レッド・ツェッペリン* – Led Zeppelin = レッド・ツェッペリン
Label: |
Atlantic – P-10105A |
|---|---|
Format: |
Vinyl
, LP, Album, Reissue, Stereo
|
Country: |
Japan |
Released: |
|
Genre: |
Rock |
Style: |
Arena Rock |
Tracklist
| A1 | Good Times Bad Times = グッド・タイムズ・バッド・タイムズ | 2:43 | |
| A2 | Babe I'm Gonna Leave You = ゴナ・リーヴ・ユー | 6:40 | |
| A3 | You Shook Me = ユー・ショック・ミー | 6:30 | |
| A4 | Dazed And Confused = 幻惑されて | 6:27 | |
| B1 | Your Time Is Gonna Come = 時が来たりて | 4:41 | |
| B2 | Black Mountain Side = ブラック・マウンテン・サイド | 2:06 | |
| B3 | Communication Breakdown = コミュニケイション・ブレイクダウン | 2:26 | |
| B4 | I Can't Quit You Baby = 君から離れられない | 4:42 | |
| B5 | How Many More Times = ハウ・メニー・モア・タイムズ | 3:30 |
Companies, etc.
- Made By – Warner-Pioneer Corporation
- Licensed From – Atlantic Recording Corporation
- Distributed By – Warner-Pioneer Corporation
- Published By – Superhype
- Published By – ARC (9)
- Published By – Conrad
Credits
- Bass, Organ, Backing Vocals – John Paul Jones
- Design [Cover Design] – George Hardie
- Drums, Timpani [Tympani], Backing Vocals – John Bonham
- Electric Guitar, Acoustic Guitar, Pedal Steel Guitar, Backing Vocals – Jimmy Page
- Engineer [Director Of Engineering] – Glyn Johns
- Executive-Producer – Peter Grant
- Lead Vocals, Harmonica – Robert Plant
- Photography By [Back Liner Photo] – Chris Dreja
- Producer – Jimmy Page
Notes
Green/red labels. With obi, Japanese-English lyric insert and fold-out poster.
Warner-Pioneer Corporation ■ Tokyo, Japan
発売元：ワーナー・パイオニア株式会社 © 714・IS A ★ 録音特性〈RIAA〉
A1, A2, A4 to B3, B5: Superhype, ASCAP
A3: Arc. BMI
B4: Conrad, BMI
Warner-Pioneer Corporation ■ Tokyo, Japan
発売元：ワーナー・パイオニア株式会社 © 714・IS A ★ 録音特性〈RIAA〉
A1, A2, A4 to B3, B5: Superhype, ASCAP
A3: Arc. BMI
B4: Conrad, BMI
Barcode and Other Identifiers
- Price Code (List price): ¥2,500
- Rights Society: ASCAP
- Rights Society: BMI
- Matrix / Runout (Label A): P-8041A1
- Matrix / Runout (Label B): P-8041A2
- Matrix / Runout (Runout A, stamped, variant 1): P-8041A1 TO
- Matrix / Runout (Runout B, stamped, variant 1): P-8041A2 TO
- Matrix / Runout (Runout A, stamped, variant 2, "A" of "CA" scratched out): P-8041A1 TO 2 - 21 -CA - 7 4 23 〄
- Matrix / Runout (Runout B, stamped, variant 2): P-8041A2 TO 3 - A - 11 3 〄
- Matrix / Runout (Runout A, variant 3, "C 5 XYZ" upside down): P-8041A1 TO 1 2-A-13 3 〄 C 5 XYZ
- Matrix / Runout (Runout B, variant 3): P-8041A2 TO 3 - A - 21 3 〄
Other Versions (5 of 882)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Led Zeppelin (LP, Advance, Album, Test Pressing) | Atlantic | none | US | 1968 | ||
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Recently Edited
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Led Zeppelin (LP, Album, RI - Philips Pressing) | Atlantic | SD 8216 | US | 1969 | ||
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Recently Edited
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Led Zeppelin (LP, Album, Repress, Version 6) | Atlantic | 588171 | UK | 1969 | ||
|
Recently Edited
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Led Zeppelin (LP, Album, Stereo, Turquoise Lettering) | Atlantic | 588171 | UK | 1969 | ||
|
Recently Edited
|
Led Zeppelin = レッド・ツェッペリン (LP, Album, Repress, Stereo, Gatefold) | Atlantic | MT-1067, MT 1067 | Japan | 1969 |
Recommendations
Reviews
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This is SO SO SO GOOD. Marvellous, maybe LZ 1's best pressing I've heard so far (although I didn't have the chance to hear an original one yet). Really powerful, with deep and precise bass, thunderous drums and a lot of instrument separation. Sublime and totally worth it.
It's not always the case with some of these 1976 Japanese editions (the LZ 3 one, for instance, is really not good), but this one is mind-blowing. And I'm the annoying audiophile type. -
Hi all,
I saw some beautiful and expensive Mint sealed copies listed here. Just want to warn you about my story...
A friend of mine picked-up for me a so called "Mint sealed" copy of a Japanese press in Paris () from a store which is listing here and many others "Mint sealed" nice records.
My friend is not a collector/expert and despite the shrink had been opened and the record checked, he didn't see the very light hairlines and spindle marks difficult to see at day light.
The record is more or less NM all around and an insert was missing. It costed me probably twice the price I should have been paying for. It's not bad grading, it's simply robbery.
So, be careful, famous old records still sealed are pretty rare on the market. Only real collectors and very serious stores like some I'm in touch with in Japan and the US can be trusted. And unfortunately more and more robbers like that shop in Paris are re-sealing records to make more money faster. I gave it a try. Too bad for me. A second try is not necessary, just don't buy anything from that guy.
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Can't compare with an original pressing but you know from the start this an exceptionnal sounding issue. The acoustic parts stand out. -
It’s been awhile since I played this absolute gem and it makes me briefly forget I don’t have the Classic pressing. I’ve got the Alvear, ‘77 Piros, ‘69 Club, 2014, and a few more and this 1976 Japan is a very strong contender. I don’t feel the Piros blows it away or anything like that. Ranks very, very STRONG!!!
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This sounds very close mastering to my George Piros copy, this is definitely better. Much quiter vinyl, so those quieter parts really shine. There is better definition of all the instruments and soundstaging. Even with headphones on, I feel transported to the recording room as if I'm standing in the middle of the band. Bass can be lacking in certain Japanese pressings but not this one. Soundsvhow this album was meant to I feel.
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Straight from the needle drop you know this is something special. Silent vinyl. Huge dynamics. Great bass, tights mids, sounds like Bonham is playing in the living room
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Release
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