Peter Gabriel – I/O
Tracklist
| Bright-Side Mix | |||
| A1 | Panopticom | ||
| A2 | Playing For Time | ||
| A3 | The Court | ||
| B1 | Four Kinds Of Horses | ||
| B2 | I/O | ||
| B3 | Love Can Heal | ||
| C1 | Road To Joy | ||
| C2 | So Much | ||
| C3 | Olive Tree | ||
| D1 | This Is Home | ||
| D2 | And Still | ||
| D3 | Live And Let Live | ||
| Dark-Side Mix | |||
| E1 | Panopticom | ||
| E2 | Playing For Time | ||
| E3 | The Court | ||
| F1 | Four Kinds Of Horses | ||
| F2 | I/O | ||
| F3 | Love Can Heal | ||
| G1 | Road To Joy | ||
| G2 | So Much | ||
| G3 | Olive Tree | ||
| H1 | This Is Home | ||
| H2 | And Still | ||
| H3 | Live And Let Live | ||
| Bright-Side Mix | |||
| CD1-1 | Panopticom | ||
| CD1-2 | The Court | ||
| CD1-3 | Playing For Time | ||
| CD1-4 | I/O | ||
| CD1-5 | Four Kinds Of Horses | ||
| CD1-6 | Road To Joy | ||
| CD1-7 | So Much | ||
| CD1-8 | Olive Tree | ||
| CD1-9 | Love Can Heal | ||
| CD1-10 | This Is Home | ||
| CD1-11 | And Still | ||
| CD1-12 | Live And Let Live | ||
| Dark-Side Mix | |||
| CD2-1 | Panopticom | ||
| CD2-2 | The Court | ||
| CD2-3 | Playing For Time | ||
| CD2-4 | I/O | ||
| CD2-5 | Four Kinds Of Horses | ||
| CD2-6 | Road To Joy | ||
| CD2-7 | So Much | ||
| CD2-8 | Olive Tree | ||
| CD2-9 | Love Can Heal | ||
| CD2-10 | This Is Home | ||
| CD2-11 | And Still | ||
| CD2-12 | Live And Let Live | ||
| In-Side Mix | |||
| BD-1 | Panopticom | ||
| BD-2 | The Court | ||
| BD-3 | Playing For Time | ||
| BD-4 | I/O | ||
| BD-5 | Four Kinds Of Horses | ||
| BR-6 | Road To Joy | ||
| BD-7 | So Much | ||
| BD-8 | Olive Tree | ||
| BD-9 | Love Can Heal | ||
| BD-10 | This Is Home | ||
| BD-11 | And Still | ||
| BD-12 | Live And Let Live | ||
| Bright-Side Mix | |||
| BD-13 | Panopticom | ||
| BD-14 | The Court | ||
| BD-15 | Playing For Time | ||
| BD-16 | I/O | ||
| BD-17 | Four Kinds Of Horses | ||
| BD-18 | Road To Joy | ||
| BD-19 | So Much | ||
| BD-20 | Olive Tree | ||
| BD-21 | Love Can Heal | ||
| BD-22 | This Is Home | ||
| BD-23 | And Still | ||
| BD-24 | Live And Let Live | ||
| Dark-Side Mix | |||
| BD-25 | Panopticom | ||
| BD-26 | The Court | ||
| BD-27 | Playing For Time | ||
| BD-28 | I/O | ||
| BD-29 | Four Kinds Of Horses | ||
| BD-30 | Road To Joy | ||
| BD-31 | So Much | ||
| BD-32 | Olive Tree | ||
| BD-33 | Love Can Heal | ||
| BD-34 | This Is Home | ||
| BD-35 | And Still | ||
| BD-36 | Live And Let Live |
Companies, etc.
- Phonographic Copyright ℗ – Peter Gabriel Ltd.
- Copyright © – Peter Gabriel Ltd.
- Published By – Real World Music Ltd.
