The Beatles – The Beatles
Label: |
Apple Records – CD-PCS 7067/8 |
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Format: |
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Country: |
US |
Released: |
|
Genre: |
Pop |
Style: |
Experimental |
Tracklist
1-1 | Back In The U.S.S.R. | 2:43 | |
1-2 | Dear Prudence | 3:56 | |
1-3 | Glass Onion | 2:18 | |
1-4 | Ob-La-Di, Ob-La-Da | 3:09 | |
1-5 | Wild Honey Pie | 0:53 | |
1-6 | The Continuing Story Of Bungalow Bill | 3:14 | |
1-7 | While My Guitar Gently Weeps | 4:45 | |
1-8 | Happiness Is A Warm Gun | 2:43 | |
1-9 | Martha My Dear | 2:29 | |
1-10 | I'm So Tired | 2:03 | |
1-11 | Blackbird | 2:18 | |
1-12 | Piggies | 2:04 | |
1-13 | Rocky Raccoon | 3:33 | |
1-14 | Don't Me By | 3:50 | |
1-15 | Why Don't We Do It In The Road | 1:41 | |
1-16 | I Will | 1:46 | |
1-17 | Julia | 2:54 | |
2-1 | Birthday | 2:43 | |
2-2 | Yer Blues | 4:01 | |
2-3 | Mother Nature's Son | 2:48 | |
2-4 | Everybody's Got Something To Hide Except Me & My Monkey | 2:25 | |
2-5 | Sexy Sadie | 3:15 | |
2-6 | Helter Skelter | 4:30 | |
2-7 | Long Long Long | 3:04 | |
2-8 | Revolution 1 | 4:16 | |
2-9 | Honey Pie | 2:41 | |
2-10 | Savoy Truffle | 2:55 | |
2-11 | Cry Baby Cry | 3:11 | |
2-12 | Revolution 9 | 8:13 | |
2-13 | Good Night | 3:12 |
Companies, etc.
- Phonographic Copyright ℗ – EMI Records Ltd.
- Copyright © – EMI Records Ltd.
- Manufactured By – Capitol Records, Inc.
- Glass Mastered At – EMI MFG.
Credits
- Composed By – Lennon/McCartney* (tracks: 1-1 to 1-6, 1-8 to 1-11, 1-13, 1-15 to 2-6, 2-8. 2.9, 2-11 to 2-13)
- Orchestrated By, Producer – George Martin
Notes
Apple Records reissue with SID codes. Discs manufactured by EMI Manufacturing.
CD-PCS 7067/8 is the UK catalog number
Also known as "The White Album"
Was issued as one double jewel case and also two single standard jewel cases.
Eric Clapton not credited for contractual reasons on 1-7.
1 single booklet included.
Disc One : Total running time : 0hr 46mn 24s
Disc Two : Total running time : 0hr 34mn 23s
Total running time : 1hr 33mn 40s
℗ 1968 Original sound recordings made by EMI Records Ltd. © 1968 EMI Records Ltd.
Made In USA
______
Note: Differs to other EMI Mfg release The Beatles - The Beatles on the back .
This release has two lines under the song titles,
The other EMI Mfg release has an additional third line about trademarks.
CD-PCS 7067/8 is the UK catalog number
Also known as "The White Album"
Was issued as one double jewel case and also two single standard jewel cases.
Eric Clapton not credited for contractual reasons on 1-7.
1 single booklet included.
Disc One : Total running time : 0hr 46mn 24s
Disc Two : Total running time : 0hr 34mn 23s
Total running time : 1hr 33mn 40s
℗ 1968 Original sound recordings made by EMI Records Ltd. © 1968 EMI Records Ltd.
Made In USA
______
Note: Differs to other EMI Mfg release The Beatles - The Beatles on the back .
This release has two lines under the song titles,
The other EMI Mfg release has an additional third line about trademarks.
Barcode and Other Identifiers
- Barcode (Text): 0 7777-46443-2 7
- Barcode (Scanned): 077774644327
- Other (UK Catalog Number): CD-PCS 7067/8
- Other (Disc 1 Catalog Number): CDP 7 46443 2
- Other (Disc 2 Catalog Number): CDP 7 46444 2
- Label Code: LC 0542
- Other (Disc 1 DADC): DIDX 1904
- Other (Disc 2 DADC): DIDX 1905
- Matrix / Runout (Disc 1 Variant 1): 077774644327 MASTERED BY EMI MFG. M1S1
- Mastering SID Code (Disc 1 Variant 1): IFPI L043
- Mould SID Code (Disc 1 Variant 1): IFPI 6100
- Matrix / Runout (Disc 2 Variant 1): 077774644426:· MASTERED BY EMI MFG. 3-1-4
- Mastering SID Code (Disc 2 Variant 1): IFPI L044
- Mould SID Code (Disc 2 Variant 1): IFPI 166K
- Matrix / Runout (Disc 1 Variant 2): 46443 MASTERED BY EMI MFG.
- Matrix / Runout (Disc 1 Variant 2 label side): 1-1-10
- Mastering SID Code (Disc 1 Variant 2): IFPI L043
- Mould SID Code (Disc 1 Variant 2): IFPI 163A
- Matrix / Runout (Disc 2 Variant 2): 46444 MASTERED BY EMI MFG.
