Pink Floyd – Delicate Sound Of Thunder

Pink Floyd - Delicate Sound Of Thunder album cover

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Label:

 Pink Floyd Records – PFRLP36

Format:
3 x Vinyl , LP, Album, Reissue , 180g

Country:

 US

Released:

Genre:

 Rock

Style:

 Psychedelic Rock

Tracklist

A1 Shine On You Crazy Diamond Parts 1-5
Written-By – Roger Waters
12:09
A2 Signs Of Life
Written-By – David Gilmour
3:18
A3 Learning To Fly
Written-By – Jon Carin
5:20
B1 Yet Another Movie
Written-By – Pat Leonard*
6:18
B2 Round And Around
Written-By – David Gilmour
0:34
B3 A New Machine Part 1
Written-By – David Gilmour
1:35
B4 Terminal Frost
Written-By – David Gilmour
6:17
B5 A New Machine Part 2
Written-By – David Gilmour
0:32
B6 Sorrow
Written-By – David Gilmour
10:33
C1 The Dogs Of War
Written-By – David Gilmour
7:59
C2 On The Turning Away
Written-By – David Gilmour
9:01
C3 One Of These Days
Written-By – Roger Waters
6:32
D1 Time
Written-By – Roger Waters
5:19
D2 On The Run
Written-By – Roger Waters
2:49
D3 The Great Gig In The Sky
Composed By [Vocal Composition By] – Clare Torry
Written-By – Richard Wright
4:51
D4 Wish You Were Here
Written-By – Roger Waters
4:38
D5 Welcome To The Machine
Written-By – Roger Waters
7:58
E1 Us And Them
Written-By – Roger Waters
7:35
E2 Money
Written-By – Roger Waters
8:18
E3 Another Brick In The Wall Part 2
Written-By – Roger Waters
5:33
F1 Comfortably Numb
Written-By – Roger Waters
9:55
F2 One Slip
Written-By – Phil Manzanera
6:08
F3 Run Like Hell
Written-By – Roger Waters
8:06

Companies, etc.

  • Phonographic Copyright ℗ – Pink Floyd (1987) Ltd.
  • Licensed To – Sony Music Entertainment
  • Copyright © – Pink Floyd (1987) Ltd.
  • Published By – Pink Floyd Music Publishers Ltd.
  • Published By – Concord Copyrights Limited
  • Published By – Roger Waters Music Overseas Ltd.
  • Published By – BMG Rights Management (UK) Limited
  • Published By – BMG Platinum
  • Published By – TRO-Hampshire House Publishing Corp.
  • Recorded At – Nassau Coliseum
  • Mastered At – Tube Mastering
  • Mastered At – Metropolis Mastering
  • Pressed By – Record Industry – 30328

Credits

  • Backing Vocals – Rachel Fury
  • Bass, Vocals – Guy Pratt
  • Crew [Tour Personnel] – Wies Baalen
  • Design [Front Cover Design Inspired By] – Hipgnosis (2)
  • Design, Artwork – Steve Knee
  • Drums – Nick Mason
  • Engineer [Recording Engineer, Assisted By] – Robert (Ringo) Hrycyna*
  • Engineer [Recording Engineer] – Dave Hewitt*
  • Guitar [Guitars], Vocals – Tim Renwick
  • Keyboards, Vocals – Richard Wright
  • Lacquer Cut By – Stu.*
  • Lighting [Lighting Designer] – Marc Brickman
  • Management [David Gilmour] – Paul Loasby
  • Management [Estate of Richard Wright] – Jamie Wright (2)
  • Management [Nick Mason] – Tony Smith Personal Management
  • Management [Pinkfloyd.com] – Peter Robson (2)
  • Management [Sony Music] – Tom Mackay
  • Management [Warner Music] – Tony Harlow
  • Mastered By [Audio Mastering] – Andy Jackson
  • Mastered By [Vinyl Mastering] – Stuart Hawkes
  • Mixed By [Remixed By, Assisted By] – Damon Iddins
  • Mixed By [Remixed By] – Andy Jackson
  • Mixed By [Remixed With] – David Gilmour
  • Other [Memorabilia] – Pink Floyd Archive
  • Percussion – Gary Wallis
  • Photography By [Package Photography] – Dimo Safari
  • Photography By [Sleeve Photography] – StormStudios
  • Photography By [Stills] – Pink Floyd Archive*
  • Producer [Produced By] – David Gilmour
  • Public Relations [PR - LD Communications] – Doug Wright (6)
  • Public Relations [PR] – LD Communications
  • Recorded By – Remote Recording Services*
  • Research [Archivist] – Tracey Kraft
  • Saxophone [Saxophones], Guitar – Scott Page
  • Technician [Musical Equipment Technician, Assisted By] – Keith Smith (2)
  • Technician [Musical Equipment Technician] – Phil Taylor (5)
  • Transferred By [Audio Transfers] – Damon Iddins

