The SmithsThe Queen Is Dead

Label:

Rough Trade – 1-25426

Format:

Vinyl , LP, Album , ARC Pressing

Country:

US

Released:

Genre:

Pop

Style:

Jangle Pop

Tracklist

A1 The Queen Is Dead (Take Me Back To Dear Old Blighty (Medley))
Written-By [Take Me Back To Dear Old Blighty]Godfrey*
6:23
A2 Frankly, Mr. Shankly
EngineerJohn Porter
2:17
A3 I Know It's Over 5:48
A4 Never Had No One Ever 3:36
A5 Cemetry Gates 2:39
B1 Bigmouth Strikes Again
Backing VocalsAnn Coates
3:12
B2 The Boy With The Thorn In His Side 3:15
B3 Vicar In A Tutu 2:21
B4 There Is A Light That Never Goes Out 4:02
B5 Some Girls Are Bigger Than Others 3:14

Companies, etc.

  • Licensed FromRough Trade
  • Marketed ByWarner Bros. Records Inc.
  • Record CompanyWarner Communications
  • Phonographic Copyright ℗Sire Records Company
  • Copyright ©Sire Records Company
  • Pressed ByAllied Record Company – B-23803
  • Pressed ByAllied Record Company – B-23804
  • Published ByMorrissey / Marr Songs, Ltd.
  • Mastered AtSheffield Lab Matrix – △12791

Credits

  • BassAndy Rourke
  • DrumsMike Joyce
  • EngineerStephen Street
  • Guitar, Harmonium, Arranged By [Strings]Johnny Marr
  • LayoutCaryn Gough
  • Lead Vocals, SleeveMorrissey
  • Model [Cover Star]Alain Delon
  • Music ByJohnny Marr
  • Orchestrated ByThe Hated Salford Ensemble
  • ProducerMorrissey
  • Words ByMorrissey

Notes

Take Me Back To Dear Old Blighty © B.Feldman/EMI Music.
Cicely Courtneidge recording courtesy of Thorn EMI Elstree Studios Ltd.
Recorded in England, Winter 1985.
Cover star Alain Delon photos © 1965 Metro-Goldwyn-Mayer Inc.

Sire Records Company, 3 East 54th Street, New York, New York 10022. Marketed by Warner Bros. Records Inc., a Warner Communications Company.
© 1986 Sire Records Company
℗ 1985, 1986 Sire Records Company
Made in U.S.A.

Gatefold sleeve. Issued with a printed inner sleeve.

'ɑ' in runouts denotes Allied Record Company.

Barcode and Other Identifiers

  • Barcode (Text): 0 7599-25426-1
  • Barcode (Scanned): 075992542616
  • Matrix / Runout (Runout Side A [Etched]): 1 25426 A SH2 ɑ B-23803-SH2 ∆12791 1-1
  • Matrix / Runout (Runout Side B [Etched]): 1 25426B SH2 ɑ B-23804-SH2 ∆12791-X 1-1

Other Versions (5 of 232)

View All
Title (Format) Label Cat# Country Year
Recently Edited
The Queen Is Dead (LP, Album, Gatefold) Rough Trade MD 7961 Benelux 1986
Recently Edited
The Queen Is Dead (LP, Album, Gatefold) Rough Trade 70 444, 70444 1986
Recently Edited
The Queen Is Dead (LP, Album, Gatefold, Pink Spine Lettering) Rough Trade 92 54261 Canada 1986
Recently Edited
The Queen Is Dead (LP, Album, EMI Records Pressing, Gatefold) Rough Trade ROUGH 96 UK 1986
Recently Edited
The Queen Is Dead (LP, Album, Gatefold) Rough Trade 610.7082, 39.003 Brazil 1986

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Reviews

  • garysdad's avatar
    garysdad
    My copy of this record has a gold promotional stamp on the front and came enclosed with a slip of paper that says "INSPECTED BY #13".
    • MEllODrOnE's avatar
      MEllODrOnE
      Edited 4 years ago
      Not a big fan of the Smiths US Sire pressings. For the most part they’ll do. But they lack the clarity and definition I hear in the UK Rough Trade releases. The Sire pressing of this album doesn’t necessarily lack low end, the bass sounds really good at times but it can become easily buried in the mix along with the guitar. The vocals are also not as pronounced and blend and sound very cold and hollow. The soundstage is more narrow and direct and not as open as in the UK releases. The Sire’s end up sounding like victims of sterile 80s production techniques. Some records just weren’t mastered for vinyl properly in the age of the CD and unfortunately this is one of them. It’s not horrible though at all let me say that though too. I wonder if the Smiths LPs sold well in the US back then or if most people just bought the CDs. If most people just bought the CDs then why would the label put a lot of work into the vinyl? The inner sleeves on the Sire release are also paper while the UK releases are a nice thick stock. I think the UK releases are just better quality all around and have better bass definition and more robust dimensional qualities to the music. I try to seek out the original UK Rough Trades whenever possible.

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