The Beatles – Rubber Soul
Label: |
Parlophone – 5099963380316 |
|---|---|
Series: |
The Beatles In Mono |
Format: |
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Country: |
Worldwide |
Released: |
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Genre: |
Rock |
Style: |
Pop Rock |
Tracklist
| A1 | Drive My Car | |
| A2 | Norwegian Wood (The Bird Has Flown) | |
| A3 | You Won't See Me | |
| A4 | Nowhere Man | |
| A5 | Think For Yourself | |
| A6 | The Word | |
| A7 | Michelle | |
| B1 | What Goes On | |
| B2 | Girl | |
| B3 | I'm Looking Through You | |
| B4 | In My Life | |
| B5 | Wait | |
| B6 | If I Needed Someone | |
| B7 | Run For Your Life |
Companies, etc.
- Record Company – Universal Music Group
- Recorded At – EMI Studios
- Mixed At – EMI Studios
- Mastered At – Abbey Road Studios
- Lacquer Cut At – Abbey Road Studios
- Pressed By – Optimal Media GmbH – BD14114
- Made By – Optimal Media GmbH
- Published By – Sony/ATV Music Publishing LLC
- Phonographic Copyright ℗ – Calderstone Productions Limited
- Copyright © – Calderstone Productions Limited
- Copyright © – Apple Corps Ltd.
Credits
- Composed By – Lennon-McCartney (tracks: A1 to A4, A6, A7 to B5, B7)
- Coordinator [Abbey Road Co-ordination] – Lucy Launder
- Engineer [Principal Engineer] – Norman Smith
- Lacquer Cut By [Runout Etching i...i] – Sean Magee
- Mastered By [2014 Mastering Engineer] – Sean Magee
- Mixed By [Uncredited] – Norman Smith
- Photography By – Robert Freeman (4)
- Producer [Recordings] – George Martin
- Supervised By [2014 Mastering Supervisor] – Steve Berkowitz
- Words By, Music By – Starkey* (tracks: B1)
Notes
From hype sticker:
This heavyweight 180g vinyl record was cut from the original master tapes. The mastering team used a completely analogue signal path and were guided by the notes made by the cutting engineers for the first pressing of the album. The packaging replicates the artwork and construction of the original LP sleeve.
All titles published by Sony/ATV Music Publishing LLC
℗ 1965 The copyright in this sound recording is owned by Calderstone Productions Limited (a division of Universal Music Group). © 2014 Calderstone Productions Limited (a division of Universal Music Group). Artwork © Apple Corps Limited.
Made In the E.U. [Labels]
The barcode is only printed on the sticker on the plastic shrink wrap.
Issued in replica flipback sleeve. Includes 4 3/4" x 8 1/4" folded four-page brochure insert with credits, notes and ment.
This heavyweight 180g vinyl record was cut from the original master tapes. The mastering team used a completely analogue signal path and were guided by the notes made by the cutting engineers for the first pressing of the album. The packaging replicates the artwork and construction of the original LP sleeve.
All titles published by Sony/ATV Music Publishing LLC
℗ 1965 The copyright in this sound recording is owned by Calderstone Productions Limited (a division of Universal Music Group). © 2014 Calderstone Productions Limited (a division of Universal Music Group). Artwork © Apple Corps Limited.
Made In the E.U. [Labels]
The barcode is only printed on the sticker on the plastic shrink wrap.
Issued in replica flipback sleeve. Includes 4 3/4" x 8 1/4" folded four-page brochure insert with credits, notes and ment.
