R.E.M. – Green
Label: |
Warner Bros. Records – 1-25795 |
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Format: |
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Country: |
US |
Released: |
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Genre: |
Rock |
Style: |
Folk Rock |
Tracklist
Air | |||
A1 | Pop Song 89 | 3:03 | |
A2 | Get Up | 2:35 | |
A3 | You Are The Everything | 3:45 | |
A4 | Stand | 3:10 | |
A5 | World Leader Pretend | 4:15 | |
A6 | The Wrong Child | 3:35 | |
Metal | |||
B1 | Orange Crush | 3:50 | |
B2 | Turn You Inside Out | 4:15 | |
B3 | Hairshirt | 3:55 | |
B4 | I California | 5:05 | |
B5 | Untitled | 3:15 |
Companies, etc.
- Record Company – Warner Bros. Records Inc.
- Record Company – Warner Communications
- Phonographic Copyright ℗ – R.E.M./Athens Ltd
- Copyright © – R.E.M./Athens Ltd
- Pressed By – Allied Record Company
- Published By – Night Garden Music
- Published By – Unichappell Music, Inc.
- Recorded At – Ardent Studios
- Mixed At – Bearsville Studios
- Mastered At – Masterdisk
- Mastered At – Sheffield Lab Matrix – △22697
- Designed At – Manhattan Design
Credits
- Band [R.E.M.] – P.L. Buck*
- Band [R.E.M.], Design Concept [Packaging Alliance], Design [Packaging], Layout [Packaging], Photography By – J.M. Stipe*
- Cello – Jane Scarpantoni (tracks: 5)
- Design Concept [Packaging Alliance] – Jon McCafferty
- Design [Packaging], Layout [Packaging] – Jon McCafferty
- Engineer [Second Engineer - Ardent] – Tom Laune
- Engineer [Second Engineer - Bearsville] – Thom Cadley
- Engineer, Mixed By – Scott Litt
- Management – Microwave (9)
- Mastered By – Bob Ludwig
- Other [Interloper] – Susan Green
- Other [This Recording Is Humbly Dedicated To Without Whose Help] – B.E. Downs, IV*, W.J. Holt*
- Pedal Steel Guitar – Bucky Baxter (tracks: 5)
- Percussion – Keith LeBlanc (tracks: 8)
- Photography By – Michael Tighe (2)
- Producer – Scott Litt
- Supervised By [Overseen By] – Curtis Goodman
- Technician [Drum] – Robert Hall
- Technician [Studio Assistant] – Jeff Kahan
- Written-By [All Songs] – Buck*
Notes
'A' embossed around center hole and B-XXXXX runout etchings indicate Allied Record Company pressing.
Direct Metal Mastered uncredited, sourced from runouts.
Runouts etched.
Side A labeled "Air" and Side B labeled "Metal" on release.
Barcode and tracklisting stickered individually on rear sleeve. Both numbered 1-25795.
Track A4 numbered "R" on track listing sticker and label.
Track B5 unlisted on track listing sticker, but it is numbered with blank title on Side B's label.
The R in REM and GREEN have a "4" watermark superimposed over them on front cover.
© 1988 ℗ 1988
Recorded at Ardent Studios, Memphis, Tennessee.
Mixed at Bearsville Studios, Bearsville, New York.
Mastered at Masterdisk, N.Y.C.
Published: Night Garden Music BMI
istered the world over by Unichappell Music, Inc.
Jane Scarpantoni appears courtesy of Gaia Records
Direct Metal Mastered uncredited, sourced from runouts.
Runouts etched.
Side A labeled "Air" and Side B labeled "Metal" on release.
Barcode and tracklisting stickered individually on rear sleeve. Both numbered 1-25795.
Track A4 numbered "R" on track listing sticker and label.
Track B5 unlisted on track listing sticker, but it is numbered with blank title on Side B's label.
The R in REM and GREEN have a "4" watermark superimposed over them on front cover.
© 1988 ℗ 1988
Recorded at Ardent Studios, Memphis, Tennessee.
Mixed at Bearsville Studios, Bearsville, New York.
Mastered at Masterdisk, N.Y.C.
Published: Night Garden Music BMI
istered the world over by Unichappell Music, Inc.
