Andrew Lloyd Webber – The Phantom Of The Opera
Label: |
Polydor – PODV9 |
|---|---|
Format: |
|
Country: |
UK |
Released: |
|
Genre: |
Stage & Screen |
Style: |
Musical |
Tracklist
| A1 | Prologue: The Stage Of The Paris Opéra, 1905 | ||
| A2 | Overture | ||
| Act One: Paris 1861 | |||
| A3 | Think Of Me | ||
| A4 | Angel Of Music | ||
| A5 | Little Lotte... / The Mirror... (Angel Of Music) | ||
| A6 | The Phantom Of The Opera | ||
| A7 | The Music Of The Night | ||
| A8 | I ... / Stranger Than You Dreamt It... | ||
| B1 | Magical Lasso... | ||
| B2 | Notes... / Prima Donna | ||
| B3 | Poor Fool, He Makes Me Laugh | ||
| B4 | Why Have You Brought Me Here... / Raoul, I've Been There... | ||
| B5 | All I Ask Of You | ||
| B6 | All I Ask Of You (Reprise) | ||
| C1 | Entr'acte | ||
| Act Two: Six Months Later | |||
| C2 | Masquerade / Why So Silent... | ||
| C3 | Notes... / Twisted Every Way... | ||
| C4 | Wishing You Were Somehow Here Again | ||
| C5 | Wandering Child... / Bravo, Monsieur... | ||
| D1 | The Point Of No Return | ||
| D2 | Down Once More... / Track Down This Murderer... |
Companies, etc.
- Marketed By – Polydor Ltd.
- Distributed By – Polydor Ltd.
- Phonographic Copyright ℗ – The Really Useful Group PLC
- Copyright © – The Really Useful Group PLC
- Recorded At – EMI Studios
- Recorded At – Audio International Studios
- Lacquer Cut At – Master Room
- Pressed By – PRS Ltd.
Credits
- Bass – Paul Cullington
- Bass, Bass Guitar – David Rose (2)
- Bassoon – Peter Whittaker
- Cello – Robin Firman
- Clarinet – Steve Pierce (4)
- Conductor – Michael Reed (2)
- Directed By [Stage Production] – Harold Prince
- Engineer – Martin Levan
- Flute, Piccolo Flute – Alexa Turpin
- Flute, Saxophone, Clarinet – Chris Gradwell
- Harp – Sheila Bromberg
- Horns – Nicholas Busch
- Illustration – Marcus Bradbury
- Keyboards – Rod Argent
- Leader – Perry Montague-Mason
- Lyrics By – Charles Hart
- Lyrics By [Additional Lyrics] – Richard Stilgoe (tracks: A1 to A5, A7 to D2)
- Music By – Andrew Lloyd Webber
- Oboe, Cor Anglais – Keith Marshall (2)
- Orchestrated By – David Cullen (4)
- Other [Musical Staging & Choreography] – Gillian Lynne
- Other [Stage Lighting] – Andrew Bridge
- Other [Stage Producer] – Cameron Mackintosh
- Other [Stage Production Design] – Maria Björnson
- Percussion – Stan Barratt*
- Photography By – Clive Barda
- Producer – Andrew Lloyd Webber
- Sleeve, Design – Dewynters
- Sound Designer – Martin Levan
- Supervised By [Production Musical Supervision] – David Caddick
- Trombone – Richard Wall
- Trumpet – Norman Archibald
- Viola – Roger Welch
- Violin – Bill Reid*
- Vocals [Auctioneer] – Barry Clark (2)
- Vocals [Carlotta Giudicelli] – Rosemary Ashe
- Vocals [Christine Daaé] – Sarah Brightman
- Vocals [Don Attilio (in "Il Muto") / arino] – James Patterson (2)
- Vocals [Flunky / Stagehand] – Justin Church
- Vocals [Innkeeper's Wife (in "Don Juan Triumphant")] – Jill Washington
- Vocals [Joseph Buquet] – Janos Kurucz
- Vocals [Madame Firmin] – Patricia Richards
- Vocals [Madame Giry] – Mary Millar
- Vocals [Meg Giry] – Janet Devenish
- Vocals [Monsieur André] – David Firth
- Vocals [Monsieur Firmin] – John Savident
- Vocals [Monsieur Lefevre] – David Jackson (7)
- Vocals [Monsieur Reyer] – Paul Arden Griffith
- Vocals [Page (in "Don Juan Triumphant")] – Sue Flannery
- Vocals [Page (n "Don Juan Triumphant")] – Janet Howd
- Vocals [Policeman] – Mostyn Evans
- Vocals [Porter / Fireman] – Andrew Golder
- Vocals [Porter / Marksman / Fop (in "Il Muto")] – David De Van
- Vocals [Princess (in "Hannibal")] – Maria Kesselman
- Vocals [Raoul, Vicomte de Chagny] – Steve Barton
- Vocals [Slave Master (in "Hannibal")] – Peter Bishop
- Vocals [The Phantom Of The Opera] – Michael Crawford
- Vocals [Ubaldo Piangi] – John Aron
- Vocals [Wardrobe Mistress / Confidante (in "Il Muto")] – Peggy Ann Jones
- Written-By [Book By] – Richard Stilgoe
Notes
Gatefold sleeve. Includes a 24-page booklet insert & printed inner record sleeves.
