Sunn O)))Black One

Label:

Southern Lord – sunn50

Format:

CD , Album

Country:

Europe

Released:

Genre:

Rock

Style:

Dark Ambient

Tracklist

1 Sin Nanna
Vocals, Cymbal [Bowed Cymbals], Noises [Flies, Atmos], Drums, Electric GuitarOren Ambarchi
2:17
2 It Took The Night To Believe
Guitar [Axe], Effects [Subs]Mystik Fogg Invokator
Lead Guitar, Effects [Subs]Taoiseach
Vocals, Lyrics ByWrest
5:56
3 Cursed Realms (Of The Winterdemons)
Bass [Icy Inverted Crosswinds Upon Four String Zamboni]Mystik Fogg Invokator
Lyrics ByAbbath
Noises [Glacial Winds]Mathias Schneeberger
Noises [Whiteout]John Wiese
Performer [Grail, Eclipse], Lead GuitarMK Ultra Blizzard
VocalsMalefic (2)
10:13
4 Orthodox Caveman
Drums [Caveman Drums]Oren Ambarchi
Guitar, Bass, Effects []Caveman Skillz
Guitar, Guitar [Riffs]Mystik Fogg Invokator
10:00
5 CandleGoat
Bass [Decimator Bass], Vocals [Crypt Calls]MK Ultra Blizzard
Electronics [Casket Electronics]John Wiese
Guitar [Tundra Guitar]Malefic (2)
Guitar, Pedalboard [Taurus]Mystik Fogg Invokator
Lyrics ByDead
8:04
6 Cry For The Weeper
Electric Guitar, Horns, Woodwind [Wood]Oren Ambarchi
Guitar, KeyboardsMystik Fogg Invokator
Guitar, Synthesizer [Virus]SOMA*
14:40
7 Báthory Erzsébet
Electric Guitar, Tubular Bells, Cymbal [Cymbals], GongOren Ambarchi
Synthesizer [Virus]Count Von Schneeberger*
Vocals [Calls From Beyond The Grave], Lyrics ByMalefic (2)
15:59

Companies, etc.

  • Recorded AtThe Sanctuary, Banning, CA
  • Recorded AtDonner & Blitzen Studios
  • Recorded AtJerker House
  • Mixed AtDonner & Blitzen Studios
  • Mixed AtBig Jesus Burger Studios
  • Mastered AtCapitol Mastering
  • Pressed ByMPO

Credits

  • Art Direction [O)))]Stephen O'Malley
  • Cover [Cover Illustration]Jo Ratcliffe
  • Guest [Very Special Guest]Wrest
  • Mastered ByMark Chalecki
  • Mixed BySunn O)))
  • Mixed By [Ambarchi Pieces - Overdubs & Mixing]Chris Townend
  • Other [Robes]Liz O'Malley
  • PerformerStephen O'Malley
  • ProducerO)))*
  • Recorded By [Ambarchi Pieces]Oren Ambarchi
  • Recorded By [Initial Tracks]Reedo
  • Recorded By [Primary Tracks]Count Von Schneeberger*
  • Typography [Text]Seldon Hunt

Notes

"Maximum Volume Yields Maximum Results"

Initial tracks recorded 09/04 & 11/04 at the Sanctuary.
Primary tracks recorded 05/05 at Donner-Blitzen, mixed 05/05 at Donner-Blitzen.
Ambarchi pieces recorded at Jerker House, overdubs and mixing at BigJesusBurger 06/05.
Assembled at Donner-Blitzen 07/05.
Additional 1-tracking on Wrest & Malefic's machines early 05.

Track 3 originally recorded by Immortal.
"It Took The Night To Believe" lyrics written 2003.
"Cursed Realms (Of The Winterdemons)" lyrics written 1996.
"CandleGoat" lyrics written 1991.
"Báthory Erzsébet" lyrics written 2003.

Track times on sleeve are slightly out.