Notes

Recorded over five nights in August 1988 at Nassau Coliseum, Long Island, New York, USA

Tracks A1, D4, F1, F3: Published by Pink Floyd Music Publishers Ltd., istered by Concord Copyrights Limited/ Roger Waters Music Overseas Ltd., istered by BMG Rights Management (UK) Ltd. for the World excluding USA & Canada. USA & Canada: Pink Floyd Music Publishers Ltd. istered by Concord Copyrights Limited/ Roger Waters Music Overseas Ltd., istered by BMG Rights Management (UK) Ltd. All rights on behalf of BMG Rights Management (UK) Ltd. istered by BMG Platinum (BMI).

Tracks A2 to C2, F2: Published by Pink Floyd Music Publishers Ltd., istered by Concord Copyrights Limited

Tracks C3 to D2, E1: Published by Pink Floyd Music Publishers Ltd. istered by Concord Copyrights Limited/ Roger Waters Music Overseas Ltd., istered by BMG Rights Management (UK) Ltd. for the World excluding USA & Canada. USA & Canada: TRO-Hampshire House Music Publishing Corp.

Track D3: Published by Pink Floyd Music Publishers Ltd., istered by Concord Copyrights Limited for the World excluding USA & Canada. USA & Canada: TRO-Hampshire House Music Publishing Corp.

Track E2: Published by Roger Waters Music Overseas Ltd., istered by BMG Rights Management (UK) Ltd. for the World excluding USA & Canada. USA & Canada: TRO-Hampshire House Music Publishing Corp.

Track D5, E3: Published by Roger Waters Music Overseas Ltd., istered by BMG Rights Management (UK) Ltd. for the World excluding USA & Canada. USA & Canada: Roger Waters Music Overseas Ltd., istered by BMG Rights Management (UK) Ltd. All rights on behalf of BMG Rights Management (UK) Ltd. istered by BMG Platinum (BMI).

Special Thanks: Michael Farrell, Bob Ezrin, Neil Warnock and everyone who came to our show.
Thanks: Justin Morris, Davie Meunier
A special thank you to Steve O'Rourke

℗ 2020 The copyright in this sound recording is owned by Pink Floyd (1987) Ltd., under exclusive license to Sony Music Entertainment.
© 2020 Pink Floyd (1987) Ltd. Sony Music Entertainment/25 Madison Avenue, New York, NY 10010
Made in the Netherlands.


Packaged in a die cut slipcase.
Includes a card from We Are Vinyl.

