Bright Eyes – I'm Wide Awake, It's Morning
Label: |
Saddle Creek – LBJ-72 |
|---|---|
Format: |
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Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Indie Rock |
Tracklist
| A1 | At The Bottom Of Everything | |
| A2 | We Are Nowhere And It's Now | |
| A3 | Old Soul Song (For The New World Order) | |
| A4 | Lua | |
| A5 | Train Under Water | |
| B1 | First Day Of My Life | |
| B2 | Another Travelin' Song | |
| B3 | Land Locked Blues | |
| B4 | Poison Oak | |
| B5 | Road To Joy |
Companies, etc.
- Recorded At – Presto! Recording Studios
- Mixed At – Presto! Recording Studios
- Lacquer Cut At – AcousTech Mastering
- Mastered At – Studio B, Omaha, NE
- Mastered At – Record Technology Incorporated – 12438
Credits
- Artwork [Patchwork] – Zack Nipper
- Bass – Tim Luntzel (tracks: A1, A3, B1 to B3)
- Drums – Jason Boesel (tracks: A2, A3, A5, B2, B4)
- Guitar – Jesse Harris (tracks: A1, A2, A5, B1 to B3)
- Guitar, Voice – Conor Oberst
- Lacquer Cut By – KPG*
- Layout – Jadon Ulrich
- Mandolin, Guitar [Pedal Steel], Guitar [12 String] – Mike Mogis (tracks: A1 to A3, A5, B2, B4, B5)
- Mastered By – Doug Van Sloun
- Piano, Organ, Piano [Rhodes], Vibraphone – Nick White (tracks: A2, A3, A5, B2 to B5)
- Recorded By, Mixed By – Mike Mogis
- Trumpet – Nate Walcott (tracks: A2, A3, B3, B5)
Notes
180 gram virgin vinyl.
Early pressings (2005-2006) had a die cut silver foil sticker shaped like a ribbon that advertising 180 gram vinyl. Small rectangular paper sticker with band name, title, and release info (no barcode on sticker). Both on outer wrap. Very first pressing included a Winter 2003-04 Saddle Creek catasert.
Middle pressings (2007-2010) had a rectangular silver foil sticker advertising 180 gram vinyl and MP3 . Small rectangular paper sticker with band name, title, and release info (no barcode on sticker). Both on outer wrap. Includes MP3 card.
Later pressings (2011-) have no foil sticker on outer wrap, just a rectangular paper sticker (with barcode) that states band name, title, and s 180 gram vinyl, MP3 .
Includes a 4- folded lyric/artwork insert.
Lacquer cutting credits are identified in runout etchings.
Early pressings (2005-2006) had a die cut silver foil sticker shaped like a ribbon that advertising 180 gram vinyl. Small rectangular paper sticker with band name, title, and release info (no barcode on sticker). Both on outer wrap. Very first pressing included a Winter 2003-04 Saddle Creek catasert.
Middle pressings (2007-2010) had a rectangular silver foil sticker advertising 180 gram vinyl and MP3 . Small rectangular paper sticker with band name, title, and release info (no barcode on sticker). Both on outer wrap. Includes MP3 card.
Later pressings (2011-) have no foil sticker on outer wrap, just a rectangular paper sticker (with barcode) that states band name, title, and s 180 gram vinyl, MP3 .
Includes a 4- folded lyric/artwork insert.
Lacquer cutting credits are identified in runout etchings.
Barcode and Other Identifiers
- Barcode: 648401007213
- Matrix / Runout (Side A, etched): LBJ-72-A KPG@ATM 12438.1(2)
- Matrix / Runout (Side B, etched): LBJ-72-B KPG@ATM 12438.2(2)
Other Versions (5 of 18)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
|
I'm Wide Awake, It's Morning (CD, Album) | Saddle Creek Europe | SCE72CD | UK | 2005 | ||
|
Recently Edited
|
I'm Wide Awake, It's Morning (CD, Album) | Saddle Creek | LBJ-72 | US | 2005 | ||
| I'm Wide Awake, It's Morning (LP, Album) | Saddle Creek Europe | SCE 72V | Europe | 2005 | |||
|
Recently Edited
|
I'm Wide Awake, It's Morning (CD, Album, Promo) | Saddle Creek Europe | SCE-72PR | Europe | 2005 | ||
|
Recently Edited
|
I'm Wide Awake, It's Morning (CD, Album, CD, EP) | Sideout Records | VSO-0013 | Japan | 2005 |
Recommendations
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2002 USVinyl —LP, Album -
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Reviews
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I own both this version and the 2016 remaster and I’m having a hard time deciding which I like more. They both sound absolutely wonderful and you really can’t go wrong with either but there are some noticeable differences. The original press is mastered a little quieter, you’ve gotta crank it up a little but it sounds very natural and how I’ve come to know the album.
The 2016 remaster is undoubtedly the better copy sonically, there’s more space between the instruments and it absolutely explodes out of the speakers, up there with some of the best sounding records in my collection. You can close your eyes and visualize yourself in the room with the band, yet the sound feels a little forced to me. It’s a little overly bright and loud, and I get some distortion at high frequencies on my copy. That said, there are 2 different listening experiences for however you want to enjoy this masterpiece.
If you want a laid back natural listen, check out this 2005 release. If you want to find out just how incredible the mixing on this album can sound, go for the 2016 release. I think I’m going to keep both, because personally I doubt I’m ever going to get tired of these 10 songs. What a masterpiece. -
There’s definitely more pressings in between ‘05 and ‘16. Mine has a catalog for 2014 and came with the CD. Also, one track on my copy has a skip or a jump, depending on the VTF. -
Mine is same as this post but came with a folded poster for TV On The Radio Dear Science on one side and Conor Oberst self title solo album . -
I had this thumbtacked through the spindle on my wall for years before i even owned a record palyer--my love of music came before my respect to records themselves lmao. -
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Great sound on this pressing, considering a lot of stuff pressed during this period is of questionable quality. The songwriting and lyrics are just fantastic. Oberst strikes me as a modern day Dylan. The music is really timeless. -
Release
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