The Future Sound Of London – Papua New Guinea 2001
Label: |
Jumpin' & Pumpin' – 12TOT 44R |
|---|---|
Format: |
Vinyl
, 12", 33 ⅓ RPM
|
Country: |
UK |
Released: |
|
Genre: |
Electronic |
Style: |
Progressive House |
Tracklist
| A | Papua New Guinea (Satoshi Tomiie Main-Path) | 10:43 | |
| B | Papua New Guinea (Satoshi Tomiie Flip-Path) | 8:01 |
Companies, etc.
- Published By – Skratch Music Publishing
- Produced At – Earthbeat Studios
- Produced For – Def Mix Productions
- Produced At – SAW.REC Studios
- Phonographic Copyright ℗ – ion Music Ltd.
- Distributed By – The Entertainment Network
- Distributed By – 3MV
- Lacquer Cut At – Masterpiece
- Mastered At – Damont
- Pressed By – Record Industry – 08 47463 20
Credits
- Artwork [Original Image] – Buggy G Riphead*
- Lacquer Cut By – Wally C.*
- Producer – The Future Sound Of London
- Remix, Producer [Remix Produced By] – Satoshi Tomiie
- Written-By – Garry Cobain
Notes
[Published by] Skratch Music Publishing
Produced at Earthbeat Studios
Remix Produced for Def Mix Productions @ SAW.REC Studios, NYC
℗ 1992 ion Music Ltd.
Remixes 2001 ion Music Ltd (on sleeve)
This Remix 2001 ion Music Ltd (on labels)
Jumpin' & Pumpin' A Division of ion Music Ltd.
Distributed by The Entertainment Network / 3MV
Made in England
12 TOT 44R (on sleeve)
12TOT 44R (on labels)
-
Flipside is marked as a B-side on label, whereas it is marked as a double-A-side as per runout etchings.
All matrix / runout information is etched apart from 08 47463 20 1A1 (side A) and 08 47463 20 1B1 (side AA) which is stamped.
Produced at Earthbeat Studios
Remix Produced for Def Mix Productions @ SAW.REC Studios, NYC
℗ 1992 ion Music Ltd.
Remixes 2001 ion Music Ltd (on sleeve)
This Remix 2001 ion Music Ltd (on labels)
Jumpin' & Pumpin' A Division of ion Music Ltd.
Distributed by The Entertainment Network / 3MV
Made in England
12 TOT 44R (on sleeve)
12TOT 44R (on labels)
-
Flipside is marked as a B-side on label, whereas it is marked as a double-A-side as per runout etchings.
All matrix / runout information is etched apart from 08 47463 20 1A1 (side A) and 08 47463 20 1B1 (side AA) which is stamped.
Barcode and Other Identifiers
- Barcode (Text): 5 013993 704409
- Barcode (Scanned): 5013993704409
- Matrix / Runout (Side A): 08 47463 20 1A1 12 TOT 44R A WALLY.C. MASTERPIECE DAMONT
- Matrix / Runout (Side AA): 08 47463 20 1B1 12 TOT 44R AA ⎯ DAMONT
Other Versions (5 of 52)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Papua New Guinea (12", 45 RPM) | Jumpin' & Pumpin' | 12 TOT 17, 12TOT 17 | UK | 1991 | ||
|
Recently Edited
|
Papua New Guinea (12", 45 RPM, Promo) | Jumpin' & Pumpin' | 12TOT 17 | UK | 1991 | ||
| Papua New Guinea (12", 33 ⅓ RPM) | Jumpin' & Pumpin' | 12TOT 17R, 12 TOT 17R | UK | 1992 | |||
| Papua New Guinea (CD, Single) | Jumpin' & Pumpin' | CDS TOT 17 | UK | 1992 | |||
|
Recently Edited
|
Papua New Guinea (CD, Maxi-Single) | ZYX Music | ZYX 6786-8 | 1992 |
Recommendations
Reviews
-
Edited 11 months agogreat remixes. dark Tomiee noughties style (featured on nick warren's essential mix) - tough, deep and dark tribal moodiness a la Diggers LA etc... that whole vibe with some FSOL reprieve in later phases... could imagine it going down well with the newer techno sounds currently abound -
Once in a blue moon do you come across a modern remix that manages to beat an original classic. This is one of those rare occasions. Satoshi Tomiie takes Papua New Guniea into pitch black territories. The bassline is pulsating and roaring, the acid lines gritty and when the break comes it's like you are looking right down into an abyss. It's a monster of a remix. Probably one of the best remixes ever made in dance music. It has also aged really well and can be easily thrown in a modern dj mix and get the crowd in uproars. -
I nerver really liked the original ''papua new guinea'' track so much, as it sounded too atmospheric and soft to my ears, and i would say a little boring, plus it is an overplayed track.
However these 2 Satoshi Tommie remixes are very dark, and far more interesting, than the original track. I like them very much and they are the best remixes of the track out of all versions and remixes alongise ''Journey To Pyramid'' which is my favorite mix from the old versions, also very dark compared to the original. -
Satoshi Tomiie is the only one that comes close to bettering the original. I actually prefer the main-path mix to the original (but only because I haven't heard it as much). The A-side is a very dark mix, that just keeps getting more and more intense until the magnificent breakdown shimmers into existence. Absolutely breathtaking. The B-side is like the A-side, but its all dark. There are a few moments when there is a glimmer of light, but it is quickly consumed by the darkness. Evil. Buy it. Now.
Release
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Recently Edited
Recently Edited
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