Printed on hype sticker:
Remixed from the original master tapes
Heavyweight 180g Vinyl
24-Page Booklet
Brand new remix

Total Running Time: 2 hours 21 minutes 3 seconds

Barcode and Other Identifiers

  • Barcode (Printed): 1 9439-74034-1 1
  • Barcode (Scanned, UPC-A): 194397403411
  • Matrix / Runout (Side A, stamped (except for Stu.)): 30328 1A 19439740341 Stu.
  • Matrix / Runout (Side B, stamped): 30328 1B 19439740341
  • Matrix / Runout (Side C, stamped): 30328 1C 19439740341
  • Matrix / Runout (Side D, stamped): 30328 1D 19439740341
  • Matrix / Runout (Side E, stamped): 30328 1E 19439740341
  • Matrix / Runout (Side F, stamped): 30328 1F 19439740341
  • Rights Society: BMI

Other Versions (5 of 335)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Delicate Sound Of Thunder (2×CD, Album, Stereo, EMI Swindon) EMI CDS 7914802, CDEQ 5009 Europe 1988
Recently Edited
Delicate Sound Of Thunder (2×LP, Album) EMI Electrola EQ 5009, 7 91480 1 1988
Recently Edited
Delicate Sound Of Thunder (2×CD, Album) Columbia C2K 44484 US 1988
Recently Edited
Delicate Sound Of Thunder (2×LP, Album, Gatefold) EMI 176 79 1480 1 Spain 1988
Recently Edited
Delicate Sound Of Thunder (2×LP, Album, Stereo, EMI Pressing) EMI EQ 5009, 7914801 UK 1988

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Reviews

  • Csquare4's avatar
    Csquare4
    Edited 7 months ago
    This is really a phenomenal pressing. Superior dynamics, dead dark and very low noise floor, flat clean vinyl, I think I heard 1 minor tick straight out of the poly-lined sleeve and only touched with a carbon fiber brush. Optimal did a fantastic job! Completely blows away my original CD purchased new upon release, which I always felt was a little muddy. It was cut a little low in amplitude, maybe 4-6 db below most of my other vinyl, probably due to the few sides that are over 25mins. But that is what a volume knob is for.

    This is one to get and enjoy loud!

    Oh...and mine DID NOT include a card. Are they shipping without cards now? If so, maybe we should edit the description in the "Notes"
    • renochavez's avatar
      renochavez
      Flat, quiet press. Prefer this over original, has better “live” feel and soundscape. Gives you that feeling that you’re sitting behind the board. Dynamic and full, with good separation. Ding a star, packaging could have been better.

      Setup
      AT-LP1240
      ATVM95ML
      Bellari VP549
      Bellari EQ570
      Presonus Eris Studio 8
      • Kirky70's avatar
        Kirky70
        Edited 4 months ago
        It’s no Pulse…. But still pretty good. Packaging is about as shitty and flimsy as you would ever see. Really lets down this release.
        • rick.hargraves25's avatar
          rick.hargraves25
          Definitely needs to be cranked up, about 20 % on my rig to get to my normal listening volume, but once I did, ya it sounds great before it sounded flat and lifeless...
          • _ZERO_'s avatar
            _ZERO_
            Edited one year ago
            Spotless. Such a great pressing and record. Good times back then right?!??
            • jsngallery2's avatar
              jsngallery2
              someone went to town filling out the crew (tour personnel) part huh? good for you. although...i think you missed one. not sure though. 🥴
              • ummagumma13's avatar
                ummagumma13
                Sounds fantastic. Wants to be turned up loud.

                Surprising amount of crowd noise! I kind of like it to be honest. They were pumped to see Pink Floyd in New York
                • Vinyl3ville's avatar
                  Vinyl3ville
                  Different mix from the original but love it just the same.
                  • echauhan1's avatar
                    echauhan1
                    This remix has definite greater warmth and deeper ''concert'' bass compared to my 2017 remaster. However, the 2017 has a much more direct and balanced feel to it, the drums and percussion are simply better on the 2017 and don't sound dulled down like in this remix. This remix has more 'atmosphere' and a wider soundstage, but I don't know why they couldn't keep the drums and percussion as snappy and direct as they were in the 2017 remaster. Having the extra tracks here not on the original makes it overall worthwhile addition to the collection!
                    • aarons1357's avatar
                      aarons1357
                      Not sure what you guys are talking about… this sounds mediocre at best

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