- Published By – Sony Music Publishing
- Recorded At – Real World Studios
- Recorded At – The Beehive
- Recorded At – British Grove
- Recorded At – High Seas Studios
- Recorded At – Alfvénsalen
- Recorded At – The Copper House
- Recorded At – Rexall Place
- Recorded At – Artesuono Recording Studio
- Mastered At – Metropolis Mastering
- Pressed By – Schallplattenfabrik Pallas GmbH – 61972
- Pressed By – Schallplattenfabrik Pallas GmbH – 61973
- Pressed By – Schallplattenfabrik Pallas GmbH – 61523
- Pressed By – Schallplattenfabrik Pallas GmbH – 61524
- Manufactured By – Optimal Media GmbH – AN04756
- Manufactured By – Optimal Media GmbH – AN04757
- Manufactured By – Optimal Media GmbH – EN08607
Credits
- Artwork [A Small Painting Of What I Think Love Looks Like] – Antony Micallef
- Artwork [Additional Artwork] – Derek Edwards (5)
- Artwork [And Still (Time)] – Megan Rooney (2)
- Artwork [Chroniques Avec La Nature] – Barthélémy Toguo
- Artwork [Colour Experiment No. 114] – Olafur Eliasson
- Artwork [Conexión De Catedral II] – David Moreno (16)
- Artwork [Mes Voeux Avec Nos Cheveux] – Annette Messager
- Artwork [Middle Finger In Pink] – Ai Weiwei
- Artwork [Red Gravity] – David Spriggs*
- Artwork [Snap] – Cornelia Parker
- Artwork [Somewhere Over Mercia] – Henry Hudson (5)
- Artwork [Soundsuit] – Nick Cave (3)
- Artwork [The Burning Of Lifting The Curse] – Tim Shaw (12)
- Design Concept – Peter Gabriel
- Engineer [Additional Engineering By] – Stefano Amerio (tracks: D3, H3, CD1-12, CD2-12, BD-12, BD-24, BD-36)
- Engineer [Assistant Engineering By] – Faye Dolle
- Engineer [Engineering By] – Oli Jacobs
- Engineer [Orchestral Assistant Engineering By] – Tom Coath
- Engineer [Orchestral Engineering By] – Lewis Jones
- Engineer [Pre-production Engineering And Development By] – Richard Chappell
- Graphic Design – Marc Bessant
- Lacquer Cut By – Matt*
- Mastered By – Matt Colton
- Mixed By [Bright-Side Mix By] – Mark 'Spike' Stent* (tracks: A1 to D3, CD1-1 to CD1-12, BD-13 to BD-24)
- Mixed By [Dark-Side Mix By] – Tchad Blake (tracks: E1 to H3, CD2-1 to CD2-12, BD-25 to BD-36)
- Mixed By [In-Side Mix: 3D Audio Sound Treatments And Dolby Atmos Mix By] – Hans-Martin Buff (tracks: BD-1 to BD-12)
- Photography By [Back Cover Photography Courtesy Of] – NASA/JPL/University Of Arizona*
- Photography By [Portrait Photography] – Nadav Kander
- Photography By [The Burning Of Lifting The Curse] – Steve Tanner (3)
- Producer [Produced By] – Richard Russell (tracks: B1, F1, CD1-5, CD2-5, BD-5, BD-17, BD-29)
- Recorded By [Dolby Atmos Additional Recording Assistance By] – Louis Rogove (tracks: BD-5, BD-9)
- Words By, Music By – Peter Gabriel
Notes
The box set includes:
-an orange OBI strip
-a 12'' 56-page hardback book
-a 60cm x 90cm poster
-a green bookmark with a code for 16/24-bit Bright-Side and Dark-Side Mixes
The CDs and the Blu-ray are inserted into pockets integrated into the inner back cover of the book.
Artwork on the outer box is printed with iridescent silver foil.
LP 1+2, CD1 and Blu-ray Audio (96kHz 24-bit Stereo) = Bright-Side Mix
LP 3+4, CD2 and Blu-ray Audio (96kHz 24-bit Stereo) = Dark-Side Mix
Blu-ray Audio (Dolby Atmos) = In-Side Mix
The 4 LPs are packaged each in a single cover.
The inner record sleeves are poly-lined plain white (LP 1+2) and black (LP 3+4) paper.
Different track listing order between the LPs and the CDs / Blu-ray.
Runouts are all etched besides the hyphens and the Pallas catalog numbers, which are stamped.
On side D of LP2 the A is ”overwritten” by the D.
-an orange OBI strip
-a 12'' 56-page hardback book
-a 60cm x 90cm poster
-a green bookmark with a code for 16/24-bit Bright-Side and Dark-Side Mixes
The CDs and the Blu-ray are inserted into pockets integrated into the inner back cover of the book.
Artwork on the outer box is printed with iridescent silver foil.
LP 1+2, CD1 and Blu-ray Audio (96kHz 24-bit Stereo) = Bright-Side Mix
LP 3+4, CD2 and Blu-ray Audio (96kHz 24-bit Stereo) = Dark-Side Mix
Blu-ray Audio (Dolby Atmos) = In-Side Mix
The 4 LPs are packaged each in a single cover.
The inner record sleeves are poly-lined plain white (LP 1+2) and black (LP 3+4) paper.
Different track listing order between the LPs and the CDs / Blu-ray.
Runouts are all etched besides the hyphens and the Pallas catalog numbers, which are stamped.
On side D of LP2 the A is ”overwritten” by the D.
