Bob Dylan – The Best Of The Cutting Edge 1965-1966
Label: |
Legacy – 88875124422 |
---|---|
Series: |
The Bootleg Series (2) – Vol. 12 |
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Psychedelic Rock |
Tracklist
1-1 | Love Minus Zero / No Limit - Take 2, Acoustic | 3:09 | |
1-2 | I'll Keep It With Mine - Take 1, Piano Demo | 4:10 | |
1-3 | Bob Dylan's 115th Dream - Take 2, Solo Acoustic | 6:15 | |
1-4 | She Belongs To Me - Take 1, Solo Acoustic | 2:56 | |
1-5 | Subterranean Homesick Blues - Take 1, Alternate Take | 2:37 | |
1-6 | Outlaw Blues - Take 2, Alternate Take | 3:28 | |
1-7 | On The Road Again - Take 4, Alternate Take | 2:31 | |
1-8 | Farewell, Angelina - Take 1, Solo Acoustic | 5:27 | |
1-9 | If You Gotta Go, Go Now - Take 2, Alternate Take | 2:49 | |
1-10 | You Don't Have To Do That - Take 1, Solo Acoustic | 0:49 | |
1-11 | California - Take 1, Solo Acoustic | 3:04 | |
1-12 | Mr. Tambourine Man - Take 3, With Band, Incomplete | 3:23 | |
1-13 | It Takes A Lot To Laugh, It Takes A Train To Cry - Take 8, Alternate Take | 3:27 | |
1-14 | Like A Rolling Stone - Take 5, Rehearsal | 1:43 | |
1-15 | Like A Rolling Stone - Take 11, Alternate Take | 5:55 | |
1-16 | Sitting On A Barbed Wire Fence - Take 2, Unreleased Take | 3:58 | |
1-17 | Medicine Sunday - Take 1, Early Version Of Temporary Like Achilles | 1:00 | |
1-18 | Desolation Row - Take 2, Piano Demo | 1:59 | |
1-19 | Desolation Row - Take 1, Alternate Take | 11:16 | |
2-1 | Tombstone Blues - Take 1, Alternate Take | 7:28 | |
2-2 | Positively 4th Street - Take 5, Alternate Take | 4:22 | |
2-3 | Can You Please Crawl Out Your Window? - Take 1, Alternate Take | 4:03 | |
2-4 | Just Like Tom Thumb's Blues - Take 3, Rehearsal | 5:38 | |
2-5 | Highway 61 Revisited - Take 3, Alternate Take | 3:28 | |
2-6 | Queen Jane Approximately - Take 5, Alternate Take | 6:01 | |
2-7 | Visions Of Johanna - Take 5, Rehearsal | 7:39 | |
2-8 | She's Your Lover Now - Take 6, Rehearsal | 4:57 | |
2-9 | Lunatic Princess - Take 1 | 1:19 | |
2-10 | Leopard-Skin Pill-Box Hat - Take 8, Alternate Take | 3:26 | |
2-11 | One Of Us Must Know (Sooner Or Later) - Take 19, Alternate Take | 5:09 | |
2-12 | Stuck Inside Of Mobile With The Memphis Blues Again - Take 13, Alternate Take | 4:02 | |
2-13 | Absolutely Sweet Marie - Take 1, Alternate Take | 5:00 | |
2-14 | Just Like A Woman - Take 4, Alternate Take | 5:18 | |
2-15 | Pledging My Time - Take 1, Alternate Take | 3:21 | |
2-16 | I Want You - Take 4, Alternate Take | 2:51 | |
2-17 | Highway 61 Revisited - Take 7, False Start | 0:32 |
Companies, etc.
