.
It shows attention to detail which is always very important to SW, and as for cost, well it's no more than what ? 5 pence/ cents. Consider the cost of making and just putting together the Hand Cannot Erase deluxe box set, ouch !!! So why does S W not insist on poly lined sleeves ?I
A true modern day progressive rock classic as is the follow up. " Hand Cannot Erase" which I highly recommend in the first pressing vinyl.format, the more recent reissue ( which I bought for my son) is not anywhere near as good sounding, odd right ?
For amped " jazz" sounding older style a la VDGG or King Crimson circa 1970 you need to hear Wilson's second solo album proper called " Grace For Drowning ", a true strange double album with no real up lifting songs just plenty of potentially depressing long songs e.g. Raider II. It's not for everyone but must be heard at least once just so you can honestly say you've heard it. Sure some very strong ballads but gone are those late period riffs of PT.
Helpful ? Hope so ! -
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Sounds fucking beautiful but those paper sleeves are evil.
Brand new and deep paper residue and surface scratches. Cleaned twice and the needle still dug out a handful of paper hairs throughout the first playthrough.
Also side note but it appears mine is a repress. The inner sleeve with related artists has a listing as new as 2020 -
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