Michael Buckley (2) – Under Me Sleng Teng / Dance Gate
Label: |
Greensleeves Records – GRED 169 |
|---|---|
Format: |
Vinyl
, 12", 45 RPM
|
Country: |
UK |
Released: |
|
Genre: |
Reggae |
Style: |
Dub |
Tracklist
| A1 | Wayne Smith– | Under Me Sleng Teng |
| A2 | Jammy's Studio Band– | Under Me Sleng Teng Version |
| B1 | Michael Buckley (2)– | Dance Gate |
| B2 | Sly & Robbie– | Dance Gate Version |
Companies, etc.
- Phonographic Copyright ℗ – Greensleeves Records Ltd.
- Published By – Greensleeves Publishing Ltd.
- Recorded At – Jammy's Recording Studio
- Mixed At – Jammy's Recording Studio
Credits
- Backing Band [Backed By] – Sly & Robbie (tracks: B)
- Engineer – Digital Bobby* (tracks: B)
- Plated By – PAG
- Producer, Engineer – Prince Jammy
Notes
℗ 1985 Greensleeves Records Ltd.
Published by Greensleeves Publishing Ltd.
Recorded, mixed and voiced at Jammy's Recording Studio.
Original press does not have versions mentioned on label. Generic Greensleeves sleeve is a matt finish.
Published by Greensleeves Publishing Ltd.
Recorded, mixed and voiced at Jammy's Recording Studio.
Original press does not have versions mentioned on label. Generic Greensleeves sleeve is a matt finish.
Barcode and Other Identifiers
- Matrix / Runout (Runout, side A): GRED 169 A1 PAG C
- Matrix / Runout (Runout, side B): GRED 169 B1 PAG C
Other Versions (2)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
Under Me Sleng Teng / Dance Gate (12") | Greensleeves Records | GRED 169 | US | 1985 | ||
|
New Submission
|
Under Me Sleng Teng / Dance Gate (12", Repress) | Greensleeves Records | GRED 169 | 2014 |
Recommendations
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1979 UKVinyl —12", 45 RPM, Single, Stereo -
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1981 UKVinyl —12", 45 RPM -
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Reviews
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There's not much left to say about this record. The beginning of digital dancehall and still as strong a dancefloor record as could be imagined. It's worth mentioning though that the dub is mighty & worth having a single release of "Sleng Teng" for, with a crushing intro giving way to the immortal riddim, liberally spattered with the best bits of the vocal, just the way it should be done.
Release
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