- Matrix / Runout (Disc 2 Variant 2 label side): 1-1-9
- Mastering SID Code (Disc 2 Variant 2): IFPI L043
- Mould SID Code (Disc 2 Variant 2): IFPI 163A
- Matrix / Runout (Disc 1 Variant 3): 077774644327: MASTERED BY EMI MFG. 1-1-9
- Mastering SID Code (Disc 1 Variant 3): IFPI L043
- Mould SID Code (Disc 1 Variant 3): IFPI 1682
- Matrix / Runout (Disc 2 Variant 3): 077774644426:· MASTERED BY EMI MFG. 2-1-7
- Mastering SID Code (Disc 2 Variant 3): IFPI L044
- Mould SID Code (Disc 2 Variant 3): IFPI 1678
- Matrix / Runout (Disc 1 Variant 4): 077774644327: MASTERED BY EMI MFG. 2-1-9
- Mastering SID Code (Disc 1 Variant 4): IFPI L043
- Mould SID Code (Disc 1 Variant 4): ifpi 1634
- Matrix / Runout (Disc 2 Variant 4): 077774644426: MASTERED BY EMI MFG. 2-1-6
- Mastering SID Code (Disc 2 Variant 4): IFPI L043
- Mould SID Code (Disc 2 Variant 4): ifpi 163C
Other Versions (5 of 871)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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The Beatles (2×LP, Album, Numbered, Stereo) | Apple Records | PCSO-7067-8 | Australia | 1968 | ||
Recently Edited
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The Beatles (2×LP, Album, Numbered, Stereo) | Apple Records | PMCQ 31513/4, SMO 2051/52 | Italy | 1968 | ||
Recently Edited
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The Beatles (2×LP, Album, Misprint, Numbered, Mono, Gatefold) | Apple Records | PMC 7067/8 | UK | 1968 | ||
Recently Edited
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The Beatles (2×LP, Album, Numbered, Toploader, Grey Number; Gatefold) | Apple Records | SMO 2051/52 | 1968 | |||
Recently Edited
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The Beatles (2×LP, Album, Numbered, Stereo) | Apple Records | PCS 7067/8 | UK | 1968 |
Recommendations
Reviews
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Edited 3 years agoI purchased this double jewel case in 1992/1993 so I have to guess this version was released in the early 90s.
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I know it's a well-worn cliche, but this truly would have made a killer single lp, with all of the throwaways missing.
Both Paul and John offer some great compositions on this lp, but in my mind Lennon edges out McCartney. Lennon is nothing short of brilliant with "Sexy Sadie", "Happiness Is A Warm Gun", "I'm So Tired", "Revolution 1" (so much better than the electric version) and "Yer Blues". "Julia" is a lovely song about his mother, and "Cry Baby Cry" is an underrated gem. "Everybody's Got Something To Hide" is classic Lennon nonsense.
McCartney is no slouch, either with "Back In The USSR", "Blackbird", "I Will" (the song may be a 'trifle', but it's such an engaging little trifle). "Martha My Dear" (written for his sheep dog) is an interesting piece of pop music. "Honey Pie" is cloyingly nostalgic, but one of McCartney's more successful efforts of this ilk. (Beats the hell out of the annoying "When I'm 64" from "Sgt. Pepper's".) And I find something marvelous in his "Why Don't We Do It In The Road".
Harrison offers his classic "While My Guitar Gently Weeps" (which in a strange way bores me to tears now). His "Piggies" only conjures up the whole ugly Manson affair. "Long, Long, Long" is a rather minor composition. But I get a kick out of the horns on "Savoy Truffle".
This album demonstrates the excesses that John and Paul would take in their solo careers. "Ob-La-Di, Ob-La-Da" suffers from terminal cuteness. "Birthday" and "Helter Skelter" are both examples of dumb rock and roll. (It's amazing how well "Yer Blues" by Lennon works and McCartney's "Helter Skelter" is just plain silly.)
In the "Nice Songs But No Great Shakes" category we have "Rocky Raccoon", "Bungalow Bill", "Glass Onion", "Dear Prudence", "Mother Nature's Son".
Ringo's sole contribution is the abysmal "Don't Me By". The arrangement of violin and organ sounds like a nightmare at the Ice Follies! Really terrible.
Speaking of really terrible, the audio experiment "Revolution 9" was silly at the time and is still a big embarrassment to this day. Keep Yoko Ono out of the studio, for God's sake!
This album also provided a lot of steam for the "Paul is Dead" myth. "He hit a lightpole, we better get him to see a surgeon", "Paul is dead, miss him miss him" (backwards at the end of "Blackbird")...."You were in a car crash and you lost your hair..." It's my theory that John Lennon was behind this. Certainly not to sell any albums. Just Lennon's wonderfully sick sense of humor. It's ridiculous to deny the clues contained in many of their recordings.
In a strange osmosis, Lennon pens the McCartney tune "Good Night" which closes the album. Yes, it's schmaltzy, but in a strange way, it works quite well as a finale to this exsessive and at times brilliant work.
So at the end of the day, the Beatles; hype, warts and all, turn out a very fine album. I think it's just as good, if not better, than "Sgt. Pepper's".
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