Beastie Boys – Paul's Boutique
Label: |
Beastie Boys Records – C1-93300 |
|---|---|
Format: |
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Country: |
US |
Released: |
|
Genre: |
Hip Hop |
Style: |
Boom Bap |
Tracklist
| A1 | To All The Girls | ||
| A2 | Shake Your Rump | ||
| A3 | Johnny Ryall | ||
| A4 | Egg Man | ||
| A5 | High Plains Drifter | ||
| A6 | The Sounds Of Science | ||
| A7 | 3-Minute Rule | ||
| A8 | Hey Ladies | ||
| B1 | 5-Piece Chicken Dinner | ||
| B2 | Looking Down The Barrel Of A Gun | ||
| B3 | Car Thief | ||
| B4 | What Comes Around | ||
| B5 | Shadrach | ||
| B6 | Ask For Janice | ||
| B-Boy Bouillabaisse | |||
| B7.a | 59 Chrystie Street | ||
| B7.b | Get On The Mic | ||
| B7.c | Stop That Train | ||
| B7.d | A Year And A Day | ||
| B7.e | Hello Brooklyn | ||
| B7.f | Dropping Names | ||
| B7.g | Lay It On Me | ||
| B7.h | Mike On The Mic | ||
| B7.i | A.W.O.L. |
Companies, etc.
- Manufactured By – Capitol Records, LLC
- Phonographic Copyright ℗ – Capitol Records, LLC
- Copyright © – Capitol Records, LLC
- Phonographic Copyright ℗ – Beastie Boys
- Copyright © – Beastie Boys
- Recorded At – Mario G's
- Mixed At – Record Plant
- Recorded At – The Opium Den
- Lacquer Cut At – Sterling Sound
- Mastered At – Record Technology Incorporated – 17953
- Copyright © – Brooklyn Dust Music
- Copyright © – Dust Brothers Music
Credits
- Engineer – Mario Caldato Jr.
- Engineer [Assistant Engineer] – Allen Abrahamson
- Lacquer Cut By – RJ*
- Photography By [Cover Photo Assistants] – Mathew Cohen
- Photography By [Cover Photo] – Nathanial Hornblower
- Photography By [Sleeve Photo] – Ricky Powel*
- Producer [Produced By] – Dust Brothers* (tracks: A1 to B5, B7.a to B7.i)
- Producer [The Dust Brothers Are] – Mike Simpson
- Technician [Haze Hired For Technical Work] – David Freed
- Turntables – E.Z. Mike*
- Written-By – Dust Brothers*
Notes
20th anniversary edition pressed on 180 gram vinyl, issued in eight- gatefold jacket with printed cardstock inner sleeve with lyrics and credits. LP housed in poly-lined paper inner sleeve. Includes card.
Hype sticker on shrinkwrap (with catalog number 509996 93300 18 SK1):
Beastie Boys Paul's Boutique
20th Anniversary Edition
Digitally Remastered
Includes digital card to access free bonus audio band commentary
180 Gram Vinyl / Audiophile Quality
Faithfully Restored
Barcode is a sticker attached to shrinkwrap.
Catalog number 509996 93300 18 on spine; C1-93300 on labels, inner sleeve, card.
© 1989 Brooklyn Dust Music / Dust Brothers Music ASCAP
Recorded at Mario G's. Mixed at Record Plant
Track B7.e "Hello Brooklyn" recorded at the Opium Den.
℗© 1989 Capitol Records, LLC and Beastie Boys. Printed in U.S.A.
Runouts are etched, except Sterling stamped.
Hype sticker on shrinkwrap (with catalog number 509996 93300 18 SK1):
Beastie Boys Paul's Boutique
20th Anniversary Edition
Digitally Remastered
Includes digital card to access free bonus audio band commentary
180 Gram Vinyl / Audiophile Quality
Faithfully Restored
Barcode is a sticker attached to shrinkwrap.
Catalog number 509996 93300 18 on spine; C1-93300 on labels, inner sleeve, card.
© 1989 Brooklyn Dust Music / Dust Brothers Music ASCAP
Recorded at Mario G's. Mixed at Record Plant
Track B7.e "Hello Brooklyn" recorded at the Opium Den.
℗© 1989 Capitol Records, LLC and Beastie Boys. Printed in U.S.A.
Runouts are etched, except Sterling stamped.
Barcode and Other Identifiers
- Barcode (Text, sticker): 5 099969 330018
- Barcode (Scanned, sticker): 5099969330018
- Other (Hype sticker): 509996 93300 18 SK1
- Rights Society: ASCAP
- Matrix / Runout (Runout side A): 50999-6-93300-1-8A RJ STERLING 17953.1(3)
- Matrix / Runout (Runout side B): 50999-6-93300-1-8B RJ STERLING 17953.2(3)
Other Versions (5 of 142)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Paul's Boutique (CD, Album) | Capitol Records | CDP 7 91743 2 | US | 1989 | ||
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Recently Edited
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Paul's Boutique (LP, Album, Gatefold) | Beastie Boys Records | 064-7 91743 1, 064 7 91743 1, 7 91743 1 | Europe | 1989 | ||
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Recently Edited
|
Paul's Boutique (Cassette, Album) | Capitol Records | TC-EST 2102, TCEST 2102, 9717434 | UK | 1989 | ||
|
Recently Edited
|
Paul's Boutique (Cassette, Album, Light Green Marbled Shell) | Capitol Records | C4 91743 | US | 1989 | ||
|
Recently Edited
|
Paul's Boutique (CD, Album, Club Edition) | Capitol Records | D 153976 | US | 1989 |
Recommendations
Reviews
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Edited 5 months agoReally nice pressing of a great album. It's digitally remastered but can't help to say it sounds top notch. The front to back soundstage depth is impressive too. Can't be beat price wise either. Recommended. -
The “Revolver” of sampling. Masterpiece.
This copy sounds great. Silent wax. Glorious gatefold sleeve of a long-gone Brooklyn.
Debit III / OM 10 / Mani / MF A3.5 / Contour 1.3SE -
gran album, con nuevos sonidos para los BB. empezaron a descubrirse, su sonido y su identidad y dejaron de ser solo un producto. -
This sounds amazing. But mine has no stickers anywhere. It never did. Still in shrink, like always and forever. B-boys makin with the freak freak y'all. I mean damn -
Just picked up a new copy of this. Sounds amazing! First time hearing this on vinyl and it's close to a religious experience for me.
Super silent and flat pressing. Side A on mine is pressed slightly off-center though. Side B is centered perfectly. -
Agree with the other reviews here--Solid pressing of an absolutely ESSENTIAL album. The production on this record is pure genius. Every track kills it, thought I did need to turn the volume up a tad to get the most of it. A top 5 album of all time for sure, just as good now as the day it was released.
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Essential to any collection. Sounds great despite being crammed on a single LP, and the packaging is great. Definitely a great alternative if you can’t afford or find the double LP reissue from a few years ago. Get on the mic, Mike! -
It's a decent pressing if, you haven't heard what they did with Hello Nasty. This album needs a little bit more love like they gave to that one. It would sound AMAZING! This is still my 2nd favorite Beasties record either way. To this day, I still consider it a Hip Hop masterpiece. It really is!
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People love the way this record sounds, but I don't love the quality of the actual record sleeve. The glossy surface doesn't allow the sleeve much flex - it feels if its opened too many times it will fray apart. The creases in the double gatefold make a lot of noise... it's like a count-down to armageddon whenever I open it.
Release
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