Biosphere – Substrata²

it's my first ever listened album ambient .. what a schock ! if you don't
now what's Ambient music please listen this album !

This needs to be pressed onto vinyl ASAP. Great work.

"Substrata" is a life-changing experience. It is a seminal ambient music album, a must-listen-and-have for everyone even remotely interested in this genre. For those who don't like or never tried ambient, I'd say this is a perfect place to start, a modern classic. Probably the original 1997 pressing sounds better, but this reissue definitely wins in the cover sleeve department. After all those years "Substrata" still works; although it isn't perhaps the most sophisticated ambient album in of technique, the emotions, atmosphere and feelings it is able to convey is absolutely stunning and time-stopping.

Beware!! If you want to buy Substrata album and have good amplifier and loudspeakers, don't buy this 2001 release, the remaster work is awful and painful to the ears, the synthesisers saturates everywhere and it's really breaking the listening experience. The original 1997 releases are by all means just perfect.

This was the first ambient album I ever bought, and I couldn't be happier with my introduction. The cold, lonely, dark and sometimes peaceful atmosphere within each of the 11 parts (which all flow flawlessly from one to another) is incredible. This is all because of the excellent ideas and sound design which make for a suspenseful, memorable experience. A classic for all time and a must own.

No way around it: SUBSTRATA is an astounding piece of ambient work. The slow, creeping melancholy of "Poa Alpina" and the smooth pulses of "Chukhung" lull the listener into a glacial landscape, where everything is tinted blue by the ice. At other points, he helps you enter a dream-world, as on "Hyperborea" or on the floatation device that is "Kobresia." Elsewhere, "Antenmaria" extracts a choral sample and sets it into an angular background, while the steamer ship that blows its way through "Sphere of No-Form" suggests a long journey. But for me, the track that takes the icing is "Times When I Know You'll Be Sad." It seems simple: some ringing bell tones, a guitar lick, a voice sample -- but somehow it builds into something meaningful and, yes, sad. On the second disc, _Man with the Movie Camera_, Jenssen once again delves into soundtracks, but this time, on his own , using Vertov's silent film as his basis (the Cinematic Orchestra would do the same). Jenssen throws in surprises -- the sudden strings of "The Silent Orchestra," the low beat of "City Wakes Up," the odd instrumentation of "Ballerina." Of the two Japanese tracks that occupy the remainder, "The Eye Of The Cyclone" has an almost tribal element to the percussion, but morphs, hinting all the way back to "Baby Satellite" from his first album, while "Endurium" heads back into a thicker bass, though in much more abstract surroundings. Excellent nonetheless.

I love man with a movie cam more than substrata even though the whole show is completely timeless.You can expect nothing but the best from Mr.Jennsen.All in all it's a subtly yet epic voyage into ambient realms and is in a league of its own.Man with a movie cam makes you feel like your in a film about the deepest of dreams and will really grab the inside of your soul.I recommend this one with a hot bath,incense and candles or alternatively to fall asleep to, but in the best possible way. To cut a long story short it's a classic.

This is Geir Jenssen at his best.
The lyrics are a mix of quotes from David Lynch's Twin Peaks
(Episode 9, 2002, 'Coma': "In my vision I was on the veranda of a vast estate, a palazzo of some fantastic proportion .. and I awoke with a tremendous feeling of optimism and confidence"), some more allusions to the power of the subconscious, german samples ("Hallo Schanghai - Ja, Bitte") and more weird stuff.
Hypnotically enveloping creepy electronica, designed to reward the careful listener. Highly recommended, something especially for the enquiring minds among us.

Well i'll try to keep this review short. If you've never heard this CD before... Then you're missing out. IDM? Not really... Ambient? Yes, very much so. Not your typical ambient mind you. This ambient is pure arctic. You can feel the cold winds in Sphere of No-Form. Meanwhile tracks like Poa Alpina and Hyperborea warm you up with their unique sound. You'll also hear various samples of voices (both english and russian), an airplane and various nature sounds. This adds a lot of life to the music. As a bonus, this re-issue comes with Geir's soundtrack to "Man With A Movie Camera", which as far as I know, was unavailable in CD format before this release. The sound of these tracks is very different then the Substrata side, but i'm guessing it was included probably because the music was recorded around the same time of eachother. As if that wasn't enough, we also get the 2 b-sides of Substrata that were included only in the Japanese release of the album in 1997. If you're considering getting into Biosphere, this would be the best place to start.. Not only do you get his classic (and probably best) album, but the bonus tracks just make it that much sweeter.

Substrata is NOT overrated. Substrata is the mark of an ambient genius. I say this as one who initially was, at best, lukewarm towards it. I say this as one who owns thousands of albums and comes across plenty of fodder. This album needs time to grow, to plant its melodies, like seeds in your head, to sprout years later upon further listening. If you like brain-tingle ambient, Substrata won't disappoint. I do not say this lightly.

I will only single out three tracks for special mention. 1 vividly evokes childhood memories as planes in the distant sky. I usually hate "environmental music", so to even mention this track is quite a compliment. 4 should immediately satisfy as it's brilliant and not inaccessible; and quintessentially Biosphere. 10 is the drop-dead standout track of the century. You may not believe it on first listen, but... trust me. Play it with headphones very (very!) loud.

Any true ambient fan who doesn't at least acknowledge some of the brilliance in Substrata hasn't listened to it enough. Period.