Tracklist
| A1 | Devour | |
| A2 | Sound Of Madness | |
| A3 | Second Chance | |
| A4 | Cry For Help | |
| A5 | The Crow & The Butterfly | |
| B6 | If You Only Knew | |
| B7 | Sin With A Grin | |
| B8 | What A Shame | |
| B9 | Cyanide Sweet Tooth Suicide | |
| B10 | Breaking Inside | |
| B11 | Call Me |
Companies, etc.
- Record Company – Warner Music Group
- Phonographic Copyright ℗ – Atlantic Recording Corporation
- Phonographic Copyright ℗ – WEA International Inc.
- Copyright © – Atlantic Recording Corporation
- Copyright © – WEA International Inc.
- Recorded At – Capitol Studios
- Engineered At – Lightning Sound Studios
- Mixed At – Resonate Music, Burbank, CA
- Mastered At – Sterling Sound
- Pressed By – MPO
- Lacquer Cut At – Elysian Masters
- Published By – Driven By Music
- Published By – EMI Blackwood Music Inc.
- Published By – Big Ant Music
- Published By – Coburn Music, Inc.
- Published By – Two Of Everything Music
- Published By – Music Of Windswept
- Published By – Wb Music Corp.
Credits
- A&R – Steve Robertson (4)
- [A&R istration] – Craig Rosen (2)
- Arranged By [Strings Arranged By] – David Campbell
- Art Direction, Design – Patrick Fong
- Band [Shinedown Is] – Zach Myers
- Bass – Eric Bass
- Booking [Booking Agent, For William Morris Agency] – Ron Opaleski
- Coordinator [Production Coordinator] – Cheryl Jenets
- Drums – Barry Kerch
- Engineer [Additional Engineering] – Dorian Crozier
- Engineer [Assistant Engineer] – Steve Rhea
- Engineer [Engineered By] – Doug McKean
- Guitar – Zach Myers
- Guitar [Additional Guitars] – Rob Cavallo
- Guitar [Guitars] – Tim Pierce
- Keyboards – Jamie Muhoberac
- Lacquer Cut By – ꟼR*
- Legal [Legal Representation] – Jess Rosen
- Management [Art Manager] – Tomiwa Aladekomo
- Management [Business Manager, For David Weise & Associates, Inc.] – David Weise
- Management [For In De Goot Entertainment] – Gwyther Bultman
- Management [Marketing] – Anthony Delia
- Mixed By – Doug McKean (tracks: A2)
- Mixed By [Assistant Engineer] – Keith Armstrong
- Producer [Produced By] – Rob Cavallo
- Producer [Production Assistant] – Jaime Neely
- Songwriter [All Songs Written By] – Dave Bassett
- Technician [Additional Protools] – Lars Fox
- Technician [Drum Tech] – Mike "Sack" Fasano*
- Technician [Guitar Techs] – Tyler Dragness
- Vocals – Brent Smith
- Written-By – Tony Battaglia (tracks: B11)
Notes
Atlantic Recording Corporation, 1290 Avenue of the Americas, New York, NY 10104. A Warner Music Group Company. ℗ © 2008 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. All Rights reserved. Manufactured in . 1-643570
For the first time released (on vinyl) with the white artwork.
Tracks are listed sequentially as they do appear on the backside of the record's jacket.
Recorded at: Capitol Studios, Hollywood, CA
Assistant Engineer: Aaron Walk Lightning Sound Studios, Hidden Hills, CA
Mastered by Ted Jensen at Sterling Sound, New York, NY
Brent - Driven By Music/ EMI Blackwood Music Inc. (BMI)
Battaglia - Big Ant Music (ASCAP)
Huff - Coburn Music, Inc. (BMI)
Bassett - "Cyanide Sweet Tooth Suicide", "If You Only Knew", and "The Crow & The Butterfly" Two Of Everything Music (ASCAP) / Musif Of Windswept (ASCAP)
All rights on behalf of Two Of Everything Music istered by Music Of Windswept.
