Billie Eilish – When We All Fall Asleep, Where Do We Go?
Label: |
Interscope Records – 00602577427664 |
|---|---|
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Pop |
Style: |
Alt-Pop |
Tracklist
| A1 | !!!!!!! | |
| A2 | Bad Guy | |
| A3 | Xanny | |
| A4 | You Should See Me In A Crown | |
| A5 | All The Good Girls Go To Hell | |
| A6 | Wish You Were Gay | |
| A7 | When The Party's Over | |
| B1 | 8 | |
| B2 | My Strange Addiction | |
| B3 | Bury A Friend | |
| B4 | Ilomilo | |
| B5 | Listen Before I Go | |
| B6 | I Love You | |
| B7 | Goodbye |
Companies, etc.
- Phonographic Copyright ℗ – Darkroom (4)
- Copyright © – Darkroom (4)
- Phonographic Copyright ℗ – Interscope Records
- Copyright © – Interscope Records
- Record Company – Universal International Music B.V.
- Published By – Universal Music Corp.
- Published By – Drup
- Published By – Last Frontier
- Published By – Kobalt Songs Music Publishing
- Manufactured By – Precision Record Pressing – 10-85849
- Pressed By – GZ Media – 186349E
Credits
- A&R – Sam Riback
- Legal – David Ferreria
- Management – Danny Rukasin
- Mastered By – John Greenham
- Mixed By – Rob Kinelski
- Producer – FINNEAS
- Producer [Additional] – Billie Eilish (tracks: A2)
- Written-By – Finneas O'Connell (tracks: A7, B2)
Notes
This version was described by the label and retailers as "pale yellow", but is in fact a pale orange-pink, perhaps best described as "apricot". 180g vinyl.
Some copies sold by Bengans in Sweden came with a signed fan card.
Copies sold in Italy come with an SIAE sticker on shrinkwrap.
All songs written by Billie Eilish O'Connell.
Published by Universal Music Corp. and Drup. All rights for Drup controlled and istered by Universal Music Corp. & Finneas O'Connell
Published by Last Frontier (ASCAP)
istered by Kobalt Songs Music Publishing, except „when the party's over“ and „my strange addiction“ written by Finneas O'Connell.
Published by Last Frontier (ASCAP). istered by Kobalt Songs Music Publishing
Made in the EU.
Some copies sold by Bengans in Sweden came with a signed fan card.
Copies sold in Italy come with an SIAE sticker on shrinkwrap.
All songs written by Billie Eilish O'Connell.
Published by Universal Music Corp. and Drup. All rights for Drup controlled and istered by Universal Music Corp. & Finneas O'Connell
Published by Last Frontier (ASCAP)
istered by Kobalt Songs Music Publishing, except „when the party's over“ and „my strange addiction“ written by Finneas O'Connell.
Published by Last Frontier (ASCAP). istered by Kobalt Songs Music Publishing
Made in the EU.
Barcode and Other Identifiers
- Barcode (Text): 6 02577 42766 4
- Label Code: LC 06406
- Rights Society: BIEM/SDRM
- Rights Society: ASCAP
- Rights Society (Sticker on copies distributed in Italy): SIAE
- Matrix / Runout (Runout Side A, laser-etched, variant 1): 10-85849 / B002972901 - A 186349E1/L
- Matrix / Runout (Runout Side B, laser-etched, variant 1): 10-85849 / B002972901 - B 186349E2/I
- Matrix / Runout (Runout Side A, laser-etched, variant 2): 10-85849 / B002972901 - A 186349E1/M
- Matrix / Runout (Runout Side B, laser-etched, variant 2): 10-85849 / B002972901 - B 186349E2/K
- Matrix / Runout (Runout Side A, laser-etched, variant 3): 10-85849 / B002972901 - A 186349E1/L
- Matrix / Runout (Runout Side B, laser-etched, variant 3): 10-85849 / B002972901 - B 186349E2/K
- Matrix / Runout (Runout Side A, laser-etched, variant 4): 10-85849 / B002972901 - A 186349E1/X
- Matrix / Runout (Runout Side B, laser-etched, variant 4): 10-85849 / B002972901 - B 186349E2/0
- Matrix / Runout (Runout Side A, laser-etched, variant 5): 10-85849 / B002972901 - A 186349E1/R
- Matrix / Runout (Runout Side B, laser-etched, variant 5): 10-85849 / B002972901 - B 186349E2/L
- Matrix / Runout (Runout Side A, laser-etched, variant 6): 10-85849 / B002972901 - A 186349E1/U
- Matrix / Runout (Runout Side B, laser-etched, variant 6): 10-85849 / B002972901 - B 186349E2/S
- Matrix / Runout (Runout Side A, laser-etched, variant 7): 10-85849 / B002972901 - A 186349E1/A
- Matrix / Runout (Runout Side B, laser-etched, variant 7): 10-85849 / B002972901 - B 186349E2/AB
- Matrix / Runout (Runout Side A, laser-etched, variant 8): 10-85849 / B002972901 - A 186349E1/H
- Matrix / Runout (Runout Side B, laser-etched, variant 8): 10-85849 / B002972901 - B 186349E2/AB
- Matrix / Runout (Runout Side A, laser-etched, variant 9): 10-85849 / B002972901 - A 186349E1/A
