Tracklist
| A1 | United Colours | |
| A2 | Slug | |
| A3 | Your Blue Room | |
| A4 | Always Forever Now | |
| A5 | A Different Kind Of Blue | |
| A6 | Beach Sequence | |
| B1 | Miss Sarajevo | |
| B2 | Ito Okashi | |
| B3 | One Minute Warning | |
| B4 | Corpse (These Chains Are Way Too Long) | |
| B5 | Elvis Ate America | |
| B6 | Plot 180 | |
| B7 | Theme From The Swan | |
| B8 | Theme From Let's Go Native |
Companies, etc.
- Phonographic Copyright ℗ – PolyGram International Music B.V.
- Copyright © – PolyGram International Music B.V.
- Licensed To – Island Records Ltd.
- Published By – Blue Mountain Music
- Published By – Mother Music
- Published By – Taiyo Music Uni.
- Published By – PolyGram International Music Publishing B.V.
- Published By – Opal Music
- Published By – Upala Music Inc.
- Mastered At – The Mastering Lab
- Pressed By – SNA
Credits
- Artwork By [Apple Mapping] – Rob Crane
- Artwork By [Cutting Floor] – Richard Baker
- Artwork By [Front Cover Illustration] – Theodor Rotrekl
- Artwork By [Sleeve & Concept] – Brian Eno, Cally
- Bass – Adam Clayton
- Chorus, Sequenced By, Synthesizer, Other [Strategies, Treatments] – Brian Eno
- Coordinator [Studio Co-ordinator] – David Herbert (2)
- Drums, Percussion – Larry Mullen Jr.*
- Edited By – Rob Kirwan
- Edited By [Digital] – Stewart Whitmore
- Engineer – Danton Supple (tracks: A1 to B4, B6 to B8)
- Engineer [Assistant At Metropolis] – Ruadhri Cushnan
- Engineer [Assistant] – Rob Kirwan
- Guitar, Chorus – The Edge
- Management [Album Production Manager] – Anne-Louise Kelly
- Management [Assistant Album Production Manager] – Candida Bottaci
- Mastered By – Arnie Acosta
- Mixed By – Howie B.
- Recorded By [Assistant On Original Recordings] – Lee Philips
- Scratches, Other [Treatmens] – Howie B.
- Technician [Post Production] – Cheryl Engels
- Technician [Studio Crew] – Stuart Morgan
- Vocals, Guitar – Bono
- Written-By – The Edge
Notes
Original Soundtracks 1:
1: From The Film "United Colours Of Plutonium"
2: From "Slug" (Peter Von Heineken, )
3: From "Par-Delà Les Nuages/Beyond The Clouds" (Michelangelo Antonioni, Wim Wenders, Italy)
4: End Titles From "Always Forever Now" (John Leng Qi, Hong Kong)
5: From "An Ordinary Day" (Lurlene Clewman, USA)
6: From From "Par-Delà Les Nuages/Beyond The Clouds" (Michelangelo Antonioni, Wim Wenders, Italy)
7: From The Film "Miss Sarajevo" (Bill Carter, USA)
8: From "Ito Okashi/Something Beautiful" (Rita Takashina, Fukushima)
9: From "Ghost In The Shell" (Mamuri Oshii, Japan)
10: From "Gibigiane/Reflections" (Aldo Gianniccolo, Milan)
11: From The Film "Elvis Ate America" (Jeff Koons, New York)
12: From "Hypnotize (Love Me 'Til Dawn)" (Peter Sedgeley, London)
13: From "The Swan" (Joseph Mamat, Hungary)
14: From "Let's Go Native" (Rodger Vuijkers, South Africa, Unreleased)
Recorded and mixed at Westside Studios (London) and Hanover, Dublin.
Includes printer inner sleeve
1: From The Film "United Colours Of Plutonium"
2: From "Slug" (Peter Von Heineken, )
3: From "Par-Delà Les Nuages/Beyond The Clouds" (Michelangelo Antonioni, Wim Wenders, Italy)
4: End Titles From "Always Forever Now" (John Leng Qi, Hong Kong)
5: From "An Ordinary Day" (Lurlene Clewman, USA)
6: From From "Par-Delà Les Nuages/Beyond The Clouds" (Michelangelo Antonioni, Wim Wenders, Italy)
7: From The Film "Miss Sarajevo" (Bill Carter, USA)
8: From "Ito Okashi/Something Beautiful" (Rita Takashina, Fukushima)
9: From "Ghost In The Shell" (Mamuri Oshii, Japan)
10: From "Gibigiane/Reflections" (Aldo Gianniccolo, Milan)
11: From The Film "Elvis Ate America" (Jeff Koons, New York)
12: From "Hypnotize (Love Me 'Til Dawn)" (Peter Sedgeley, London)
13: From "The Swan" (Joseph Mamat, Hungary)
14: From "Let's Go Native" (Rodger Vuijkers, South Africa, Unreleased)
Recorded and mixed at Westside Studios (London) and Hanover, Dublin.
Includes printer inner sleeve
Barcode and Other Identifiers
- Barcode (Text): 7 31452 41661 2
- Label Code: LC 0407
- Price Code: PY 281
- Rights Society: BIEM/STEMRA
- Matrix / Runout (Side A, etched [except TML-M, stamped]): ILPS 8043 A² (SNA) TML-M ̶ ̶S̶E̶I̶B̶U̶ ̶-̶ ̶A̶-̶2̶ ̶5̶2̶4̶ ̶T̶6̶6̶ ̶-̶ ̶A̶-̶2̶
- Matrix / Runout (Side B, etched [except TML-X, stamped]): ILPS 8043 B¹ TML-X ̶ ̶ ̶ ̶S̶E̶I̶B̶U̶ ̶-̶ ̶B̶-̶1̶ ̶5̶2̶4̶ ̶T̶6̶6̶ ̶-̶ ̶B̶-̶1̶
Other Versions (5 of 41)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Original Soundtracks 1 (CD, Album) | Island Records | 314-524 166-2 | US | 1995 | ||
| Original Soundtracks 1 (CD, Album, Stereo) | Island Records | CID 8043, 524 166-2 | Europe | 1995 | |||
|
Recently Edited
|
Original Soundtracks 1 (LP, Album) | Island Records | 314-524 166-1 | US | 1995 | ||
|
Recently Edited
|
Original Soundtracks 1 (CD, Album, Promo) | Island Records | OST 1 | UK | 1995 | ||
|
Recently Edited
|
Original Soundtracks 1 (Cassette, Album) | Island Records | ICT 8043, 524 166-4 | Poland | 1995 |
Recommendations
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2015 WorldwideVinyl —LP, 10", Album, Limited Edition, Remastered -
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2017 WorldwideVinyl —10", 45 RPM, Limited Edition, Remastered
Reviews
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Looking for the inner sleeve for either the US or European pressing. Please me if you have one that you might consider selling. Thanks!!! -
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This is by far the best way to listen to this album. Bottom end is gorgeous. CD is a bit sterile in comparison. Vinyl is the way to go for this album. -
Does anyone know the difference between the Europe and US version? Why is the US-one more expensive? Or is it just harder to find?
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Release
See all versions
Recently Edited
Recently Edited
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