"What A Shame", "Sin With A Grin", "Cry For Help", "Second Chance", "Sound Of Madness", and "Devour": Two Of Everything Music (ASCAP) / WBMusic Corp. (ASCAP)
For the first time released (on vinyl) with the white artwork.
Tracks are listed sequentially as they do appear on the backside of the record's jacket.
Recorded at: Capitol Studios, Hollywood, CA
Assistant Engineer: Aaron Walk Lightning Sound Studios, Hidden Hills, CA
Mastered by Ted Jensen at Sterling Sound, New York, NY
Brent - Driven By Music/ EMI Blackwood Music Inc. (BMI)
Battaglia - Big Ant Music (ASCAP)
Huff - Coburn Music, Inc. (BMI)
Bassett - "Cyanide Sweet Tooth Suicide", "If You Only Knew", and "The Crow & The Butterfly" Two Of Everything Music (ASCAP) / Musif Of Windswept (ASCAP)
All rights on behalf of Two Of Everything Music istered by Music Of Windswept.
"What A Shame", "Sin With A Grin", "Cry For Help", "Second Chance", "Sound Of Madness", and "Devour": Two Of Everything Music (ASCAP) / WBMusic Corp. (ASCAP)
Barcode and Other Identifiers
- Barcode (Printed): 0 75678 64752 9
- Barcode (Scanned): 075678647529
- Matrix / Runout (Side A runout): 20-0471NL 1-643570 A MPO® 20 180238 .ꟼR EM
- Matrix / Runout (Side B runout): 20-0471NL 1-643570 B MPO® 20 177283 .ꟼR EM
- Rights Society: ASCAP
- Rights Society: BMI
Other Versions (5 of 29)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
The Sound Of Madness (CD, Album, Enhanced) | Atlantic | 511244-2 | US | 2008 | ||
|
Recently Edited
|
The Sound Of Madness (CD, Album) | Atlantic | 7567899324 | Australia | 2008 | ||
|
New Submission
|
The Sound Of Madness (CD, Album, Enhanced) | Atlantic | 075678967795 | Europe | 2008 | ||
|
New Submission
|
The Sound Of Madness (CD, Album, Enhanced) | Atlantic | 7567-89894-5 | Europe | 2008 | ||
|
New Submission
|
The Sound Of Madness (CD, Album, Enhanced, Limited Edition) | Atlantic | 512143-2 | US | 2008 |
Recommendations
-
-
-
-
-
-
-
-
-
-
2016 USVinyl —LP, Compilation, Reissue, Remastered, Stereo
Reviews
-
Awful sounding pressing, very flat and muffled, wish I looked at the comments when I bought this
-
-
-
-
Honestly skip this pressing. Unless you have a luggage box player. Very underwhelming. Such a shame as this album was written really good. -
Edited 3 years agoPoor mastering and even poorer quality control. The right hand channel has continuous noise on side 1 especially between tracks. Flat sounding with very little depth or range
-
Loved the white pressing, but I must agree with most of you out there. Not the best sounding pressing for an LP record. Some of the songs in this album are very flat and uninspiring. Quieter moments have lots of noise. Quite disappointed in this release. They could have done better.
I understand that vinyl pressings are not exactly the best sounding ones, but if they can't get to sound at least as good as a digital master, they have done a terrible job. -
Definitely not the best pressing, some minimal surface noise during the quieter parts as well. Don’t regret getting a copy since I like the album, but quality could be better.
-
While I do agree about the "depth" of the sound being an issue on this release, the cleanliness of the sound is extremely good. It seems like with any new pressing you get one or the other. But yeah, this sounds like a CD. -
Who mastered this? The mastering sounds flat, uninspired, and highs that are shshsh all the time... very disappointing. I was looking forward to this album and I don't expect the others to be any different...
Release
See all versions
Data Correct
Data Correct
For sale on Discogs
Sell a copy
20 copies from $23.86