Jane Scarpantoni appears courtesy of Gaia Records
Barcode and Other Identifiers
- Barcode (Text): 0 7599-25795-1 3
- Barcode (Scanned): 075992579513
- Rights Society: BMI
- Pressing Plant ID (Both sides, embossed around center hole): A
- Matrix / Runout (Both labels, printed): 1-25795
- Matrix / Runout (Side A runout, variant 1): 1-25795-A-RE3 -SH1-DMM MASTERDISK B-33124_Re3-SH1 △22697 1-1
- Matrix / Runout (Side B runout, variant 1): 1-25795-B-RE 3 SH1-DMM MASTERDISK B-33125-Re3-SH1 △22697-X 1-1
- Matrix / Runout (Side A runout, variant 2): 1-25795-B-RE 3 SH1-DMM MASTERDISK B-33125-Re3-SH1 △22697-X 2-1
- Matrix / Runout (Side B runout, variant 2): 1-25795-B-RE 3 SH1-DMM MASTERDISK B-33125-Re3-SH1 △22697-X 1-2
- Matrix / Runout (Side A runout, variant 3): 1-25795-A-RE 3 SH1-DMM MASTERDISK B-33124-Re3-SH1 △22697-X 2-1
- Matrix / Runout (Side B runout, variant 3): 1-25795-B-RE 3 SH1-DMM MASTERDISK B-33125-Re3-SH1 △22697-X 1-2
Other Versions (5 of 140)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Green (LP, Album, Stereo, Specialty Pressing) | Warner Bros. Records | 9 25795-1, 1-25795 | US | 1988 | |||
Recently Edited
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Green (Cassette, Album, Clear Shell, SR) | Warner Bros. Records | 9 25795-4, 4-25795 | US | 1988 | ||
Recently Edited
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Green (CD, Album, Gloss) | Warner Bros. Records | 9 25795-2 | US | 1988 | ||
Recently Edited
|
Green (Cassette, Album) | Warner Bros. Records | WX 234C | UK | 1988 | ||
Recently Edited
|
Green (LP, Album, Stereo) | Warner Bros. Records | 925 795-1, WX 234 | Europe | 1988 |
Recommendations
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1985 USLP, Album, Stereo
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Reviews
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seems there is no low end on this pressing. A lot of highs and mids but lacking bass. I turned the treble down and the bass up and it sounds ok.
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I snagged this one for $15 at a record store somewhat near me in a rare journey to North Carolina whilst stopping in Mckaysville.
I think the club version is the version I have. If so I’m very excited, Oasis is one of my favorite bands and I’d like to have the best sounding version personally from the first year of each studio album.
This is my first to add to my collection of their discography, and contains their masterpiece in my opinion “Orange Crush” though probably a lot of people will disagree because they are wrong and Orange Crush slaps harder than a bit too much of whatever delicious alcoholic fruit concoction I’ve crafted for enjoying adding this to my collection. I’ve recently been shifting around my collection quite a bit after changing what I want from what are necessarily “worthy” records of adding to the collection, but that I will actually play.
While off topic, Today we got a haul of both! Original 1963 Mono Surfin’ USA, 1988 Club pressing of Green (which I was most excited about), and 1965 Stereo Summer Days (And Nights). Surprisingly, these are the only original beach boys LP’s I’ve not seen for eye watering sums lately, so I grabbed them while I could. The Beach Boys are my favorite band.
Back onto the actual album, it interestingly has a very acoustic sound to it, which is unlike most of the albums in my collection. I’m happy to have something so warm and comfortable in my collection finally. Great for everyone at all times. R.E.M is probably the greatest rock band of all time, except The Beach Boys. Fight me. The pressing is warm, lovely with lilting guitar and piano melodies and snapping drum breaks that give the album a really purposeful affair. The vocals are my favorite part, and what I wish more rock vocals were like. Simply stunning. This gives all the life to the album it really needs, and in a really neat and nice feeling sleeve. The label has a little swirly, but what really makes my head spin is the quality of lyrical content here. I’d recommend either paying attention fully to the words or wearing headphones to assist in blocking sound out so the message is totally understandable. Really the entirety of R.E.M’s studio discography to me touches exactly on what should be delivered through music, and as great rock and roll. Not too preachy, not just grooves, and masterfully designed in lyric, sound, and intent. Music is not just there to fill the void of silence. It’s powerful. This album is powerful.
10/10
Favorite Track: Orange Crush
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I buying this new in 1988. My copy is identical in everyway to this version except the runout Matrix does not have △22697. On the Metal Side, next to the spindle hole there appears to be a set of embossed parallel lines II and III but they are hard to see. Really not sure what I have here.
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My copy, which was sealed old stock, has a matrix matching var. 1, but no "A" stamp. The Specialty Records Corporation Press has a different matrix, and so I'm making an assumption that some of these don't have the Allied "A" stamp, but are indeed from that run.
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Edited 2 years agoVery nice writing on this release and the appearance of some fresh instruments(mando, cello) which will make future album appearances (spoiler alert). I saw them on the tour just before this record was released and they played several songs that would later appear here. Highlights are "Stand", "Orange Crush", and "World Leader Pretend".
The mix is super clean but suffers from a little too much '80s compression, and overall sounds "digital" to me. I at the time, this sounded amazing, but public preferences have shifted back toward a drier, less compressed mix for pop rock songs.
Good pressing.
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