Earth And Fire – To The World Of The Future
Label: |
Polydor – 2925 033 |
---|---|
Format: |
Vinyl
, LP, Album, Stereo
|
Country: |
Netherlands |
Released: |
|
Genre: |
Rock |
Style: |
Prog Rock |
Tracklist
A1 | To The World Of The Future | 10:47 | |
A2 | How Time Flies | 3:10 | |
A3 | The Last Seagull | 6:55 | |
B1 | Only Time Will Tell | 3:46 | |
B2 | Voice From Yonder | 7:00 | |
B3 | Love Of Life | 3:21 | |
B4 | Circus | 6:12 |
Companies, etc.
- Recorded At – Soundpush Studios
- Published By – New Dayglow Music
- Produced For – Red Bullet Productions
- Lacquer Cut At – Phonodisc B.V.
- Designed At – Cream (4)
Credits
- Arranged By [Choir Arrangements] – Pete Souer*
- Art Direction, Design – Cream (7)
- Bass Guitar, Acoustic Guitar, Arranged By [Arrangements] – Theo Hurts
- Congas – Neppy*
- Drums, Percussion, Bell Tree, Xylophone – Ton v.d. Kleij*
- Electric Guitar, Acoustic Guitar, Synthesizer [Arp Odyssey], Arranged By [Vocal Arrangements] – Chris Koerts
- Engineer – John Sonneveld
- Harp – T. Tieman van de Laars*
- Lead Vocals – Jerney Kaagman
- Organ, Piano, Mellotron, Synthesizer [Arp, Compac, Arp Odyssey], Clavinet [D.6 Hohner], Electric Piano [Fender Rhodes], Arranged By [Virginal Arrangements] – Gerard Koerts
- Photography By – Reinier Gerritsen
- Producer – Jaap Eggermont
Notes
Similar to To The World Of The Future but no "Made in Holland" on the labels. Also this version has the album title printed on the right part on the front cover.
The runouts are stamped
Special thanks to: Hans Ziech, Rob Eden and Galery Frans Leidelmeijer.
The runouts are stamped
Special thanks to: Hans Ziech, Rob Eden and Galery Frans Leidelmeijer.
Barcode and Other Identifiers
- Rights Society (Boxed): STEMRA
- Matrix / Runout (Runout side A, variant 1): AA 2925 033 1Y 1 Ⓟ 1975 670 124 06
- Matrix / Runout (Runout side B, variant 1): AA 2925 033 2Y 1 Ⓟ 1975 670 112 06
- Matrix / Runout (Runout side A, variant 2): AA 2925 033 1Y 1 Ⓟ 1975 670 122 06
- Matrix / Runout (Runout side B, variant 2): AA 2925 033 2Y 1 Ⓟ 1975 670 115 06
- Matrix / Runout (Runout side A, variant 3): AA 2925 033 1Y 1 Ⓟ 1975 670 114 06
- Matrix / Runout (Runout side B, variant 3): AA 2925 033 2Y 1 Ⓟ 1975 670 124 06
- Matrix / Runout (Runout side A, variant 4): AA 2925 033 1Y 1 Ⓟ 1975 670 123 06
- Matrix / Runout (Runout side B, variant 4): AA 2925 033 2Y 1 Ⓟ 1975 670 114 06
Other Versions (5 of 15)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
New Submission
|
To The World Of The Future (Cassette, Album) | Polydor | 3223 003 | Netherlands | 1975 | ||
Recently Edited
|
To The World Of The Future (LP, Album) | Polydor | 2925 033 | Netherlands | 1975 | ||
New Submission
|
To The World Of The Future (LP, Album, Stereo) | Polydor | 2925 033 | Netherlands | 1975 | ||
New Submission
|
To The World Of The Future (Cassette, Album, Stereo) | Red Bullet Productions B.V. | 3161 121 | 1975 | |||
New Submission
|
To The World Of The Future (LP, Album) | Polydor | 2374 121 | 1976 |
Recommendations
Reviews
-
This is a transitional album for Earth & Fire as it's the first album to start showing a more disco leaning that the band would explore even more deeply so in the late '70s and even into the early '80s. This was the very first Earth & Fire album I ever heard, my father bought a copy in a Eugene, Oregon record store around 1984, not likely aware what he was getting (perhaps he liked the cover), or he had them mistook for Earth, Wind & Fire (whose albums are MUCH easier to get a hold of in the States). So as a kid, I knew this would never fly over with American listeners, but I imagined they had to be big in Holland, and as it turns out (many years later) I was right. But I did like the European vibe of the album. The title track is the lengthiest piece on the who album, and the disco tendencies show up. Synths are more dominate. But the prog elements are still there, especially with the guitar solo that reminds me of Focus (I believe singer Jerney Kaagman was dating Focus bassist Bert Ruiter at the time, who eventually ed Earth & Fire after Focus broke up). "How Time Flies" is a sensitive ballad with harp, although Solina String synth and Mellotron are also used. "The Last Seagull" was another direction Earth & Fire was experimenting with here (and they never did afterwards) and that's fusion. It starts off with the sound of seagulls and ocean waves (probably produced off synths), before synth bass and electric piano kicks on. "Only Time Will Tell" harkens back to the older sound, wouldn't be out of place on Atlantis. Unsurprisingly this was released as a single. "Voice From Yonder" is a real interesting one, where the band includes a seance being conducting as part of the music. It's an interesting experiment and I like it. "Love of Life" was already released as a single the previous year and it showed clearly the more synth-dominated direction the band was heading. Honestly I would have loved that single's B-side "Tuffy the Cat" to have been included on the album, but knowing Earth & Fire was also a singles band, B-sides were not generally included on their regular LPs. "Circus" is the closing piece, which still shows the Earth & Fire was still doing progressive rock. Unsurprisingly the music frequently has a circus vibe going on. While Song of the Marching Children and Atlantis are must haves for progheads, this one is also worth getting, but watch out: later albums are more mainstream and commercial.
Release
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