Jimmy Eat World – Bleed American
Label: |
Interscope Records – B0023128-01 |
|---|---|
Format: |
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Country: |
US |
Released: |
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Genre: |
Rock |
Style: |
Emo |
Tracklist
| A1 | Bleed American | 3:01 | |
| A2 | A Praise Chorus | 4:04 | |
| A3 | The Middle | 2:46 | |
| A4 | Your House | 4:46 | |
| A5 | Sweetness | 3:40 | |
| A6 | Hear You Me | 4:44 | |
| B7 | If You Don't, Don't | 4:33 | |
| B8 | Get It Faster | 4:22 | |
| B9 | Cautioners | 5:21 | |
| B10 | The Authority Song | 3:37 | |
| B11 | My Sundown | 5:48 | |
| B12 | Splash Turn Twist | 4:10 |
Companies, etc.
- Phonographic Copyright ℗ – Geffen Records
- Copyright © – Geffen Records
- Recorded At – Cherokee Studios
- Recorded At – harddrive
- Mixed At – Extasy Recording Studio South
- Mastered At – Bernie Grundman Mastering
- Published By – EMI Longitude Music
- Distributed By – Universal Music Distribution
- Record Company – Universal Music
Credits
- A&R – Luke Wood
- Art Direction – Jim Adkins
- Art Direction, Design – Jeff Kleinsmith
- Booking [For Australia, Pacific Rim & South America] – Marlene Tsuchii
- Booking [For Europe] – X-ray Touring
- Booking [For North America] – Tim Edwards (2)
- Design – Jesse LeDoux
- Engineer [Assistant] – Justin Smith
- Engineer, Mixed By – Mark Trombino
- Lacquer Cut By – CB*
- Legal [Representation] – King, Holmes, Paterno & Berliner, LLP*
- Management – Silva Artist Management
- Management [Business] – Nick Ben-Meir
- Mastered By – Chris Bellman
- Photography By – Christopher Wray-McCann
- Photography By [Cover] – William Eggleston
- Producer – Mark Trombino
- Producer, Written-By – Jimmy Eat World
Notes
Issued in a gatefold jacket with a lyric insert.
Includes high fidelity 320kbps of the entire album.
Tracks listed sequentially regardless of side.
"A Praise Chorus" contains lyrics from "Crimson and Clover" written by Tommy James and Peter P. Lucia Jr., published by EMI Longitude Music (BMI).
Includes high fidelity 320kbps of the entire album.
Tracks listed sequentially regardless of side.
"A Praise Chorus" contains lyrics from "Crimson and Clover" written by Tommy James and Peter P. Lucia Jr., published by EMI Longitude Music (BMI).
Barcode and Other Identifiers
- Barcode (Text): 6 02547 31640 0
- Barcode (Scanned): 602547316400
- Rights Society: ASCAP
- Rights Society: BMI
- Matrix / Runout (Side A runout, Hand-etched): B0023128-01-A CB
- Matrix / Runout (Side B runout, Hand-etched): B0023128-01-B CB
Other Versions (5 of 54)
View All| Title (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Bleed American (LP, Album) | DreamWorks Records | 450 334-1 | Europe | 2001 | ||
| Bleed American (CD, Album, Enhanced) | DreamWorks Records | 0044-50334-2 | US | 2001 | |||
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Recently Edited
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Bleed American (LP, Album) | Grand Royal | 58148-0099-1, GR099 | US | 2001 | ||
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Recently Edited
|
Bleed American (CD, Album, Enhanced) | DreamWorks Records | 450 334-2 | Europe | 2001 | ||
| Jimmy Eat World (CD, Album, Enhanced, Reissue) | DreamWorks Records | 0044-50334-2, 0044-50334-2 IN02, 0044-50334-2 FL02 | US | 2001 |
Recommendations
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2014 UK, Europe & USVinyl —LP, Album, Reissue, Remastered -
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Reviews
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Another great pressing from Ume. Nice piece of wax, clear solid sonics. Content wise, it’s the album Jimmy Eat World is most known for and arguably their best. -
Very clear-sounding like I it to be. Bought my copy from Amazon in 2023 new, no inner sleeve/lyric insert, just the album in a ploy-lined sleeve.
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Edited one year agoI always gave this pressing a bad wrap, but after reading on numerous sites that this version only really sings at volume, I turned it up loud tonight and it sounds incredible! Setup: Rega P6 w/ Hana EH, Marantz PM8006, Dali Oberon 5.
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While the pressing is warp free and pop free, it does suffer from an overall muffled sound. Great album and for $20, probably worth the price. But, I have to figure a proper remaster could blow this thing out of the water. MMF 7.3 with Ortofon Bronze, Lounge Audio MCR III Silver and Audioengine 5 speakers -
Edited 2 years agoAs someone else said, ignore the naysayers, this sounds great. Dude below is either trippin' or got a bad copy.
Chris Bellman cut it, which gives it some cred at the very least. And my pressing, while not perfect, is pretty dang good. You may need to up the volume before it really opens up, but when it does, it sounds spacious w/ good instrumental separation, crisp percussion, and strong bass presence. It's not like a MoFi/AP AAA quality record or anything, but it sounds great for what it is.
Pumped to own this.
Pro-Ject X1 TT w/ Ortofon 2M Blue stylus and Audioengine A5+ speakers -
Fantastic album - this is the first time I paid resale for a record so was hoping for the best after reading these reviews. I played it all the way through recently and Side A was super clean sounding. However Side B had a few pops but they were not bad as per other reviews; I assume that these are just common for any copies of this pressing. Overall it was a GOOD pressing not great but for a classic album of this stature I'm more than happy with it! -
Appreciate the ‘death to the loudness war’ gesture here, but it’s waay too quiet. Still, nice mastering - nicely done.
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Sounds way better than the 320kbps MP3 release that I've always had in the past and of the old CD in my opinion. Lots of clarity in the tracks, especially the intro to 'get it faster'
Release
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Recently Edited
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