- Matrix / Runout (Runout Side B, laser-etched, variant 9): 10-85849 / B002972901 - B 186349E2/T
- Matrix / Runout (Runout Side A, laser-etched, variant 10): 10-85849 / B002972901 - A 186349E1/E
- Matrix / Runout (Runout Side B, laser-etched, variant 10): 10-85849 / B002972901 - B 186349E2/BB
- Matrix / Runout (Runout Side A, laser-etched, variant 11): 10-85849 / B002972901 - A 186349E1/BC
- Matrix / Runout (Runout Side B, laser-etched, variant 11): 10-85849 / B002972901 - B 186349E2/BA
- Matrix / Runout (Runout Side A, laser-etched, variant 12): 10-85849 / B002972901 - A 186349E1/BD
- Matrix / Runout (Runout Side B, laser-etched, variant 12): 10-85849 / B002972901 - B 186349E2/BB
Other Versions (5 of 66)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
When We All Fall Asleep, Where Do We Go? (LP, Album, Limited Edition, Glow In The Dark, Gatefold) | Interscope Records | 00602577427756 | Europe | 2019 | ||
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Recently Edited
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When We All Fall Asleep, Where Do We Go? (14×File, MP3, Album, 320 kbps) | Darkroom (4) | none | US | 2019 | ||
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Recently Edited
|
When We All Fall Asleep, Where Do We Go? (Cassette, Album, Lime Green) | Interscope Records | 00602577427732 | Europe | 2019 | ||
|
New Submission
|
When We All Fall Asleep, Where Do We Go? (Cassette, Album, Glow In The Dark) | Interscope Records | 00602577427718, 00602577427732 | Europe | 2019 | ||
|
Recently Edited
|
When We All Fall Asleep, Where Do We Go? (LP, Album, Orange) | Interscope Records | 00602577427671 | Europe | 2019 |
Recommendations
Reviews
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The bass on this pressing is unreal - quite impressed with the sound quality compared to the CD and streaming versions.
Vinyl quality seems fine on my end, super quiet and no QC issues. -
I'm the luckiest person in the world: my copy is absolutely free of any pressing issues - the LP sounds simply awesome! Crazy terrific sound. -
Edited 4 months agoMy copy delivers incredible music with flawless sound quality and an impressively rich, deep bass. However, the constant clicks and crackles during playback are quite distracting, especially in the quieter moments, significantly affecting the overall experience. While the music itself is exceptional, the pressing leaves much to be desired.
Edit: got a second copy, and it sounds perfect except very tiny crackles that are not affected the impression. -
Was pretty worried getting this because of all the bad reviews. Turns out I got lucky and got a dead-silent pressing, absolutely no surface noise - one of the most silent in my collection. Legit blown away by the spatialization, the bass that you can “feel” as someone here said and how silent it is. A few pops here and there in the quieter parts but definitely not as bad as I expected it to be. A hit or miss sadly. -
Edited one year agoI LOVE this album and when the surface noise isn’t overwhelming, the master sounds truly amazing, but this is the noisiest new record I have ever played on my system. Truly terrible QC. -
It's pretty good sounding record.
Sounds better than tidal, is an understatement.
No QC issues on mine, purchased in AUS. -
Half of the "quiet" songs are unlistenable. Cracks, bending and poor quality control (red, visible dot on vinyl surface)
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This is a superb record for showcasing deep bass. I always put it on when I show people my vinyl collection and stereo setup. It sounds really really great on my system. Sometimes I don't hear the bass, but I FEEL it. Quite an experience.No distortion in bass and vocals. Only complaint: a lot of crackles (like a little campfire in my room) on side A. Side B is much better (crackle-wise). -
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Glad to see I wasn't the only one who ended up with a defective copy; I see few others also have similar experiences to mine. I originally bought this album brand new from the store around 2020. Had quite a few clicks and pops on my vinyl. It made wanting to listen to the whole thing through a chore.
Love the album, but I unfortunately ended up with a wonky copy.
Release
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