Barcode and Other Identifiers
- Barcode (Text, sticker): 6 02537 82575 2
- Barcode (Scanned, sticker): 602537825752
- Other (Sticker, pamphlet): 0602537825752
- Rights Society: SDRM BIEM
- Label Code: LC01846
- Matrix / Runout (Side A runout etched, variant 1): 6338031 BD14114-01 A1 N N.S. VIE
- Matrix / Runout (Side B runout etched, variant 1): 6338031 BD14114-01 B1 K i...i
- Matrix / Runout (Side A runout etched, variant 2): 6338031 Ɩट BD14114-01 A1 N.S. IV
- Matrix / Runout (Side B runout etched, variant 2): 6338031 BD14114-01 B1 ƎI┴ K i...i
- Matrix / Runout (Side A runout etched, variant 3): 6338031 BD14114-01 A1 N.S. 3+T IV
- Matrix / Runout (Side B runout etched, variant 3): 6338031 BD14114-01 B1 K i...i T+3
- Matrix / Runout (Side A runout etched, variant 4): 6338031 BD14114-01 A1 N.S. 3IX IV
- Matrix / Runout (Side B runout etched, variant 4): 6338031 BD14114-01 B1 3IV K i...i
- Matrix / Runout (Side A runout etched, variant 5): 6338031 BD14114-01 A1 3=- N.S. N
- Matrix / Runout (Side B runout etched, variant 5): 6338031 BD14114-01 B1 3=x K i...i
Other Versions (5 of 956)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Rubber Soul (LP, Album, Repress, Mono, Ernest J. Day print) | Parlophone | PMC 1267 | UK | 1965 | ||
| Rubber Soul (LP, Stereo, Album, 1st) | Parlophone | PCS 3075 | UK | 1965 | |||
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Recently Edited
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Rubber Soul (LP, Album, Stereo) | Odeon | SMO 84 066 | 1965 | |||
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Recently Edited
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Rubber Soul (LP, Album, Mono) | Parlophone | PMCM 1267 | New Zealand | 1965 | ||
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Recently Edited
|
Rubber Soul (LP, Album, Mono) | Parlophone | PMC 1267 | Scandinavia | 1965 |
Recommendations
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2014 WorldwideVinyl —LP, Album, Reissue, Remastered, Special Cut, Mono -
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Reviews
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Hey all, a quick question for the community, this one vs the -5-5 pressing by Hazel Yarwood, has anyone done a comparison? Thoughts on the comparison? Thanks in advance! -
I am one of those people who "paid $26 for it when it came out" and I can say the reason these Mono re-issues command the prices they do is due to how stellar these pressings are. I have the 2014 Mono and an OG 1965 (USA) Mono --the 1965 pressing is laughably muddy, and I'm not an audiophile by any means. If you love this album and aren't a flipper, then yes this pressing is probably worth today's asking price. That bass is buttery. -
Edited 7 months agoHighly Overrated and Grossly Over valued and Nowhere near perfect. Michelle sounds like dirt being pushed with a rake. The rest sounds good but it’s definitely not mind blowing or “audiophile” and what’s the point, if it’s got inner groove distortion? Perhaps! if they Finally do the Rubber Soul box set, like they did Revolver, we’ll get a proper remaster of the Mono with it.
My Beach Boys Analogue Productions Mono reissues put ALL these Beatles monos to shame, tbh. And they were 60 bucks each with Absolutely no flaws. People really should calm down on this pressing. It’s NOT that great. My ‘76 U.K. Stereo pressing beats the crap out of it. Not One bit of distortion. Just sayin’. And Yes… I’m playing this with the Ortofon white mono cart. From the other reviews here, I see that some hear the distortion and some don’t. So either it’s their ears OR perhaps the flaws I’m experiencing are not on Every pressing. I don’t know, but mine was Sealed and in immaculate condition. So the distortion is definitely from the plant. -
I own the loud cut and this 2014 mono edition. This one is really far superior. I fell in love with this album because of this extraordinary edition!
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My copy of this (2014 release, purchased in 2017) degraded without much play and no abuse, and it is noisy and crackly. For a benchmark: a Parlophone stereo copy that I bought in the mid-1970s sounds clearer and newer than this mono purchased in 2017, and I have been playing that since the mid-1970s. Very odd. Most 2014-era Beatle mono sounds great; this copy of Rubber Soul was pressed on junk vinyl. -
This is quite easily a 5/5. I’m absolutely blown away with this. The best way to describe it is feels like I’m taking a step back in time. This is how this album should be experienced, I’ve listened to this album so many times and yet with this I could feel myself relive it all over again. It’s pressed nice and hot, my copy thankfully doesn’t have any distortion so I’m able to enjoy it.
I’d be surprised if another version could top this, I’m so happy with this record. -
Edited one year agoSounds fantastic..great bass and punch to it.
As do all these 2014 Monos
Turned up loud it really sounds great.
And “Michelle” sounds perfect on my copy.
Zero distortion. Paid $40 bucks for mine last month..stop paying flippers so much for these records and the prices will drop like a rock. -
Release
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