Barcode and Other Identifiers
- Barcode: 042283127319
- Matrix / Runout (Runout Area Side A, Variant 1): MCXS PODV 9 A//1∇420R
- Matrix / Runout (Runout Area Side B, Variant 1): MCXS PODV 9 B//1∇420R
- Matrix / Runout (Runout Area Side C, Variant 1): MCXS PODV 9 C//2∇420R
- Matrix / Runout (Runout Area Side D, Variant 1): MCXS PODV 9 D//1∇420R
- Matrix / Runout (Runout Area Side A, Variant 2): MCXS PODV 9 A//1∇420R 11 24
- Matrix / Runout (Runout Area Side B, Variant 2): MCXS PODV 9 B//1∇420R 11 14
- Matrix / Runout (Runout Area Side C, Variant 2): MCXS PODV 9 C//2∇420R 11 19
- Matrix / Runout (Runout Area Side D, Variant 2): MCXS PODV 9 D//1∇420R 11 18
- Matrix / Runout (Runout Area Side A, Variant 3): PODV 9 A//1∇420R 11 16
- Matrix / Runout (Runout Area Side B, Variant 3): PODV 9 B//1∇420R 11 14
- Matrix / Runout (Runout Area Side C, Variant 3): PODV 9 C//2∇420R 11 14
- Matrix / Runout (Runout Area Side D, Variant 3): PODV 9 D//2∇420R 11 11
- Matrix / Runout (Runout Area Side A, Variant 4, stamped): PODV 9 A // 2∇420 R 12 1 0
- Matrix / Runout (Runout Area Side B, Variant 4, stamped): PODV 9 B // 2 ∇ 420 R 11 1 2
- Matrix / Runout (Runout Area Side C, Variant 4, stamped): PODV 9 C//1∇ 420 R 11 9
- Matrix / Runout (Runout Area Side C, Variant 4, etched): II (circled) L18351
- Matrix / Runout (Runout Area Side D, Variant 4, stamped): PODV 9 D//2∇420 R 11 20
- Matrix / Runout (Runout side A, stamped, variant 5): PODV 9 A // 2∇420 R 11 3
- Matrix / Runout (Runout side B, stamped, variant 5): PODV 9 B // 2 ∇ 420 R 11 3
- Matrix / Runout (Runout side C, stamped, variant 5): PODV 9 C // 2 ∇420R 11 3
- Matrix / Runout (Runout side D, stamped, variant 5): PODV 9 D//1∇420 R 11 3
- Matrix / Runout (Runout Area Side A, Variant 6, stamped): PODV 9 A // 2∇420 R 13 13(circled) IS L.18349 (etched)
- Matrix / Runout (Runout Area Side B, Variant 6, stamped): PODV 9 B // 1∇420 R 11 11(circled) IS L.18350 (etched)
- Matrix / Runout (Runout Area Side C, Variant 6, stamped): PODV 9 C // 1∇420 R 12 12(circled) IS L.18351 (etched)
- Matrix / Runout (Runout Area Side D, Variant 6, stamped): PODV 9 D // 1∇420 R 12 12(circled) IS L.18352 (etched)
- Matrix / Runout (Runout Area Side A, Variant 7, stamped): PODV 9 A // 2∇420 R 1 5 2
- Matrix / Runout (Runout Area Side B, Variant 7, stamped): PODV 9 B // 2 ∇ 420 R 11 6
- Matrix / Runout (Runout Area Side C, Variant 7, stamped): PODV 9 C // 2 ∇420R 15 3
- Matrix / Runout (Runout Area Side D, Variant 7, stamped): PODV 9 D // 1 ∇420 R 15 4
Other Versions (5 of 95)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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The Phantom Of The Opera (2×LP, Album, Stereo) | Polydor | 831 273-1 | 1987 | |||
|
Needs Changes
|
The Phantom Of The Opera (2×LP) | Polydor | 831 273-1 | Spain | 1987 | ||
|
Recently Edited
|
The Phantom Of The Opera (2×CD, Album) | Polydor | 831 273-2 | Australasia | 1987 | ||
|
Recently Edited
|
The Phantom Of The Opera (2×LP) | Polydor | 831 273-1 | US | 1987 | ||
|
Recently Edited
|
The Phantom Of The Opera (2×CD, Album) | Polydor | 831 273-2 Y-2, 831 273-2 | US | 1987 |
Recommendations
Reviews
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Edited 3 years agoI bought this title from a record fair for only £2, I didn't know much about it but I thought I'd give it a go after being so impressed with Evita (Both the film and original versions) and I am go glad that I did! This concept album is just brilliant from start to finish. Even the booklet and disc labels are totally magnificent! I tried to see the musical live and it was about three months beforehand and the tickets were all sold out. This tends to happen each time this musical is performed. It really is that good. If you like classical music with a rough drama then this really is for you. It is such a shame that a few cuts were made to accommodate the whole performance on 2 LPs. I would have happily listened to the whole thing even if it was on 3, 4 or even more discs.
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