Final2

Label:

Sentrax – SNTX 3001CD

Format:

CD , Album

Country:

UK

Released:

Genre:

Electronic

Style:

Ambient

Tracklist

1 ******* 3:25
2 ,,,,,,, 6:08
3 """"""" 8:04
4 ///////
Music ByBroadrick*
8:39
5 _______
Music ByBroadrick*
7:59
6 ;;;;;;; 3:13
7 ======= 2:32
8 (     )
Music ByBroadrick*
24:43
9 +++++++ 7:34

Companies, etc.

  • Copyright ©Sentrax
  • Pressed BySNA
  • Distributed ByPHD

Credits

  • Music ByJustin K.Broadrick* (tracks: 1 to 3, 6, 7, 9)

Notes

All music 1993-95.

© Sentrax 1996
Made in
Distribution: PHD

Barcode and Other Identifiers

  • Barcode: 5 028563 234422
  • Matrix / Runout: SNA L600 SNTX3001
  • Mould SID Code: none

Other Versions (1)

View All
Title (Format) Label Cat# Country Year
Recently Edited
2 (CD, Album) Rawkus RWK 1114-2 US 1996

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Reviews

  • bonnicon's avatar
    bonnicon
    For many years now, the name of JUSTIN BROADRICK has been synonymous with savage guitar music - from the breakneck rollercoaster rocket-fuelled post-Punk of NAPALM DEATH to the sonic slaughter-fields of GODFLESH you associate his music with sawtooth chord blasts of raw, unhoned noise, never with subtlety. So with his journey through a less - than - strictly - formed soundscape you might expect discordant, heavy-handedness. What you get instead is an oddly uneven contrast between the beauteous & the stark. At it's best, this album sails close by the dreamscape music pioneered by VIDNA OBMANA - tracks 3 & 4 most closely entering that slow-drift realm. At other times this collection nears a wire-thin version of GODFLESH's own great track "Pure II" - flowing washes of numbed audio sensation, grey wisps and white tendrils, both simplistic and ponderous. At times the music's almost symphonic, in a very Industrial way; at times a gaping vacuum of next-to-nothingness. When you consider that two former of the above mentioned groups - BROADRICK & MICK HARRIS - have explored similar areas, it's strange that there's no mistaking one for the other - whereas LULL roll deep waves of tonal dread across a fusty-warm, almost biological ambience, FINAL choose a laboratory-cultured variation on the theme - a less lulling, somehow more pure dilution of this dark-wave Isolationist ambience. The long track 8 could almost be an extended version of CAGE's 4'33" performed in an abandoned swimming pool with the noise of a busy city street filtered to whining obscurity, bleeding through the walls. "Final .2." is an interesting collection. Some beautiful & dramatic, almost begging to be used on adverts or as incidental soundtrack on films - some so subtle as to be almost absent. A charming, intriguing, contradictory album of warm welcome and cold stark alienation.

    Originally reviewed for Soft Watch.

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