Tracklist
| Outside: | |||
| A1 | Need | ||
| A2 | Chain That Door | ||
| A3 | Mudride | ||
| Inside: | |||
| B1 | No One Has | ||
| B2 | If I Think | ||
| B3 | In 'N' Out Of Grace |
Companies, etc.
- Copyright © – Sub Pop
- Phonographic Copyright ℗ – Sub Pop
- Recorded At – Reciprocal Recording
- Lacquer Cut At – K Disc Mastering
- Mastered At – Greg Lee Processing – L-31537
Credits
- Bass Guitar – Matt Lukin
- Drums [Traps] – Dan Peters
- Guitar [Bigmuff], Effects [Bigmuff], Vocals – Steve Turner
- Photography By [Snaps] – Charles Peterson (4)
- Recorded By – Jack Endino
- Vocals, Guitar [Superfuzz], Effects [Superfuzz] – Mark Arm
Notes
Original pressing without barcode.
First 1,000 of this black vinyl pressing include a folded poster insert, measuring 17" wide by 11.5" tall when opened. Those copies with poster also show lighter printing to the cover, most easily identified on the back cover where there is an easily seen curved line between the black background of the text at top and the dark background of the live photo beneath it. On later copies of this pressing -- which have otherwise identical vinyl -- the contrast between these backgrounds is minimal and it reads more like an all-black background. Some later pressings (1990s colored vinyl, etc) go back to the lighter printing scheme.
Recorded at Reciprocal.
© and ℗ 1988 SUB POP
First 1,000 of this black vinyl pressing include a folded poster insert, measuring 17" wide by 11.5" tall when opened. Those copies with poster also show lighter printing to the cover, most easily identified on the back cover where there is an easily seen curved line between the black background of the text at top and the dark background of the live photo beneath it. On later copies of this pressing -- which have otherwise identical vinyl -- the contrast between these backgrounds is minimal and it reads more like an all-black background. Some later pressings (1990s colored vinyl, etc) go back to the lighter printing scheme.
Recorded at Reciprocal.
© and ℗ 1988 SUB POP
Barcode and Other Identifiers
- Barcode: none
- Matrix / Runout (A runout etched, except "kdisc" stamped): SP-21-A kdisc L-31537
- Matrix / Runout (B runout etched, except "kdisc" stamped): SP-21-B kdisc L-31537X
Other Versions (5 of 23)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Superfuzz Bigmuff (12", 33 ⅓ RPM, EP) | Glitterhouse Records | GR 0034 | Europe | 1988 | ||
|
New Submission
|
Superfuzz Bigmuff (12", 33 ⅓ RPM, EP, Test Pressing, White Label) | Sub Pop | SP 21 | US | 1988 | ||
| Superfuzz Bigmuff (CD, EP) | Sub Pop | GRCD 34 | 1989 | ||||
|
New Submission
|
Superfuzz Bigmuff (12", 33 ⅓ RPM, EP) | Sub Pop | ANDA 101 | Australia | 1989 | ||
|
Recently Edited
|
Superfuzz Bigmuff (12", 33 ⅓ RPM, EP, Orange) | Sub Pop | ANDA 101 | Australia | 1989 |
Recommendations
Reviews
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Amazed that the Glitterhouse pressing has Touch Me I'm Sick whereas the Sub Pop original does not! Just bought the silver re-release and realised this ... -
Edited 8 years agoGreat fucking EP! I bought this used at the Burnside location of Everyday Music in PDX Oregon years ago. It was the only older release they had by Mudhoney. I didn't know what the title really meant at the time. I just got a Electro Harmonix Big Muff Nano and it's really cool. I don't even really like guitar pedals but it's probably one of the best purchases I've ever made. I got the $40 to buy it from going out and collecting my neighbors beer bottles, water bottles, Rockstar cans, soda cans, etc out of their recycling bins on trash night and cashing them in for 10 cents each. 400 bottles = guitar pedal. Good way to spend your time! Big Muff sounds awesome with my Les Paul Junior and P-90 pickup. Fuzzy goodness and sustain. Pick one of them up if you can! I think the Univox Superfuzz is an old / rare pedal and would be very expensive to get ahold of. We cheap punks can't afford that shit! -
I have a version of this, I believe with a barcode on the back cover. Would it be a variation of this release? -
Release
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