The Replacements – Let It Be
Label: |
Twin/Tone Records – TTR 8441 |
|---|---|
Format: |
Vinyl
, LP, Album
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Indie Rock |
Tracklist
| A1 | I Will Dare | 3:11 | |
| A2 | Favorite Thing | 2:17 | |
| A3 | We're Comin' Out | 2:20 | |
| A4 | Tommy Gets His Tonsils Out | 1:51 | |
| A5 | Androgynous | 3:14 | |
| A6 | Black Diamond | 2:36 | |
| B1 | Unsatisfied | 3:58 | |
| B2 | Seen Your Video | 3:05 | |
| B3 | Gary's Got A Boner | 2:25 | |
| B4 | Sixteen Blue | 4:21 | |
| B5 | Answering Machine | 3:37 |
Companies, etc.
- Recorded At – Blackberry Way Studios
- Mastered At – Masterdisk
- Lacquer Cut At – Masterdisk
- Pressed By – Rainbo Records – S-12679
- Pressed By – Rainbo Records – S-12680
- Copyright © – Nah Music
- Copyright © – Rock Steady Music
Credits
- Bass – Tommy Stinson
- Design [Cover] – Bruce C. Allen
- Drums – Chris Mars
- Engineer – Steve Fjelstad
- Lacquer Cut By – HW*
- Lead Guitar – Bob Stinson
- Mastered By – Howie Weinberg
- Photography By [Background Photo] – Bill Sullivan (2)
- Photography By [Bob] – Irene Innes
- Photography By [Paul] – Steve Linsenmyer
- Photography By [Photos] – Dan Corrigan*
- Producer – Steve Fjelstad
- Vocals, Rhythm Guitar – Paul Westerberg
- Written-By – Stinson* (tracks: A2 to A4, B3)
Notes
Recorded at Blackberry Way Studios, Minneapolis.
Mastered at Masterdisk, New York.
Peter Buck appears courtesy International Record Syndicate, Inc.
Chan Poling appears no thanks to Polygram Records.
All songs © 1984 Nah Music A.S.C.A.P.
Except A6 © 1973 Rock Steady Music A.S.C.A.P.
Inner sleeve is Twin/Tone Records catalog.
© 1984 Twin/Tone Records Inc. Printed in Canada.
Sleeve made in Canada.
Jacket made in Canada.
Some pressings appear to be translucent black vinyl.
Mastered at Masterdisk, New York.
Peter Buck appears courtesy International Record Syndicate, Inc.
Chan Poling appears no thanks to Polygram Records.
All songs © 1984 Nah Music A.S.C.A.P.
Except A6 © 1973 Rock Steady Music A.S.C.A.P.
Inner sleeve is Twin/Tone Records catalog.
© 1984 Twin/Tone Records Inc. Printed in Canada.
Sleeve made in Canada.
Jacket made in Canada.
Some pressings appear to be translucent black vinyl.
Barcode and Other Identifiers
- Matrix / Runout (Runout Groove Side A): TTR- 8441-A MASTERDISK HW S-12679
- Matrix / Runout (Runout Groove Side B): TTR- 8441-B S-12680
Other Versions (5 of 42)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Let It Be (LP, Album) | Zippo Records | ZONG 002 | UK | 1984 | ||
|
Recently Edited
|
Let It Be (LP, Album, Stereo) | New Rose Records | ROSE 42 | 1984 | |||
|
Recently Edited
|
Let It Be (Cassette, Album) | Twin/Tone Records | TTR 8441C | US | 1984 | ||
|
New Submission
|
Let It Be (LP, Album) | Producciones Twins | T 3006, T. 3006 (L), T 3006 (L) | Spain | 1984 | ||
|
New Submission
|
Let It Be (Cassette, Album) | Twin/Tone Records | TTR 8441C, TTR 8441-4 | US | 1984 |
Recommendations
Reviews
-
I have the Rhino 2016 remaster and it’s…not good, especially in comparison. This is raw and powerful that reminds me of the Clash UK originals. Tommy’s bass is prominent here, just so well balanced overall. Get this! -
-
If you see the OG uk Zippo pressing, don’t hesitate! Bound to be less expensive and it’s a Porky Prime Cut -
The Rhino reissue can’t match the OG pressing of this, easily.
The reissue is compressed to hell and back, while this pressing has much more clarity and detail that makes it’s a lot more crankable without sounding fatiguing to the ears.
If you love this album, don’t cheap out and get an OG press.
-
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Probably their best lp. A great band at its peak. They’ll continue to be great for years but don’t think they ever topped this one. -
Agree with those below. This pressing blows the pants off of the reissues I have in the boxset. -
Edited one year agoThis original press is where it’s at for this classic lp. Don’t except any cheap knockoffs or SO CALLED audiophile remasters that are mostly veiled, compressed, include a digital step and have poor quality control. Get the OG -
So much more open sounding than the recent reissues. Everything is clear and full sounding. Tommy's bass sounds flat in the newer releases, tight and fat on this original pressing. -
Release
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