Patsy Cline – Imagine That: The Lost Recordings (1954-1963)
Label: |
Elemental Music – DD-006 |
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Format: |
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Country: |
USA & Europe |
Released: |
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Genre: |
Folk, World, & Country |
Style: |
Country |
Tracklist
A1 | A Long, Long Ride | |
A2 | The Wrong Side Of Town | |
A3 | I've Loved And Lost Again | |
A4 | Walkin' After Midnight | |
A5 | A Poor Man's Roses | |
A6 | I Don't Wanta | |
A7 | You Win Again | |
A8 | That Lonesome Valley | |
A9 | Old Lonesome Time | |
A10 | Waltz Of The Angels | |
B1 | Let The Teardrops Fall | |
B2 | Yes, I Understand | |
B3 | Dear God | |
B4 | I Don't Wanta | |
B5 | Have I Told You Lately That I Love You | |
B6 | Come On In | |
B7 | Let's Go To Church | |
B8 | Lovesick Blues | |
B9 | Winter Wonderland | |
B10 | Let It Snow! Let It Snow! Let It Snow! | |
B11 | Gotta Lot Of Rhythm In My Soul | |
B12 | I'm Hog-Tied Over You | |
B13 | How Can I Face Tomorrow | |
C1 | Lovesick Blues | |
C2 | Crazy Dreams | |
C3 | There He Goes | |
C4 | Loose Talk | |
C5 | Don Gibson & T. Tommy Introduction | |
C6 | Nobody But You | |
C7 | Come On In | |
C8 | I Fall To Pieces | |
C9 | Lovin' In Vain | |
C10 | I Love You So Much It Hurts | |
C11 | San Antonio Rose | |
C12 | Crazy | |
C13 | Patsy Thanks Her Audience | |
C14 | Who Can I Count On | |
D1 | I Fall To Pieces | |
D2 | Fool #1 | |
D3 | She's Got You | |
D4 | Seven Lonely Days | |
D5 | When I Get Thru With You | |
D6 | Imagine That | |
D7 | Bill Bailey, Won’t You Please Come Home | |
D8 | ( Me) I’m The One Who Loves You | |
D9 | Someday You'll Want Me To Want You | |
D10 | Just A Closer Walk With Thee | |
D11 | May The Good Lord Bless And Keep You | |
D12 | Jimmy Dean Introduces Patsy Cline | |
D13 | Walkin' After Midnight | |
D14 | Jimmy Dean & Patsy Cline Talk | |
D15 | Life's Railway To Heaven |
Companies, etc.
- Licensed From – Country Music Hall Of Fame And Museum
- Licensed From – Grand Ole Opry
- Engineered At – Starlight Sound (2)
- Engineered At – Plangent Processes
- Engineered At – Quad Tape Transfer
- Engineered At – Endpoint Audio Labs, Inc.
- Engineered At – Country Music Hall Of Fame And Museum
- Engineered At – Grand Ole Opry
- Lacquer Cut At – The Mastering Lab, Inc
Credits
- Art Direction – John Sellards
- Curated By, Booklet Editor, Interviewer, Programmed By, Producer, Liner Notes – George Hewitt (3)
- Engineer – Charlie Tallent (tracks: D9, D10)
- Executive-Producer – Jordi Soley
- Executive-Producer, Liner Notes – Julie Fudge
- Lacquer Cut By – Matthew Lutthans
- Legal – Joel Weinstein
- Liner Notes – k.d. lang
- Mastered By – John K. Chester
- Mastered By, Restoration, Producer, Liner Notes, Photography – Dylan Utz
- Mixed By – Lacy O'Neal (tracks: D8)
- Photography By – Walden S. Fabry Studios
- Producer – Zak Shelby-Szyszko
- Producer, Liner Notes – Zev Feldman
- Recorded By – Norman Phelps (tracks: B5)
- Restoration – Plangent Processes (tracks: A5, A8, A9, B2, B3, B5, B6, B9, B10, B11, C13, C14, D1, D2, D8, D9, D10, D11, D12, D13, D14)
- Transferred By – Nick Bergh (tracks: B9)
- Vocals – Patsy Cline
Notes
Made in EU
Barcode and Other Identifiers
- Barcode: 8 435395 504697
- Matrix / Runout (Side A): DD-006A 2130418 295382E1 TML-M MCL
- Matrix / Runout (Side B): 2139856 02171480 295382E2 DD-006-B2 TML-M MCL
- Matrix / Runout (Side C): DD-006-C2 2147280 295382E3 02160713 TML-M MCL
- Matrix / Runout (Side D): 2130416 02161089 295382E4 DD-006D TML-M MCL
Other Versions (2)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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New Submission
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Imagine That: The Lost Recordings (1954-1963) (2×CD, Album) | Elemental Music | DD-005 | US | 2025 | ||
New Submission
|
Imagine That: The Lost Recordings (1954-1963) (52×File, FLAC, Album, 24-bit, 96 kHz) | Elemental Music | none | US | 2025 |
Recommendations
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2023 WorldwideLP, Album, Record Store Day, Reissue
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2025 WorldwideLP, Record Store Day, Compilation, Limited Edition
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2023 WorldwideLP, Album, Record Store Day, Compilation, Mono
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2020 USA & EuropeLP, Album, Reissue, Remastered, Stereo
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Reviews
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I prefer this live/ stripped versions on side 3-4. these are best sounding, even a Sam Phillips recording from Nashville is here. Nice booklet too.
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Edited 26 days agoI have to say as a huge Patsy fan I am over the moon with this release. In fact for me, it is the best RSD release in years. It's nicely presented and the booklet is great. I've been collecting Patsy albums on vinyl since the early 1990s and I've come across some terrible sounding pressings in that time that don't do Patsy's voice, and the music behind it, any justice at all. This compilation of lost recordings which have never been pressed on vinyl before sound amazing. Some of these songs such as Have I Told you Lately That I Love You, and the duet Let's Go to Church, I've never heard before, so it's all new and even some of the classic Patsy tunes such as Yes, I Understand, can be heard in a different style for the first time too. It's like discovering her for the first time all over again. It's magical to have some new Patsy material 62 years after her untimely departure from the world. I can't understand why more people were not focused on this release in the lead up to RSD but I can understand how it's commanding the high prices on Discogs that it is. R.I.P Patsy.
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Wonderful release, incredible insert, sounds amazing on my little system. The first track had me a little worried as it is questionably listenable due to the archival quality, but as you listen through the record it only highlights the progression of her career. Certainly one of my prized possessions :)
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This is amazing and they sound incredible considering the age of the recordings. This was a massive project with remastering engineers, Plangent processing, tape and acetate transfers, wow and flutter correction, Country Hall of Fame, Grand Ole Opry, and so many named in the credits. The vinyl is dead quiet, people are not aware that the "noise" is coming from the recordings and not the vinyl. This was a labor of love delivered by a large team of people who put ion into this project. We should be very grateful that so many people put time and love into this project, we are very lucky to have it in our hands.
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Edited one month agoAwesome collection of lost recordings. There is some noise in the recordings but the pressing is fine.
For example, it’s noted in the included booklet that the first two tracks, which do feature some very noticeable noise, are sourced from “a 78 rpm WARL acetate from this period, but the performances may have been taped by late 1953.”
Set your expectations appropriately for a collection of lost recordings from the 50s and early 60s and I don’t think you’ll be disappointed. -
Edited one month agoThis is a super noisy pressing. I am pretty disappointed. Save your money for the repress and let the scalpers have 'em.
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