ポール・マッカートニー&ウイングス* – Band On The Run = バンド・オン・ザ・ラン
Tracklist
| A1 | Band On The Run = バンド・オン・ザ・ラン | 5:11 | |
| A2 | Jet = ジェット | 4:08 | |
| A3 | Bluebird = ブルーバード | 3:24 | |
| A4 | Mrs. Vandebilt = ミセス・ヴァンデビルト | 4:39 | |
| A5 | Let Me Roll It = レット・ミー・ロール・イット | 4:50 | |
| B1 | Mamunia = マムーニア | 4:47 | |
| B2 | No Words = ノー・ワーズ | 2:34 | |
| B3 | Picasso's Last Words (Drink To Me) = ピカソの遺言 | 5:46 | |
| B4 | Nineteen Hundred And Eighty Five = 西暦1985年 | 5:27 |
Companies, etc.
- Manufactured By – Toshiba EMI Ltd
- Licensed From – Capitol Records, Inc.
- Phonographic Copyright ℗ – MPL Communications Inc.
- Recorded At – EMI Studios Lagos
- Recorded At – EMI Studios
- Recorded At – ARC Studio, Lagos
- Published By – MPL Communications Inc.
- Published By – ATV Music Ltd.
Credits
- Design, Layout – Kaeding
- Engineer – Geoff Emerick
- Liner Notes [Lyrics Translation] – 落流鳥
- Performer – Paul McCartney
- Producer – Paul McCartney
- Saxophone [Solos] – Howie Casey
- Written-By – McCartney*
Notes
With obi, printed inner sleeve, 8-page insert featuring images with English & Japanese lyrics, and foldout poster.
Capitol and MPL logos at the bottom of obi, top-left corner of front cover, and labels.
℗ 1973 MPL Communications Inc.
Track durations are taken from the insert and differ slightly from those shown on other worldwide issues.
Capitol and MPL logos at the bottom of obi, top-left corner of front cover, and labels.
℗ 1973 MPL Communications Inc.
Track durations are taken from the insert and differ slightly from those shown on other worldwide issues.
Barcode and Other Identifiers
- Price Code (List price): ¥2,500
- Rights Society: JASRAC
- Matrix / Runout (Label A): YEX.929
- Matrix / Runout (Label B): YEX.930
- Matrix / Runout (Runout A, stamped,variant 1): YEX-929 1S4 1-8
- Matrix / Runout (Runout B, stamped,variant 1): YEX-930 1S3 2
- Matrix / Runout (Runout A, stamped,variant 2): YEX-929 2S2 3
- Matrix / Runout (Runout B, stamped,variant 2): YEX-930 1S3 14
- Matrix / Runout (Runout A, stamped,variant 3): YEX-929 2 S2 7 〄 10 -Y Z-1 34
- Matrix / Runout (Runout B, stamped,variant 4): YEX-930 1S3 10 〄
- Matrix / Runout (Runout A, stamped,variant 4): YEX-929 1S4 6 〄 98-Y-89
- Matrix / Runout (Runout B, stamped,variant 4): YEX-930 1S3 11 〄
- Matrix / Runout (Runout A, stamped,variant 5): YEX 929 1S2 30 〄 8-673
- Matrix / Runout (Runout B, stamped,variant 5): YEX 930 2S 〄
Other Versions (5 of 356)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Band On The Run (LP, Album, Stereo) | Apple Records | SO-3415 | US | 1973 | |||
| Band On The Run (LP, Album, Stereo, 1st Press) | Apple Records | PAS 10007, 0C 064 ○ 05503 | UK | 1973 | |||
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Recently Edited
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Band On The Run (LP, Album) | Apple Records | 2C 066 05503 | 1973 | |||
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Recently Edited
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Band On The Run (LP, Album) | Apple Records | 5C 062-05503 | Netherlands | 1973 | ||
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Recently Edited
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Band On The Run (LP, Album, Stereo) | Apple Records | PAS 10007 | New Zealand | 1973 |
Recommendations
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1976 JapanVinyl —LP, Album, Reissue, Stereo -
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Reviews
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Stumbled upon this for a couple hundred yen ($3-4) when I first starting picking up vinyls. Now it has become one of the standards by which I compare all other vinyls to. Quiet, clear, distinct rock vinyl sound from start to finish.
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This is one of the best-sounding records I have ever bought in my life! No exaggerations here, it made me increase my vinyl quality standards; it became my collection’s “reference record” - this is how vinyl can and should sound, and the record I always choose to play to friends when I want to “show off” how good records (can) sound.
Absolutely terrific pressing, it’s like Paul is in your living room. Dead quiet vinyl, and when the instruments play, you can hear each chord pluck and guitar strum with mind-blowing clarity (you can even feel the vibrato done by Paul’s fingers in the bass strings).
The separation between instruments/channels is VERY clear, with no surface noise whatsoever, but at the same time the sound is very full. Hard to put this in words, but for example, when you increase the volume, the mix does not become muffled or “agressive” to the ears, nor to your sound system; it’s still crystal clear, as if you were listening to the band recording this in the studio. An absolute, fantastic treat. Buy this NOW! -
This truely is a magnificent pressing of an album! Very silent, great highs and mids, bass is a bit lacking, but that's because japanese pressings are mostly like that. Vocals clear as day, great channel seperation and instrumentation sounds just perfect. If you had a dead silent clean record and played it on speakers, people would think McCartney and Wings are giving you a concert from the past. Absolutely fantastic!
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Sounds absolutely magnificent. Never heard a better version of this album-quiet, great seperation, and no hesitation on the bass.
Release
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