Led ZeppelinLed Zeppelin II

Label:

Atlantic – MFSL 1-065

Series:

Original Master Recording

Format:

Vinyl , LP, Album, Limited Edition, Reissue, Remastered

Country:

US

Released:

Genre:

Rock

Style:

Classic Rock

Tracklist

A1 Whole Lotta Love 5:33
A2 What Is And What Should Never Be 4:47
A3 The Lemon Song 6:20
A4 Thank You 3:50
B1 Heartbreaker 4:15
B2 Living Loving Maid 2:40
B3 Ramble On 4:35
B4 Moby Dick 4:25
B5 Bring It On Home 4:19

Companies, etc.

  • Manufactured ByMobile Fidelity Sound Lab, Inc.
  • Distributed ByMobile Fidelity Sound Lab, Inc.
  • Remastered AtOriginal Masteringworks
  • Pressed ByVictor Company Of Japan, Ltd.
  • Copyright ©Atlantic Recording Corporation
  • Licensed FromAtlantic Recording Corporation

Credits

  • ArtworkDavid Juniper
  • EngineerGeorge Chkiantz
  • Executive-ProducerPeter Grant
  • Lacquer Cut BySR*
  • PerformerRobert Plant
  • ProducerJimmy Page
  • Technician [Director Of Engineering]Edwin H. Kramer*
  • Written-ByRobert Plant (tracks: A1 to B3, B5)

Notes

© + ℗ Atlantic Recording Corporation. Broadway New York, New York.

Gatefold Sleeve

Gatefold Notes:
Half-Speed Production and Mastering by Original Masteringworks. ™

Specially Plated and Pressed on high Definition Super Vinyl by Victor Company of Japan ltd.
Special Static Free-Dust Free Inner Sleeve
Special Heavy Duty Protective Packaging
Source: The Original Stereo Master Tape
Mastered with the Ortofon cutting System
Manufactured and distributed by MFSL, Inc.
Chatsworth, Ca. 91311, under license
from Atlantic Recording Corporation.
©1969 Atlantic Recording Corporation.
All Rights reserved.

Record Label:

Manufactured and distributed by MFSL, Inc.
under license from Atlantic Recording Corporation.
A Warner Communications Company.
All Rights Reserved.
Pressed In Japan.

Barcode and Other Identifiers

  • Matrix / Runout (Side 1 [Variant 1]): Ortofon MFSL-1-065-A2 SR/2 H 121 * XA
  • Matrix / Runout (Side 1 [Variant 2]): Ortofon MFSL-1-065-A3 SR/2 H 131 * V X A B C
  • Matrix / Runout (Side 2 [Variant 1 & 2]): Ortofon MFSL-1-065 B2 SR/2 H 121 *

Other Versions (5 of 1012)

View All
Title (Format) Label Cat# Country Year
Led Zeppelin II (LP, Album, Misprint, Stereo, Gatefold) Atlantic 588198, 588 198 UK 1969
Led Zeppelin II (LP, Album, Stereo, Gatefold, Red Label) Atlantic SD 8236 Canada 1969
Recently Edited
Led Zeppelin II (LP, Album, Reissue, Stereo, PR - Presswell Pressing, Gatefold) Atlantic SD 8236 US 1969
Recently Edited
Led Zeppelin II (LP, Album, Stereo) Atlantic HATS 421-43 Spain 1969
Recently Edited
Led Zeppelin II (LP, Album) Atlantic 921021, N° 921021 1969

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Reviews

  • mulgrewj's avatar
    mulgrewj
    Picked this up recently and it became arguably the best-sounding in my record collection (of approx 2000). Within the first three seconds of "Whole Lotta Love" I had to grab onto my b@lls because I thought there was a real chance that they'd be rocked right the eff off my body. Can't recommend this one highly enough.
    • Surfing-Records's avatar
      HoLY shit! 😮 That record blasts out of the speakers like a freighttrain!
      • johnborzatti's avatar
        johnborzatti
        So glad to see all these positive reviews!! I had only had the MoFi since it came out and always though it to be a killer issue. MoFi gets a bad rap on most audiophile sites for their smiley EQ that sucks out the midrange. This was very apparent to me on their Parsons I Robot original issue. Any standard Arista stock copy killed the MoFi. Not ALL MoFi titles were this extreme though. Two years ago I came across a NM RL of Zep II for a very good price at a local brick & mortar and pulled the trigger. After play inspecting it, (NM, closer to mint!) did the shootout with the MoFi. These reviews line up with my ears. This MoFi sounds very close to the RL. In fact the only difference my ears could detect was in the top end. The MoFi had a tiny bit more but not enough to sound overdone. In fact it made the RL sound a tiny bit rolled off but again, not enough to say it mattered. SO, now that I have both I feel there is no need to try any other pressings. My system:VPI Scoutmaster w/periphery ring, Van Den Hul cartridge, EAR 834 tube pre-amp, PS Audio Delta 100 Power Amp, B&W P7 speakers, Velodyne Subwoof.
        • Christoball_'s avatar
          Christoball_
          The big debate between a solid VG+ RLSS (both sides) CTH, and a NM- MFSL. I have a decent system and my RLSS was a quite copy yet I still found myself preferring the MFSL. This version is absolutely incredible. When it comes to price point this version is a no brainer.
          • winehaze's avatar
            winehaze
            I am looking for just the cover of this album. If you know how or where to find one please me.
            • latheofheaven's avatar
              latheofheaven
              Edited one year ago
              Yes, I will chime in with just about everyone else here and say, WOW! Hell yeah! On my system (link below) I found this li'l puppy ultra dynamic and tonally balanced. Detailed as much as it should be, and with nice decay in the transients. Let's just say I never EVER heard Moby Dick sound like this! (or anything else on this album) Before scoring a lovely, clean copy from a very nice fellow member on the Steve Hoffman Forums (JGrillo) for a great price my Go To was always the 2nd Japanese pressing, which is indeed very dynamic and detailed. But, I don't think it has near the Punch as this one. DAMN!!!

              What I am listening on:

              https://photos.app.goo.gl/9ja3UKob7tppW4Y38
              • analoguesoundsrock's avatar
                Yes, this is on par with the RL cuts. I have a VG RL and just grabbed a NM- MOFI for half the $. They are both incredibly detailed and dynamic, but the MOFI is considerably more enjoyable given its playability.
                • The_Carrion_Man's avatar
                  The_Carrion_Man
                  Edited one year ago
                  Amazing clarity and distinction between instruments. Powerful presence, not at all weak or anemic for the sake of transparency. The cymbal decay is like I’ve never heard on a Zeppelin album. The “effects” age as heard in the middle of Whole Lotta Love… like hearing it for the first time ever. I feel that little EQ (if any) was applied to this record by Mofi. There is a faint hiss present, but I only hear it on the headphones, and it is so uniform that I feel it’s an artifact of the master tape itself and not the vinyl. I’m just floored. I’ll never part with this record. Pick up a NM copy if you can swing it. 5 stars all day long.
                  • abruptmodulation's avatar
                    Wow - that is all I have to say! This sounds split wide open: huge, booming, in your face - all of the things! Great mix and excellent way to experience the album.
                    • Indurane's avatar
                      Indurane
                      Mind bogglingly good! I've been waiting to pull the trigger and I'm sad I waited so long to do it. Flat, silent, dynamic. Wow!!!

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