Tracklist
| A1 | Love Space | 4:47 | |
| A2 | 翼に乗せて | 3:38 | |
| A3 | 素敵な午後は | 3:54 | |
| A4 | Candy | 3:14 | |
| A5 | Dancer | 4:40 | |
| B1 | アンブレラ | 4:00 | |
| B2 | 言えなかった言葉を | 4:03 | |
| B3 | 朝の様な夕暮れ | 2:14 | |
| B4 | きぬずれ | 3:39 | |
| B5 | Solid Slider | 7:06 |
Companies, etc.
- Manufactured By – RVC Corporation
- Phonographic Copyright ℗ – RCA Records
- Copyright © – RCA Records
- Published By – P.M.P.
- Recorded At – Sound City Studio
- Recorded At – RCA Studio, Shibuya, Tokyo
- Recorded At – Onkio Haus
- Mastered At – Nihon Victor Yokohama Mastering Studio
Credits
- Accordion – Tohru Okada
- Acoustic Guitar – Chuei Yoshikawa
- Arranged By – Tatsuro Yamashita
- Artwork – Kenkichi Sato
- Backing Vocals – Tatsuro Yamashita
- Bass – Haruomi Hosono
- Composed By – Tatsuro Yamashita
- Conductor – Kozo Araki
- Drums – Yukari Uehara* (tracks: A2, B5)
- Flute – Shozo Nakagawa*
- Guitar – Tsunehide Matsuki
- Harmonica – Tatsuro Yamashita
- Keyboards – Tatsuro Yamashita
- Lyrics By – Tatsuro Yamashita (tracks: A5, B3)
- Mastered By – Toru Koetsu*
- Percussion – Tatsuro Yamashita
- Producer – Tatsuro Yamashita
- Recorded By – Tamotu Yoshida*
- Saxophone – Tomoa Okazaki
- Sitar – Tatsuro Yamashita
- Strings – Tadaaki Ono
- Trombone – Tadanori Konakawa
- Trumpet – Shin Kazuhara*
- Vibraphone – Ryuichi Sakamoto
Notes
Recording Studio
Sound City 1st. & 2nd. Studio RCA 1st. Studio
Onkio Haus 1st. & 2nd. Studio
Recording Date : Feb. 26 '77 〜Apr. 18 '77
"Ienakatta Kotoba O" : Charly Callelo's score was used in the brass parts of the interlude.
This composition was recorded in New York last year, but the recording was not issued.
So we made a new recording of it this time.
Thanks to Minako Yoshida for production coordinate.
All Songs Published by © 1977 P.M.P.
Romaji titles:
A2: Tsubasa ni Nosete
A3: Suteki na Gogo wa
B1: Umbrella
B2: Ienakatta Kotoba wo
B3: Asa no You na Yuugure
B4: Kinuzure
Sound City 1st. & 2nd. Studio RCA 1st. Studio
Onkio Haus 1st. & 2nd. Studio
Recording Date : Feb. 26 '77 〜Apr. 18 '77
"Ienakatta Kotoba O" : Charly Callelo's score was used in the brass parts of the interlude.
This composition was recorded in New York last year, but the recording was not issued.
So we made a new recording of it this time.
Thanks to Minako Yoshida for production coordinate.
All Songs Published by © 1977 P.M.P.
Romaji titles:
A2: Tsubasa ni Nosete
A3: Suteki na Gogo wa
B1: Umbrella
B2: Ienakatta Kotoba wo
B3: Asa no You na Yuugure
B4: Kinuzure
Barcode and Other Identifiers
- Matrix / Runout (Both labels): JPL1-1066
- Rights Society: JASRAC
- Other (Price): ¥2,500
Other Versions (5 of 18)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
Spacy (LP, Album, Promo, Stereo) | RCA | RVL-8006 | Japan | 1977 | ||
|
New Submission
|
Spacy (Cassette, Album) | RCA | RCJ-1525 | Japan | 1977 | ||
|
New Submission
|
Spacy (LP, Album, Repress, Stereo) | RCA | RVL-8006 | Japan | 1977 | ||
|
New Submission
|
Spacy (CD, Album, Reissue, Stereo) | RCA | RHCD-16 | Japan | 1985 | ||
|
New Submission
|
Spacy (CD, Album, Reissue) | RCA | R32H-1031 | Japan | 1986 |
Recommendations
Reviews
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In my opinion, his best release artistically. His later releases didn't possess the same musicianship and feel. The ion and soul, and musicality flows through the entire album, almost ethereal. Also thanks to the incredible session musicians and mastering by Tohru Koetsu, one of the best Japanese cutting engineer.
An ultimate testament for any systems as well. On a mediocre system it will sound thin, dry and harsh. In fact, it's one of the best sounding records in my collection. Transparent, detailed, with incredible dynamics and stereo separation. You can even hear the hiss from the analog tape!
Music: 5/5 (Masterpiece)
Sound: 5/5 (Masterpiece)
Sleeve: 4.5/5 (Beautiful)
Equipment: Technics SL-1200MK3, Technics EPC-205CII + Jico SAS/B, Schiit Mani 2 -
Edited one year agoThis is such a one of a kind record.
You can say that about any vinyl but this one just feels so surreal to hold. The print quality of the artwork and text is great. The OBI is quite a thin piece of paper, I thought it was plastic at first.
For the vinyl it’s thin but has such great dynamics. Deep and punchy, tatsuro’s voice is really able to shine on this.
This record is truly SPACY, 5/5
LOVE SPACE is one of the best songs ever recorded. This whole album front to back is such a trip, it really felt like tatsuro was trying to prove himself here.
DANCER is crazy good lol -
This is an album with Peter Sato's jacket design and Minako Yoshida's spun lyrics give off a colorful glitter.
I recommend the medium funk of A3, which is a song based on the longing for Chicago Soul. -
Sato, Sakamoto & Hosono were also contributing to this album. A get-together of the most influential Japenese musicians from the 70s/80s. Just incredible.. -
Thankfully picked this up on a trip to Japan for about $45. Still though, if you include the flights 144€ sounds cheap haha!
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Some copies seam to have a transparent obi while some are not non-transparent white paper.
Can anyone comment on the difference between these versions?
Apart from obi everything else seams exactly the same. -
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Not sure why this album sells at much higher prices than For You. Is it because it sold worse and less people have it?
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Release
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