- Copyright © – Columbia Records
- Phonographic Copyright ℗ – Columbia Records
- Distributed By – Sony Music Entertainment
- Pressed By – Sony DADC – DIDX-1075637
- Pressed By – Sony DADC – DIDX-1075727
Credits
- Art Direction, Design [Package Design] – Geoff Gans
- Compilation Producer [Bootleg Series Producer] – Steve Berkowitz
- Compilation Producer [Production Team] – Will Schwartz (3)
- Compiled By – Jeff Rosen
- Coordinator [Editorial Coordination] – Jeremy Holiday
- Design [Additional Design] – Maria Villar
- Liner Notes – Sean Wilentz
- Management [Project Manager] – Jeroen van der Meer
- Mastered By – Mark Wilder
- Mixed By – Steve Addabbo
- Mixed By [Rough Mixes] – Damian Rodriguez (2)
- Other [Warp Drive] – Diane Lapson
- Producer – Tom Wilson (2) (tracks: 1-12, 1-14, 1-15)
- Research – Parker Fishel
- Written-By – Bob Dylan
Notes
On sticker:
2-CD featuring the best of Bob Dylan's unreleased studio recordings from 1965 and 1966
• Includes alternate from the sessions for 'Bringing It All Back Home', 'Highway 61 Revisited' and 'Blonde On Blonde'.
Packaged in a slipcase with a 60-page booklet with exclusive photography and liner notes.
© & ℗ 2015 Columbia Records / Distributed by Sony Music Entertainment
2-CD featuring the best of Bob Dylan's unreleased studio recordings from 1965 and 1966
• Includes alternate from the sessions for 'Bringing It All Back Home', 'Highway 61 Revisited' and 'Blonde On Blonde'.
Packaged in a slipcase with a 60-page booklet with exclusive photography and liner notes.
© & ℗ 2015 Columbia Records / Distributed by Sony Music Entertainment
Barcode and Other Identifiers
- Barcode: 288875124421
- Matrix / Runout (CD label, Disc 1): 88875124422D1
- Matrix / Runout (CD label, Disc 2): 88875124422D2
- Matrix / Runout (Disc 1, Variant 1): DIDX-1075637 1 A02
- Matrix / Runout (Disc 1, Variant 2): DIDX-1075637 1 A03
- Matrix / Runout (Disc 1, Variant 3): DIDX-1075637 1 A07
- Matrix / Runout (Disc 1, Variant 4): DIDX-1075637 1 A05
- Matrix / Runout (Disc 2, Variant 1): DIDX-1075727 2 A03
- Matrix / Runout (Disc 2, Variant 2): DIDX-1075727 2 A02
- Matrix / Runout (Disc 2, Variant 3): DIDX-1075727 2 A07
- Matrix / Runout (Disc 2, Variant 4): DIDX-1075727 2 A05
- Mastering SID Code (Discs 1 & 2): IFPI L327
- Mould SID Code (Disc 1, Variant 1): IFPI 50BR
- Mould SID Code (Disc 1, Variant 2): IFPI 50BU
- Mould SID Code (Disc 1, Variant 3): ifpi 50BT
- Mould SID Code (Disc 1, Variant 4): IFPI 50BI
- Mould SID Code (Disc 2, Variant 1): IFPI 50E4
- Mould SID Code (Disc 2, Variant 2): IFPI 50BM
- Mould SID Code (Disc 2, Variant 3): ifpi 50BE
- Mould SID Code (Disc 2, Variant 4): IFPI 50D2
Other Versions (5 of 16)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
The Best Of The Cutting Edge 1965-1966 (3×LP, Compilation, Stereo, 180 gram, 2×CD, Compilation, Stereo, Box Set, Compilation) | Legacy | 88875124431 | US | 2015 | |||
New Submission
|
The Best Of The Cutting Edge 1965-1966 (2×CD, Album, Stereo, Mono) | Sony Music | 88875124422 | Europe | 2015 | ||
Recently Edited
|
The Cutting Edge 1965 – 1966: The Bootleg Series Vol.12: Collector's Edition (18×CD, Album, 9×7", Mono, Misprint, Box Set, Limited Edition, Numbered) | Columbia | 88875124402I8 | US | 2015 | ||
Recently Edited
|
The Best Of The Cutting Edge 1965-1966 (3×LP, Compilation, 180 Gram, 2×CD, Compilation, Box Set, ) | Sony Music | 88875124431 | Europe | 2015 | ||
New Submission
|
The Cutting Edge 1965 – 1966 (6×CD, Album, Box Set, Deluxe Edition) | Legacy | 88875124412 | US | 2015 |
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