Pink Floyd – Pulse
Tracklist
| A1 | Shine On You Crazy Diamond | 13:30 | |
| A2 | Astronomy Domine | 5:25 | |
| A3 | What Do You Want From Me | 4:10 | |
| B1 | Learning To Fly | 5:06 | |
| B2 | Keep Talking | 6:56 | |
| B3 | Coming Back To Life | 6:31 | |
| C1 | Hey You | 4:50 | |
| C2 | A Great Day For Freedom | 4:20 | |
| C3 | Sorrow | 10:30 | |
| D1 | High Hopes | 7:50 | |
| D2 | Another Brick In The Wall (Part Two) | 6:50 | |
| D3 | One Of These Days | 6:51 | |
| The Dark Side Of The Moon Live | |||
| E1 | Speak To Me | 2:28 | |
| E2 | Breathe | 2:40 | |
| E3 | On The Run | 3:41 | |
| E4 | Time | 6:48 | |
| F1 | The Great Gig In The Sky | 5:51 | |
| F2 | Money | 8:46 | |
| G1 | Us And Them | 7:08 | |
| G2 | Any Colour You Like | 3:19 | |
| G3 | Brain Damage | 4:02 | |
| G4 | Eclipse | 1:38 | |
| Encores | |||
| H1 | Wish You Were Here | 5:40 | |
| H2 | Comfortably Numb | 9:10 | |
| H3 | Run Like Hell | 7:58 |
Companies, etc.
- Mixed At – Astoria (2)
- Mastered At – Das Boot Recording
- Mastered At – Bernie Grundman Mastering
- Pressed By – Record Industry – 19039
- Marketed By – Sony Music Entertainment
- Distributed By – Sony Music Entertainment
- Marketed By – Parlophone Records Ltd.
- Distributed By – Parlophone Records Ltd.
- Published By – Pink Floyd Music Publishers Ltd.
- Published By – Westminster Music Ltd.
- Phonographic Copyright ℗ – Pink Floyd Music (1987) Ltd.
- Copyright © – Pink Floyd Music (1987) Ltd.
Credits
- Backing Vocals – Sam Brown
- Bass [1963 Fender Jazz Spector NS2, Stratus 5 String (Fretted & Fretless], Vocals – Guy Pratt
- CGI Artist [Computer] – Jason Reddy
- Design [Album Cover Design - With] – Jon Crossland
- Design [Album Cover Design] – Storm Thorgerson
- Drums, Percussion [Drum Workshop Drums & Pedals, Paiste Cymbals Latin Percussion, Promark Drumsticks] – Nick Mason
- Engineer [Assistant] – Sean O'Dwyer
- Graphics, Artwork – Peter Curzon
- Graphics, Artwork [With] – Mark Fraser (2)
- Guitar, Vocals, Electric Guitar [Fender Custom Shop Stratocaster], Acoustic Guitar [Takamine 6 Acoustic String], Twelve-String Guitar [Takamine 12 Acoustic String], Acoustic Guitar [Gibson 'Chet Atkins' Acoustic], Guitar [Ovation Hi-String] – Tim Renwick
- Keyboards, Vocals, Synthesizer [Kurzweil K2000, Kurzweil Midi Board], Organ [Hammond B-3] – Richard Wright
- Keyboards, Vocals, Synthesizer [Kurzweil K2000], Sequencer [Roland MC500 II Sequencer] – Jon Carin
- Lacquer Cut By – BG*
- Lead Guitar, Lead Vocals, Electric Guitar [Fender Stratocaster & Telecaster], Acoustic Guitar [Gibson Acoustic], Lap Steel Guitar [Fender & Jedson], Classical Guitar [Gibson 'Chet Atkins' Classical] – David Gilmour
- Management – Steve O'Rourke (2)
- Mastered By [At Bernie Grundman Mastering] – Bernie Grundman
- Mastered By [At Das Boot] – Joel Plante
- Mixed By [Front Of The House Mixer] – Colin Norfield
- Mixed By [Monitor Mixer] – Seth Goldman
- Percussion [Drum Workshop Drums & Hardware, Zildjian Cymbals Latin Percussion, Vater Drumsticks], Sampler [Kurzweil K2000R Sampler] – Gary Wallis
- Photography By [Cover - With] – Rupert Truman
- Photography By [Cover] – Tony May (4)
- Photography By [Live] – Tony May (4)
- Producer – James Guthrie
- Recorded By [Recording Équipe] – Roger Robindoré
- Recorded By, Mixed By – James Guthrie
- Saxophone, Tenor Saxophone [Selmer Super Action Tenor], Baritone Saxophone [Selmer SA80-Serie II Baritone] – Dick Parry
- Technician [Equipment - Backline Chief And Guitars For David Gilmour] – Phil Taylor (5)
- Technician [Equipment - Drums For Nick Mason] – Clive Brooks
- Technician [Equipment - Guitars For Guy Pratt] – Sid Pryce
- Technician [Equipment - Guitars For Tim Renwick] – Adey Wilson
- Technician [Equipment - Keyboards For Richard Wright And Jon Carin] – Andy Ledbetter
- Technician [Equipment - Percussion For Gary Wallis] – Clint Lockyer
Notes
Book:
Recorded live in Europe and the U.K. with Le Voyageur 11 Mobile.