Barcode and Other Identifiers
- Barcode (Scanned, UPC-A): 884108014547
- Barcode (Text): 8 84108 01454 7
- Matrix / Runout (Side A runout, variant 1): PGLP 21 A3 = MATT @ METROPOLIS = -61972- III
- Matrix / Runout (Side B runout, variant 1): PGLP 21 B3 -61972- III
- Matrix / Runout (Side C runout, variant 1): PGLP 21 C3 = MATT @ METROPOLIS = -61973-
- Matrix / Runout (Side D runout, variant 1): PGLP 21 A̶D3 -61973- IV
- Matrix / Runout (Side E runout, variant 1): PGLP X 21 A2 = MATT @ METROPOLIS = -61523- II
- Matrix / Runout (Side F runout, variant 1): PGLP X 21 B2 -61523- V
- Matrix / Runout (Side G runout, variant 1): PGLP X 21C2 = MATT @ METROPOLIS = -61524- V
- Matrix / Runout (Side H runout, variant 1): PGLP X 21 D2 -61524- I
- Matrix / Runout (Side A runout, variant 2): PGLP 21 A3 = MATT @ METROPOLIS = -61972- II
- Matrix / Runout (Side B runout, variant 2): PGLP 21 B3 -61972-
- Matrix / Runout (Side C runout, variant 2): PGLP 21 C3 = MATT @ METROPOLIS = -61973- II
- Matrix / Runout (Side D runout, variant 2): PGLP 21 A̶D3 -61973- IV
- Matrix / Runout (Side E runout, variant 2): PGLP X 21 A2 = MATT @ METROPOLIS = -61523- II
- Matrix / Runout (Side F runout, variant 2): PGLP X 21 B2 -61523- V
- Matrix / Runout (Side G runout, variant 2): PGLP X 21 C2 = MATT @ METROPOLIS = -61524- IV
- Matrix / Runout (Side H runout, variant 2): PGLP X 21 D2 -61524- II
- Matrix / Runout (CD1, variants 1, 2): [Universal logo] 0801475 [Universal logo] AN04756-01 manufactured by optimal media GmbH
- Mastering SID Code (CD1, variants 1, 2): IFPI L578
- Mould SID Code (CD1, variants 1, 2): IFPI 9757
- Matrix / Runout (CD2, variants 1, 2): [Universal logo] 0801477 [Universal logo] AN04757-01 manufactured by optimal media GmbH
- Mastering SID Code (CD2, variants 1, 2): IFPI L578
- Mould SID Code (CD2, variants 1, 2): IFPI 9746
- Matrix / Runout (BD, variants 1, 2): EN08607-01 0801474 manufactured by optimal media GmbH
- Mastering SID Code (BD, variants 1, 2): IFPI L579
- Mould SID Code (BD, variants 1, 2): IFPI 9758
Other Versions (5 of 13)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
I/O (12×File, FLAC, Album, 12×File, FLAC, Album, All Media, Stereo, 24-Bit, 96.0 kHz) | Real World Records | none | Worldwide | 2023 | ||
| I/O (CD, Album, Stereo, CD, Album, Stereo, Blu-ray, Blu-ray Audio, Album, Stereo, Multichannel) | Real World Records | PGCDBR21 | Europe | 2023 | |||
|
Recently Edited
|
I/O (2×CD, Album) | Real World Records | PGCD21, 884108013588 | Europe | 2023 | ||
|
New Submission
|
I/O (Dark-Side Mixes) (2×LP, Album, Gatefold) | Real World Records | PGLPX21 | Europe | 2023 | ||
| I/O (Bright-Side Mixes) (2×LP, Album, Gatefold) | Real World Records | PGLP21 | Europe | 2023 |
Recommendations
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2019 WorldwideVinyl —LP, Record Store Day, Compilation, Limited Edition, Numbered, Picture Disc, Stereo
Reviews
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Beautifully written and played by the musicians surrounding Peter. He keeps putting out amazing art. His voice sounds so good.
The lp’s sound incredible in the sounds coming through my speakers. The bass is clear and the mix doesn’t over power PG’s vocals. Loving this box set and the artwork outside and inside. So much to enjoy. -
Boy do I disagree with the reviews below - I waited for the box set to come out before buying the vinyl, and the Dark Side vinyl in particular is full of distortion and sibilance - and that's after a wet clean. I have a good stylus and a decent system. I would say 80% of the new pressings I buy have issues like this - very frustrating quality control isn't what it was in the 70s and 80s.
Onkyo thx-840 amp
Pioneer sp-fs52 floor standing
Pioneer Pro DJ PLX-1000 Direct Drive
Ortofon 2m Bronze cartridge
Sennheiser HD 560 over ear audiophile headphones -
This deluxe box set is incredible. Very well packaged. The 4 vinyl are quiet and amazing. But the Blu-ray Dolby Atmos mix is absolutely out of this world. I haven’t got to the CDs yet. I saw Peter on his 2023 i/o tour and really didn’t get into the i/o songs. But after listening to this album several times, I’m hooked. It made the wait for new PG music worth the wait! Don’t hesitate to buy the box set, especially if you have a high end system.
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First play of disc 1 side A: the intro to Panopticom was distorted for like 10 seconds. I ran a brush along the side several times, but no luck. So then I ran my fingertip along the edge and I guess removed the obstruction, because it now plays perfectly.
Aside from the initial panic, I am very happy with the quality and sound of this entire package. Dead quiet. They are in the room with me. -
Edited one year agoNow this is how to press a box set! Rigid beautiful outer box, gorgeous hardcover book with incredible artwork/artist descriptions, cd’s and Blu-ray in a pocket inside the book. 4 LPs in individual sleeves with poly lined fabric inner sleeves and LP’s pressed at Pallas that are just flawless. This was absolutely worth the wait!
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At least, after 18 years to wait these 12 beautiful songs.
Fine production, good pressing, fine soundscape.
Release
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Recently Edited
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