System 7 – 777
Label: |
Weird And Unconventional Records – BF LCD 1 |
---|---|
Format: |
CD
, Album
|
Country: |
UK |
Released: |
|
Genre: |
Electronic |
Style: |
Ambient |
Tracklist
1 | 7:7 Expansion | 9:31 | |
2 | A Cool Dry Place | 8:18 | |
3 | Desir (Ghost Mix) | 7:47 | |
4 | On The Seventh Night | 7:32 | |
5 | Sinbad | 8:02 | |
6 | Ship Of The Desert | 9:46 | |
7 | Faydeaudeau | 7:23 |
Companies, etc.
- Licensed To – Big Life Records
- Phonographic Copyright ℗ – Weird And Unconventional Records
- Copyright © – Big Life Records
- Published By – E.G. Music
- Published By – BMG Music
- Published By – Copyright Control
- Published By – Orb Music
- Published By – Big Life Music
- Glass Mastered At – PDO, UK – 10222921
- Pressed By – Mayking Records
Credits
- Coordinator [Coordinated By] – Debbie Kempson
- Design, Art Direction – David James Associates
- Management – Steve Lewis (9)
- Performer [The Core Of System 7 Are] – Steve Hillage
- Photography By – Trevor Key
- Recorded By [Assited By] – Scruff
- Written-By – T.Thorpe* (tracks: 1)
Notes
Packaged in a standard jewel case with an 8-page booklet and fold-out reply card. Track durations are not printed on the release.
Track 1: Published by EG Music/BMG Music/Copyright Control.
Tracks 2 and 3: Published by Orb Music/Big Life Music/Copyright Control.
Track 4 to 7: Published by Copyright Control.
Recorded in September 1992 at Butterfly Studios.
Management at The Chrysalis Building, Bramley Road, London W1o 6SP.
The copyright in this sound recording is owned by Weird and Unconventional Records and is licensed to Big Life Records for the World.
℗1992 Weird and Unconventional Records
©1993 Big Life Records
Made in England
Track 1: Published by EG Music/BMG Music/Copyright Control.
Tracks 2 and 3: Published by Orb Music/Big Life Music/Copyright Control.
Track 4 to 7: Published by Copyright Control.
Recorded in September 1992 at Butterfly Studios.
Management at The Chrysalis Building, Bramley Road, London W1o 6SP.
The copyright in this sound recording is owned by Weird and Unconventional Records and is licensed to Big Life Records for the World.
℗1992 Weird and Unconventional Records
©1993 Big Life Records
Made in England
Barcode and Other Identifiers
- Barcode (Scanned): 5025055800011
- Barcode (Text): 5 025055 800011
- Matrix / Runout: MAYKING RECORDS BFLCD1 10222921 01 %
- Label Code: LC 6816
Other Versions (5 of 12)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
777 (2×LP, Album) | Big Life | BFLLP1, BFLLP 1 | UK | 1993 | |||
Recently Edited
|
777 (Cassette, Album) | Big Life | BFLMC 1 | UK | 1993 | ||
Recently Edited
|
777 (CD, Album) | Big Life | 519 172-2 | Europe | 1993 | ||
New Submission
|
777 (Cassette, Album) | Big Life | 5191724 | Netherlands | 1993 | ||
New Submission
|
777 (LP, Advance, Album, Test Pressing, White Label, Stereo) | Big Life | BFLLP1 | UK | 1993 |
Recommendations
Reviews
-
Worth owning just for the track Ship Of The Desert. Pure downtempo ambient percussive music running down the quiet stream with glissando guitar and synthy swirls. A departure from the debut which IMHO didnt capture the depth of moods the collaboration was capable of.
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Edited 2 years agoA big change from the first System 7 album that was like a hybrid between dance pop and "proper" electronic music. This album luckily leaves all dance pop behind. Very much a blueprint for the Planet Dog label, it was released a couple of months before the first Eat Static album.
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Edited 5 years agoIt’s one of those albums I keep revisiting. Obviously the orb connection is strong as well as the contributions from other respected luminaries. It still sounds fresh and inventive but not entirely great, which I like.
It’s like a sweet treat that you’re just not sure if you like it or not, but it’s “moreish” like those evil marketing people would say.
The artwork’s lovely as are the noises. Even the weird clucking in 7:7 Expansion doesn’t sound too ridiculous.
I keep reading it’s ambient, it’s psychedelic noodles. It’s not, to me it tech-trance, like Goa Trance filtered through a prism of Techno stripped down to the basics.
Obviously there are ambient moments, but practically every electronic producer sneaks an ambient track on an LP, especially as a closer. Putting wings on a bus doesn’t make it a butterfly.
Before this they were pop music gone astray. After this they were still capable of greatness (check out Sirenes especially its Garnier remix or the legendary 20 minute Plastikman version of Alpha Wave) but too much twaddle as well.
Love it.
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