Mixed at Astoria in Q Sound.
Mastered at Das Boot and Bernie Grundman Mastering.
This is an analogue recording.
With Thanks to:
Marc Brickman, Mark Fisher and Robbie Williams and all the crew who worked on the tour between March and October 1994.
Records 1 & 2: All tracks published by Pink Floyd Music Publishers Ltd. except 'Astronomy Domine': Westminster Music Ltd.
Records 3 & 4: All tracks published by Pink Floyd Music Publishers Ltd.
℗ 2018 Pink Floyd Music (1987) Ltd., marketed and distributed by Parlophone Records Ltd.
Made in the E.U.
Sticker:
Remastered from the original analogue tapes.
Original UK release date: June 1995.
℗ 2018 The copyright in this sound recording is owned by Pink Floyd (1987) Ltd., marketed and distributed by Sony Music Entertainment. © 2018 Pink Floyd (1987) Ltd.
Includes one more track than the CD releases (D3 One Of These Days).
Packaged in a hard slipcase with a 52 page hardback book featuring credits and colour photographs from the concerts.
Box and record sleeves: matte covers.
Recorded live in Europe and the U.K. with Le Voyageur 11 Mobile.
Mixed at Astoria in Q Sound.
Mastered at Das Boot and Bernie Grundman Mastering.
This is an analogue recording.
With Thanks to:
Marc Brickman, Mark Fisher and Robbie Williams and all the crew who worked on the tour between March and October 1994.
Records 1 & 2: All tracks published by Pink Floyd Music Publishers Ltd. except 'Astronomy Domine': Westminster Music Ltd.
Records 3 & 4: All tracks published by Pink Floyd Music Publishers Ltd.
℗ 2018 Pink Floyd Music (1987) Ltd., marketed and distributed by Parlophone Records Ltd.
Made in the E.U.
Sticker:
Remastered from the original analogue tapes.
Original UK release date: June 1995.
℗ 2018 The copyright in this sound recording is owned by Pink Floyd (1987) Ltd., marketed and distributed by Sony Music Entertainment. © 2018 Pink Floyd (1987) Ltd.
Includes one more track than the CD releases (D3 One Of These Days).
Packaged in a hard slipcase with a 52 page hardback book featuring credits and colour photographs from the concerts.
Box and record sleeves: matte covers.
Barcode and Other Identifiers
- Barcode (Text): 8 8875-18433-1 8
- Barcode (String & scanned): 888751843318
- Matrix / Runout (Side A variant 1 etched; 19039 1A stamped): 88875184331-A 19039 1A BG H²
- Matrix / Runout (Side B variant 1 etched; 19039 1B stamped): 88875184331-B 19039 1B BG H²
- Matrix / Runout (Side C variant 1 etched; 19039 1C stamped): 88875184331-C 19039 1C BG H²
- Matrix / Runout (Side D variant 1 etched; 19039 1D stamped): 88875184331-D 19039 1D BG H²
- Matrix / Runout (Side E variant 1 etched; 19039 1E stamped): 88875184331-E 19039 1E BG H²
- Matrix / Runout (Side F variant 1 etched; 19039 1F stamped): 88875184331-F 19039 1F BG H²
- Matrix / Runout (Side G variant 1 etched; 19039 1G stamped): 88875184331-G 19039 1G BG H²
- Matrix / Runout (Side H variant 1 etched; 19039 1H stamped): 88875184331-H 19039 1H BG H²
- Matrix / Runout (Side A variant 2 etched; 19039 1A stamped): 88875184331-A 19039 1A BG H²
- Matrix / Runout (Side B variant 2 etched; 19039 1B stamped): 88875184331-B 19039 1B BG H²
- Matrix / Runout (Side C variant 2 etched; 19039 1C stamped): 88875184331-C 19039 1C BG H²
- Matrix / Runout (Side D variant 2 etched; 19039 1D stamped): 88875184331-D 19039 1D BG B H²
- Matrix / Runout (Side E variant 2 etched; 19039 1E stamped): 88875184331-E BG H² 19039 1E
- Matrix / Runout (Side F variant 2 etched; 19039 1F stamped): 88875184331-F BG H² 19039 1F
- Matrix / Runout (Side G variant 2 etched; 19039 1G stamped): 88875184331-G BG H² 19039 1G
- Matrix / Runout (Side H variant 2 etched; 19039 1H stamped): 88875184331-H 19039 1H BG H²
Other Versions (5 of 120)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Pulse (Box Set, Album, 2×CD, Album, Digibook LED) | EMI United Kingdom | 7243 8 32700 2 6, CDEMD 1078 | Europe | 1995 | ||
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Recently Edited
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Pulse (2×CD, Album, Special Edition, LED, Box Set, ) | Columbia | C2K 67065, CK67096, CK67097 | US | 1995 | ||
| Pulse (4×LP, Album, Box Set, ) | EMI United Kingdom | 7243 8 32700 1 9, EMD 1078 | Europe | 1995 | |||
| Pulse (2×CD, Album, Box Set, Limited Edition) | Columbia | C2K 67065 | US | 1995 | |||
|
New Submission
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Pulse (2×Cassette, Album) | EMI United Kingdom | 7243 8 32700 4 0, TCEMD1078 | Europe | 1995 |
Recommendations
