Tracklist
| A1 | Like A Rolling Stone | |
| A2 | Tombstone Blues | |
| A3 | It Takes A Lot To Laugh, It Takes A Train To Cry | |
| A4 | From A Buick 6 | |
| A5 | Ballad Of A Thin Man | |
| B1 | Queen Jane Approximately | |
| B2 | Highway 61 Revisited | |
| B3 | Just Like Tom Thumb's Blues | |
| B4 | Desolation Row |
Companies, etc.
- Lacquer Cut At – ARC, Artarmon – MX146549
- Lacquer Cut At – ARC, Artarmon – MX146550
- Pressed By – ARC, Artarmon
Credits
- Bass – Russ Savakus
- Drums – Bobby Gregg
- Guitar – Michael Bloomfield*
- Guitar, Harmonica, Piano, Sounds [Police Car] – Bob Dylan
- Liner Notes – Bob Dylan
- Organ, Piano – Al Kooper
- Piano – Frank Owens
- Piano, Organ – Paul Griffin
- Producer – Bob Johnston
- Written-By – B. Dylan*
Notes
"Block orange" CBS labels.
The sleeve makes no mention of this being an Australian release.
Comes in non-flip-back sleeve.
On labels:
Made in Australia by a ed of the trade marks.
1st Australian stereo pressing, with the Allan's logo.
The sleeve makes no mention of this being an Australian release.
Comes in non-flip-back sleeve.
On labels:
Made in Australia by a ed of the trade marks.
1st Australian stereo pressing, with the Allan's logo.
Barcode and Other Identifiers
- Matrix / Runout (Label A): MX146549
- Matrix / Runout (Label B): MX146550
- Matrix / Runout (Runout A, Stamped): MX146549 SBP233279-1
- Matrix / Runout (Runout B, Stamped): MX146550 SBP233279-2
Other Versions (5 of 403)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Highway 61 Revisited (LP, Album, Stereo) | CBS | SBPG 62572, 62572 | UK | 1965 | ||
| Highway 61 Revisited (LP, Album, Mono, Gatefold Sleeve) | CBS | 62572 | 1965 | ||||
|
Recently Edited
|
Highway 61 Revisited (LP, Album, Mono) | CBS | BPG 62572 | UK | 1965 | ||
|
New Submission
|
Highway 61 Revisited (LP, Album, Mono, DG) | Columbia | CL 2389 | Canada | 1965 | ||
| Highway 61 Revisited (LP, Album, Stereo, Alternate Take Of "From A Buick 6") | Columbia | CS 9189 | US | 1965 |
Recommendations
Reviews
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Edited 2 years agoMy copy seems to suffer with some peak-based distortion that's not ideal but still listenable, the pressing may have been mastered bit loud, Or it could just be my copy. Apart from this, it sounds decent, but my US 1967 Copy sounds nicer.
Release
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New Submission
New Submission
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