U2 – Rattle And Hum
Label: |
Island Records – A1-91003 |
|---|---|
Format: |
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Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Pop Rock |
Tracklist
| A1 | U2– | Helter Skelter (Live) | 3:07 |
| A2 | U2– | Van Diemen's Land | 3:06 |
| A3 | U2– | Desire | 2:58 |
| A4 | U2– | Hawkmoon 269 | 6:22 |
| B1 | U2– | All Along The Watchtower (Live) | 4:24 |
| B2 | U2– | I Still Haven't Found What I'm Looking For (Live) | 5:53 |
| B3 | Sterling Magee– | (Freedom For My People) | 0:38 |
| B4 | U2– | Silver And Gold (Live) | 5:50 |
| B5 | U2– | Pride (In The Name Of Love) (Live) | 4:27 |
| C1 | U2– | Angel Of Harlem | 3:49 |
| C2 | U2– | Love Rescue Me | 6:23 |
| C3 | U2– | When Love Comes To Town | 4:14 |
| C4 | U2– | Heartland | 5:02 |
| D1 | U2– | God Part II | 3:15 |
| D2 | Jimi Hendrix– | The Star Spangled Banner | 0:43 |
| D3 | U2– | Bullet The Blue Sky (Live) | 5:37 |
| D4 | U2– | All I Want Is You | 6:03 |
Companies, etc.
- Manufactured By – Columbia House
- Pressed By – Columbia Records Pressing Plant, Carrollton, GA
Credits
- Coordinator [Art Co-ordinator] – Anne-Louise Kelly
- Coordinator [Music Production Co-ordinator] – Greg McCarty
- Engineer [Additional Engineer] – Rob Jacobs
- Engineer [Assistant Engineer] – Ethan Johns
- Engineer [Post Production] – David Tickle
- Mastered By – Arnie Acosta
- Producer – Jimmy Iovine
- Technician [Additional Overdubbing] – Richard McKernan
Notes
Comes in glossy gatefold cover and glossy printed inner sleeves with lyrics and credits.
Sound post production for the album and movie done at A&M Studios, Hollywood.
Post production engineering by David Tickle.
All live recording by Remote Recording Services (The Black Truck) operated by David Hewitt with Phil Gitomer, Fritz Lang, J.B. Matteotti.
Mastered by Arnie Acosta, A&M Mastering Studios, L.A.
Manufactured by Columbia House Under License
G1 in runouts indicate this is Pressed at Columbia Records Pressing Plant, Carrollton, GA
Sound post production for the album and movie done at A&M Studios, Hollywood.
Post production engineering by David Tickle.
All live recording by Remote Recording Services (The Black Truck) operated by David Hewitt with Phil Gitomer, Fritz Lang, J.B. Matteotti.
Mastered by Arnie Acosta, A&M Mastering Studios, L.A.
Manufactured by Columbia House Under License
G1 in runouts indicate this is Pressed at Columbia Records Pressing Plant, Carrollton, GA
Barcode and Other Identifiers
- Matrix / Runout (Side One (1B Is correct)): (TR) STIL-887165-1B G1 B4
- Matrix / Runout (Side Two): (TR) STIL 887166-1B G1 B1
- Matrix / Runout (Side Three): STIL 887167 1D G1 A8
- Matrix / Runout (Side Four): (TR) STIL 887168 1A G1 D2
Other Versions (5 of 345)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Rattle And Hum (CD, Album, PDO ) | Island Records | 353 400, 353400 | Europe | 1988 | |||
| Rattle And Hum (2×LP, Album, Stereo, Gatefold) | Island Records | U 27 | Italy | 1988 | |||
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Recently Edited
|
Rattle And Hum (2×LP, Album) | Island Records | 91003-1, 7 91003-1 | US | 1988 | ||
| Rattle And Hum (2×LP, Album, Stereo, Gatefold) | Island Records | 303 400 | Europe | 1988 | |||
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Recently Edited
|
Rattle And Hum (CD, Album) | Island Records | CID U27 | Scandinavia | 1988 |
Recommendations
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2020 USA & EuropeVinyl —LP, Album, Reissue, Remastered, Stereo
Reviews
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Edited 2 months agoI agree with mnetland. Just found this clean at my local honey hole. It sounds great. Deep and powerful bass, great separation and dynamics. They did a really good job on this record transitioning between studio and live cuts (although that is more of a general comment on the recording itself…not necessarily this issue). I would also recommend if you find a clean one at the right $……although I have never compared to an original Island on my system.
(Gear: Harmon Kardon Citation 1 pre-amp; Citation 2 amp; 1970’s Miida (Denon) direct drive TT w/ Denon DL-110 MC cartridge; Legacy Audio Signature III speakers)
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I picked this one up used at about the going rate and I have to say I’m very pleased with the quality. Nice cover, sturdy inserts. The vinyl sounds great. Nice wide soundstage, solid bass, great detail in the highs. I haven’t compared this against any other version but stand-alone it sounds good enough for me to give a good recommendation! If you find one for a good price, go for it!
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