First catalog number on spine, second catalog number on disc.
The "50" in the catalog number is raised above the baseline of "SUNN", both on spine and on disk.

Barcode and Other Identifiers

  • Barcode (Sticker on jewel case): 8 08720 00502 8
  • Matrix / Runout (Variant 1, 2): CA SUNN50 @@@@ 09/14/05 01:05:19 PM
  • Mastering SID Code (Variant 1, 2): IFPI L036
  • Mould SID Code (Variant 1): IFPI 122D
  • Mould SID Code (Variant 2): IFPI 1263

Other Versions (5 of 28)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Black One (2×LP, Album, Limited Edition, Black/Grey Swirl) Southern Lord SUNN50 US 2005
Recently Edited
Black One (2×CD, Album, Limited Edition, Numbered) Southern Lord SUNN50, SUNN50.5 US 2005
Black One (CD, Album, Promo) Southern Lord sunn50 US 2005
Recently Edited
Black One (2×LP, Album, Limited Edition, Grey Transparent) Southern Lord SUNN50 US 2005
Recently Edited
Black One (2×LP, Album, Limited Edition, 180 Gram) Southern Lord SUNN50 US 2005

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Reviews

  • evrosolo's avatar
    evrosolo
    Anyone willing to trade me an LP release of this record? Totally let me know.
    • enfantterrible's avatar
      enfantterrible
      Edited 6 years ago
      Love hate relationships demark an indisoluble conflict of self interests, when some things are likeable but at the same time undesirable, when this happens there are only two options, to deal with the difficulty implied in the ambiguity or else to retire altogether from trying it. That's where Sunn o))) exists. In a difficult relationship with the listener. Whereas these listeners represent the judging minority, not the fanatic majority.

      Sunn O))) base it's fame in two basic premises, technology and snobism.
      Technological freaks adore their use for multiple exotic amps, pedal effects, preamps, filters and so on while snobs love to simply talk shit about how unique their music or low frequencies are.

      The truth lies somewhere else.
      Sunn O))) didn't invent or revolted anything. All they have done is a great marketing of well studied logo brand, graphic art designs, Guinea pig experiments with sound engineering and combination with other recognized bands. Beyond that their music in general and this album in particular are superfluous.

      Black one is an album that is not new in any regard and it's absolutely overrated.
      When comparing this to a drone classic such as Earth 2 - special low frequency version no one can't deny the purity and superiority from such album in comparison to this.

      In Black One the drones never truly become more than a lost conundrum of guitar noise, broken riffs and nasty vocals that obliterate in perpetual motion the rather insipidity each track delivers.
      I'm comparing this album with Earth's classic debut because on Earth you can follow the ecstatic quality from pure drone with no further combustion, the violence of the low frequency manifesting its dominance and thickness.

      Sunn O))) have never achieved anything like this, and in this particular album that is abundantly clear again. This album qualities get lost in the love hate synergy delivered for its receptor. For one expecting the brutal vibration of viscera, black one only deliver that as a mild quality because as the noise and the reverberation mudds the low frequencies the delight from the drone power lose its continuity and thus never truly appreciated.
      Added vocals are simply put, regurgitations from boring black metal that add nothing but dull cacophonies to the experience.

      I heard some hipster praying on this album something like: "Black one" is made to feel more than anything. Yeah, people into noise makes similar statements, though that doesn't change it is music limited for else the divertment of discerning technologies employed or circumvent the inanity with empty discourse as only a diletant does.

      Sunn O))) in general and this album in particular has something that is never likeable, or when it is appealing rapidly lose its charm. That's a a quality that I have heard in many people that criticise the band. There is something that continously breaks and spins out, rather erupts and transform the epic drone submersion ecstasy into constant coitus interruptus kind of experience.
      A pleasure that never fully develops and realizes. Press the eject and abort.
      • XelaWeeks's avatar
        XelaWeeks
        Above and beyond their best work. Dark, twisted, and anxious especially for a Drone record. A good entry point into both Drone Metal and Sunn O)))s discography.

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