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2016 USA & CanadaVinyl —LP, Album, Reissue, Remastered, Stereo -
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Reviews
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Like several digitally recorded albums I own, it has a very low hum I don't get on older or AAA records. Not noticable with music, and crowd but irritating at the beginning of each side. None the less, it's a very good live album that captures PF minus Waters performing flawlessly perhaps with studio overdubs. -
All 4 discs look perfect. Cleaned in ultrasonic machine and they are dead quiet and sound great. Large soundstage and nice presentation. That said the treble is a bit reduced and I notice this on the drums especially. May just be the mix of the original live concert. Turn the treble up a quarter turn and it sounds just right. Booklet is nice but it’s just a bunch of photos in low resolution. So 4star. -
Like most of the newer Pink Floyd reissues, this pressing has some pops and clicks. You'll probably need an ultrasonic cleaning to get the best from it. However, it's 100% worth it, especially for fans. The live recordings are stellar and capture the band when they were in top form. If you appreciate the dynamic, immersive, psychedelia-tinged connection that Gilmour/Wright/Mason deliver when they are locked into the ether as synchronized antennas, you'll love this. The other musicians also do a tremendous job, and you'll only miss Roger Waters for about 5 seconds. Max. This four-platter set is necessary for Floydians, but maybe not for casual fans. The packaging is nice, too. The hardback book is full of photos from the tour, which is nice, but I feel they lost an opportunity by not including any liner notes. The packaging makes it more of an art object, and you won't spend much time with the book, but the music makes up for it.
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Purchased multiple times because of damaged LPs. Deep scratches. Packaging on all was near mint. I landed on an okay mix of LPs. No majors pops or scratches but still a fairly noisy pressing. One of my all time favorite concerts. Probably my least favorite PF record. Side note I had my liner notes signed by Nick Mason and Guy Pratt ;) met them in Spokane while they were rehearsing for a tour. Cheers. -
Purchased 12/23/23 from Amazon US for $79.66. LP1 had something stuck in a groove that wouldn't come loose, causing loud pops. LP2 had numerous pock/divots. Replacement was much better. -
Sounds phenomenal! Pulse played an early part of my introduction to PF way back in the day and this version absolutely exceeds the digital versions I was initially exposed to. Strangely my first copy had the “E” side pressed on the “B” side. NO clue how that happened! Luckily Amazon still had stock so a replacement was feasible. -
My copy had an unacceptable amount of pops on two sides (F and G). A few clicks throughout, but the loud one's totally ruin the entire Darkside of the Moon. Waiting on a replacement...otherwise the sound is phenomenal. Drums, bass, guitar all perfectly mixed. Dynamics out the wazoo, with soundstage and depth. Hope my next one cuts the mustard...and I have a high tolerance for a few clicks.
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Excellent remaster and top notch packaging. This is a keeper and will only go up in value over time! -
Got this back in Sept 2020. Played it all the way through a second time just now, and I like it better since I upgraded the amp, wires and speakers. Much more room filling and present sound. Some of the tracks seem to have the drums and percussion set too far back, but others have them prominent as they should be for a PF recording. Bass is great throughout and the pressing is quiet and generally clean.
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Edited 2 years agoMeh, it’s ok.
Sounds very much like it’s cut from digital to me as the records sound noticeably sterile and not as involving as I’d hoped for. In this case, another PF 2016 re-issue where my OG CD of the same album sounds better :-S (better bass punch and extension, more dynamic and alive)
The Vinyl records themselves were very clean though. The hardback book is great, but all the inner sleeves have seam splits (apparently a big problem with these re-issues).
Having said all that, if you want Pulse on vinyl and are put off by what the OG pressings go for, then this is still worth buying while they are still affordable.
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