Brian Eno – Fourth World Vol. 1 - Possible Musics
Label: |
Editions EG – EGS 107 |
---|---|
Format: |
Vinyl
, LP, Album, Stereo
|
Country: |
US |
Released: |
|
Genre: |
Electronic |
Style: |
Ambient |
Tracklist
A1 | Chemistry | 6:48 | |
A2 | Delta Rain Dream | 3:22 | |
A3 | Griot (Over "Contagious Magic") | 4:00 | |
A4 | Ba-benzélé | 6:03 | |
A5 | Rising Thermal 14° 16' N; 32° 28' E | 3:34 | |
B | Charm (Over "Burundi Cloud") | 21:24 |
Companies, etc.
- Marketed By – Jem Records
- Phonographic Copyright ℗ – E.G. Records Ltd.
- Copyright © – E.G. Records Ltd.
- Copyright © – E.G. Music Ltd.
- Recorded At – Art Gallery Of Ontario
- Recorded At – Celestial Sound Studios, New York, NY
- Mastered At – Sterling Sound
- Lacquer Cut At – Sterling Sound
- Pressed By – Hub-Servall Record Mfg. Corp.
Credits
- Design – Cream (7)
- Engineer – Michael Jay
- Engineer [Assistant] – Pete Sobol*
- Mastered By – Greg Calbi
- Photography By [Photo of Brian Eno] – Roberta Bayley
- Photography By [Photo of Jon Hassell] – William Coupon
- Producer – Jon Hassell
- Written-By – Jon Hassell
Notes
A3 recorded in concert January 25, 1980, Art Gallery Of Ontario, Toronto.
Labels:
All songs © E.G. Music Ltd. 1980
Rear Cover:
℗ & © 1980 E.G. Records Ltd.
Runouts are etched, except for STERLING (which is stamped).
Lacquer cutting, vinyl pressing companies derived from runouts.
Labels:
All songs © E.G. Music Ltd. 1980
Rear Cover:
℗ & © 1980 E.G. Records Ltd.
Runouts are etched, except for STERLING (which is stamped).
Lacquer cutting, vinyl pressing companies derived from runouts.
Barcode and Other Identifiers
- Pressing Plant ID (Runouts, etched): HuB
- Matrix / Runout (Side A runout): EGS-107-A HuB STERLING P̶V̶C̶.̶7̶9̶1̶9̶ ̶A̶
- Matrix / Runout (Side B runout): EGS-107-B HuB STERLING P̶V̶C̶.̶7̶9̶1̶9̶ ̶B̶
Other Versions (5 of 32)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Fourth World Vol. 1 - Possible Musics (LP, Album) | Polydor | EGED 7 | UK | 1980 | ||
Recently Edited
|
Fourth World Vol. 1 - Possible Musics (LP, Album, Stereo) | EG | 2335 207 | 1980 | |||
New Submission
|
Fourth World Vol. 1 - Possible Musics (LP, Album) | EG | MPF 1322 | Japan | 1980 | ||
New Submission
|
Fourth World Vol. 1 - Possible Musics (LP, Album) | Editions EG | EGED 107 | Canada | 1980 | ||
Recently Edited
|
Fourth World Vol. 1 - Possible Musics (LP, Album) | Editions EG | 2335 207 | Italy | 1980 |
Recommendations
Reviews
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My copy has the same runouts (PVC 7919 - A) as the test pressing with the STERLING and HuB included. No EGS 107 at all but everything else Is a match to this version.
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World music term has been applied in so many contexts that it has no meaning. This record is speaks on lots of levels. It is a fabric of multiple patterns and textures. It is warm, haunting, and searching at the same time. Electronically processes instruments still have human feeling associated with them. Eno's ambient stuff can be more for a particular moment than something that can be played regularly. If you let this music into your world you will not regret it.
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Edited 11 years agoThis is supposedly the album Eno worked on just before jumping into the "My Life in the Bush of Ghosts" sessions, and while the two albums are very different, you can definitely see the fingerprints of Early 80s Eno all over this one. Hassell's heavily-effected trumpet is the lead instrument here, but the mood mostly belongs to the minimal rhythms underneath, which successfully walk the line between meditative and groovy. The idea of possible fourth world musics is all about a place beyond pop and folk, beyond primitive and synthetic, where all known sounds collapse into a new aesthetic, and the A side of this record strikes that balance perfectly. The illusion falters on the B side, where Hassell's trumpet sounds just a bit too much like a trumpet, and its jazzy noodling stops sounding like a celestial force and starts to resemble... well, a jazz guy noodling on a trumpet. Still a great release overall.
Release
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